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IMDbPro

Far Cry 2

  • Jeu vidéo
  • 2008
  • 16
NOTE IMDb
6,9/10
5 k
MA NOTE
Far Cry 2 (2008)
QuêteThriller psychologiqueActionAventureThriller

Ajouter une intrigue dans votre langueA mercenary is hired to travel to an African country to eliminate a notorious arms dealer called, The Jackal, only to be caught in the crossfire of a civil war.A mercenary is hired to travel to an African country to eliminate a notorious arms dealer called, The Jackal, only to be caught in the crossfire of a civil war.A mercenary is hired to travel to an African country to eliminate a notorious arms dealer called, The Jackal, only to be caught in the crossfire of a civil war.

  • Scénario
    • Patrick Redding
    • Armand Constantine
    • Clint Hocking
  • Casting principal
    • Dwayne Hill
    • Andy Marshall
    • Bayo Akinfemi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    5 k
    MA NOTE
    • Scénario
      • Patrick Redding
      • Armand Constantine
      • Clint Hocking
    • Casting principal
      • Dwayne Hill
      • Andy Marshall
      • Bayo Akinfemi
    • 17avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos47

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    Rôles principaux44

    Modifier
    Dwayne Hill
    Dwayne Hill
    • The Jackal
    • (voix)
    Andy Marshall
    Andy Marshall
      Bayo Akinfemi
      Bayo Akinfemi
        Carlos Diaz
        Carlos Diaz
          Chantal Quesnelle
          Chantal Quesnelle
            Craig Warnock
            Craig Warnock
              Cyrus Lane
              Cyrus Lane
                Daniel Kash
                Daniel Kash
                  Daniel Matmor
                  • Nick Greaves
                  • (voix)
                  Dusan Dukic
                  Dusan Dukic
                    Francisca Zentilli
                      Jeff Teravainen
                      Jeff Teravainen
                      • Walton Purefoy
                      • (voix)
                      Jon-Paul Khouri
                        Lucky Ejim
                        • Addi Mbantuwe
                        • (voix)
                        • (as Onyekachi 'Lucky' Ejim)
                        Paul Berner
                          Sean Baek
                          Sean Baek
                          • Xian-Yong Bai
                          • (voix)
                          Spike Adamson
                            Sugith Varughese
                            Sugith Varughese
                              • Scénario
                                • Patrick Redding
                                • Armand Constantine
                                • Clint Hocking
                              • Toute la distribution et toute l’équipe technique
                              • Production, box office et plus encore chez IMDbPro

                              Avis des utilisateurs17

                              6,94.9K
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                              Avis à la une

                              9fh147

                              Play as a scumbag

                              An exhausting game to play that makes you play as a scumbag on this earth. Just being alive to pillage and eat the last bit of this African country,,,,, a very enjoyable and fun game.

                              I like the story and the character even if it kind feels like a first draft at some points. I mean don't know it. Just feels like some of the writing should have been through a bit more hands, but I still enjoy it. It feels like the bones of an amazing game but now it's just a really great game.

                              I enjoyed the way game tries to realism without being realistic. I enjoyed how you have to use the bus system as fast travel how the gun with jam. If you don't get the new ones, how would the damage affects if you have to use healing animations where your arm up broken hitting the stomach. It's just all around really immersive in the gameplay even if the enemies feels like they bullets sponges most of time.

                              I really love the game, but it feels like a game that only has the bones but it doesn't have the skin and muscle yet. I've truly think this could have been one of the most great games, but there's just not enough to do in it and the story feels like it has some good points, but it's not all the way there. Sadly far Cry 3 goes in a totally different tone with the gameplay. So it just feels more like an action game with hit points and experience which at least this game. Just feels like it tries to be realistic Africa.
                              8Pjtaylor-96-138044

                              Blood diamonds in the sky.

                              'Far Cry 2 (2008)' isn't supposed to be a traditionally 'fun' experience. In fact, it goes to great lengths to fight against the player, attempting to mimic its story's bleak and ultimately anti-war tone within its actual gameplay. This is an interesting prospect, to say the least. Your guns can jam and eventually break, your companions can die or even turn against you, your explosives can cause wildfires that wipe you out, and your character constantly requires medication for the malaria they contract right at the start of the plot. It all feels rather 'realistic', as it were. This hostility has a tendency to put players off, but those who stick with the experience will find a slow-burning, open-world thriller that essentially emulates Joseph Conrad's 'Heart Of Darkness'. It's actually rather remarkable how unlike most examples of the genre this is. There are only four spots that offer 'fast travel', there aren't an overabundance of side-quests, your map is a physical item you have to look at... the list goes on. It makes for a rather unique affair, one that sort of creeps up on you. The game's narrative sees your mercenary - one of several whom you can choose between - travel to Africa in order to eliminate the elusive Jackal, only to get caught up in a civil war and participate in the circulation of blood diamonds. It's an 'every man for himself' sort of story, with each mission offering the opportunity to 'switch sides'; no matter what you do, you're betraying somebody. This all comes together nicely for a near nihilistic vibe, even though the ending itself feels rather scripted and forced. The piece is enjoyable, even if it's often frustrating and cumbersome by design, and it's bold in its decision to favour immersion, in terms of both aesthetic and theme, over ease of use. It might not please fans of the following 'Far Cry' games, but it's a great first-person shooter nevertheless. 8/10
                              6those_who_dig

                              Tediously formulaic, with its cutting-edge qualities dulled by the passing years.

                              I don't think it's aged well. You'll spend much more time travelling from the mission-giver to the destination than actually performing the tasks required in the mission. Spend five minutes driving to a corner of the map, destroy an enemy cache with a single grenade in a maximum of two minutes, spend another five minutes or more returning for the next mission. Sprinkle in the endless enemy patrols, meandering road network and on-brand repetition from this Ubisoft game, and you end up with a title that felt fresh and even next-gen in 2008, but a very faded product now.
                              8thomas-hardcastle-2

                              Something Old, Something New, Something Borrowed, Something Missing...

                              Fans of the FPS genre of gaming will probably have mixed feelings towards this game. In many respects, Far Cry 2 shows the true potential available to users of the current generation of console platforms, but at the same time, many of the functions break no new ground, and serve no great purpose.

                              The game is mission-based, a la Grand Theft Auto, allowing the player to roam 50 square kilometres of land, ranging from Vietnamesque jungle, to the African savanna, and everything in-between. The player travels across the war-torn countryside on assassination missions, convoy-interceptions, and underground networking assistance. Vehicles include Jeeps, trucks, gun-wagons, buggies, 4WD vehicles, hang-gliders, and swamp boats. There is always more than one way to get somewhere, which adds to the depth of the game, and detracts from the boredom of repetition so inherent in the latest Grand Theft Auto installment. The downside to this way of playing the game is that the gamer has to do an incredible amount of travelling, and for a first-person-shooter, this can grate immensely.

                              Currency in the game comes in the form of rough diamonds, which the gamer receives for accepting missions, but the gamer can also use trackers to find hidden diamonds. The gamer uses the diamonds to unlock weapons from arms dealers for use on future missions. The range of weaponry is incredible, and the varied use of multiple weapons can change the required approach to an enemy outpost (ie sneaking using silenced weapons and remote explosives, rather than going in with all guns blazing).

                              On the groundbreaking side of things, hearing enemies communicating with one another adds realism and depth to the people the gamer needs to kill, which causes further immersion into the game. Fire can be started, but not controlled, and the science of it seems realistic enough to put a smile on anyone's face. Add to this the buddy system, where people whose lives you save end up saving yours, and you'll see that Far Cry 2 certainly offers something new to the seasoned gamer.

                              As already mentioned, the mission-based large-map way of completing the game may impress some, but it is fully understandable why other gamers, who played the first Far Cry may be disappointed, and may see this as a nod to GTA.

                              By far the most disappointing aspect of this game is the online mode. It is not a terrible addition to the game, but once a gamer has played the Halo series online, or indeed the immaculate Call of Duty 4, it becomes obvious that the developers threw the online mode together, with seemingly no interest in maintaining an online fanbase.

                              Overall, Far Cry 2 breaks new ground in realism (watching fire spread is a joy to behold), but at the same time it is clear that the developers have taken ideas (not necessarily good ones) from other titles, in an attempt to please the masses. Whether the ideas work or not is merely a matter of opinion. The gamer can expect a lot of travelling, almost endless carnage, and online play fit for few.
                              10jasonclery

                              Dirty bush war

                              I loved this game. I thought it captured the atmosphere of a dirty bush war very well. You go in all guns blazing and its all fun and games, but as the story goes on, it becomes darker, dubious moral choices, hurting the little people. And all this is enhanced by the Jackal Tapes. Whoever wrote those is a genius, they set the mood very well. You're no hero, you're just another exploiter.

                              Mayfield in The Mandalorian has a variation on it "Yeah, Empire, new Republic. It's all the same to these people. Invaders on their land is all we are." And if you follow those Jackal Tapes you KNOW you're just another invader.

                              The Zulu and Afrikaans spoke by the mercenaries is a great detail too, helped the atmosphere.

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                              Histoire

                              Modifier

                              Le saviez-vous

                              Modifier
                              • Anecdotes
                                Inspired by Heart of Darkness (1899) by Joseph Conrad.
                              • Gaffes
                                Hector Vorhees holds his phone normally while speaking on it, even though he has a hands-free device constantly plugged in his ear and clipped on his shirt.
                              • Citations

                                The Jackal: You can't break a man the way you do a dog or a horse, the harder you beat a man, the taller he stands. To break a man's will, to break his spirit, you have to break his mind. Men have this idea that we can fight with dignity, that there's a proper way to kill someone. It's absurd, its aesthetic, we need it to endure the bloody horror of murder. You must destroy that idea, show them what a messy horrible thing it is to kill a man, and then show them that you relish in it. Shoot the wound, and then execute the wounded, burn them, take them in close combat. Destroy their preconceptions of what a man is and become their personal monster. When they fear you, you become stronger, you become better. But let's never forget, it's a display, it's a posture, like a lions roar, or a gorilla thumping at his chest. If you lose yourself in the display, if you succumb to the horror, then you become the monster. You become reduced, not more than a man, but less. And it could be fatal.

                              • Connexions
                                Featured in Troldspejlet: Épisode #39.11 (2008)

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                              Détails

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                              • Date de sortie
                                • 21 octobre 2008 (États-Unis)
                              • Pays d’origine
                                • Canada
                                • France
                              • Langue
                                • Anglais
                              • Société de production
                                • Ubisoft Montreal
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