50/50

Mixing cancer and comedy doesn't seem like it should go so well, but 50/50 is a film that makes it work. Joseph Gordon-Levitt stars as Adam, a 27 year old easy going guy who unexpectedly gets diagnosed with cancer. The film details his struggle to beat the disease and all the hardships that come along with having to fight a disease as crippling as cancer at such a young age. Adam is surrounded by various other people in his life that all influence him in different ways. Seth Rogen plays his best friend, Kyle, who always tries to help Adam out, but doesn't always know how to go about it. Anna Kendrick plays Adam's therapist, Katherine, whose attempts to help Adam cope with the cancer work at times, but at other times she just can't find the right way to connect with the grieving youngster. Bryce Dallas Howard plays Adam's girlfriend and Anjelica Houston is one of the strongest characters, Adam's overprotective mother. The film is a compassionate tale of love and friendship while simultaneously being a raunchy pothead comedy. The overlap is strange, but it works incredibly well.

There are so many ways to do a comedy film about cancer wrong, but very few ways to do it right. 50/50 thankfully manages to find the sweetspot of this risky terrain and succeeds in being a charmingly touching film as well as a wildly hilarious one. The writer of the film, Will Reiser, based the film on his own experiences with fighting and beating cancer at a young age, and his passion and understanding of this story shine beautifully through the film and its characters which surely all resemble Reiser's own friends and family in some way. 50/50 doesn't lean too far to either side of the comedy versus drama spectrum and it always maintains a consistent level of heartwarming hilarity balanced with touching sincerity. The drama and comedy weave in and out of each other perfectly and seamlessly with neither genre feeling inappropriate or out of place. It is sincere filmmaking at its finest.

Moreover, 50/50 just does a great job with its balance of genres, but also with the overall story and the great characters within that story. We grow such passionate empathy for Joseph Gordon-Levitt in a way I never thought could be possible. The film draws us into his troubled world so well and we are rooting for him all the way, cheering on his every move and growing more and more attached to him with every passing moment. We also grow to love the supporting cast who, with the exception of one particular character but I won't spoil anything, support Adam through all his hard times. The characters are all so well written and they play their key roles in Adam's life perfectly. 50/50 is a movie structured to where every character serves a major purpose in furthering Adam's development as well as the development of the plot. And so as we watch the relationships between Adam and the people in his life grow and fade we develop a deeper understanding of his character, making 50/50 an incredibly human story.

It's always nice to be so surprised by a film's quality. I expected good things from 50/50 from the first time I saw a trailer, but the movie itself exceeded my expectations. It is what the dramady subgenre is all about. It is a film tailor made to be the subgenre's posterchild. I laughed, I lamented, and I was brought close to tears at how heartwarming and touching of a film 50/50 is.

How many drama movies about cancer treatment, with suffering performances and a true story of overcoming have been made and even became tiresome way? Well, the young director Jonathan Levine and Will Reiser (screenplay) found a formidable new vision of it all.

The film tells the story of Adam (Joseph Gordon-Levitt), a young man of twenty-seven years working for a radio company in Seattle. He is informed that he has a rare form of cancer called "Neurofibrosarcoma", and is told he only has a 50% chance to live with him. Frustrated, but moving day to day with a seemingly calm, with the help of his friend Kyle (Seth Rogen), Adam continues his long journey of recovery. Only to be bothered by his irritating, selfish girlfriend Rachel (Bryce Dallas Howard). But with the help of the, half embarrassed but very helpful, psychologist Katherine (Anna Kendrick). Adam then proceeds to deal with their illness and can remain calm during most part of the film.

There are so many forms of cancer, rare and common, harmless and that their chances of getting it are very high. Start is random, but dealing with it is even more difficult. While "50/50" is a moving, and sometimes it is emotion-test and tearful, he still has a strong comic relief thanks to Seth Rogen, and several occasions that Adam and Kyle meddle.

The film is a drama, that works as a comedy very well written. Some may find this a defect, but rather a quality. Adam throughout the film faces its situation near death in a lively manner. It's as if the film were telling us, "if it is your last minutes, let then be smiling!".

The cast is terrific, even comic, Seth manages to have an interesting dramatic performance; Anna Kendrick formidable as ever; Angelica Houston and Serge Houde as Adam's parents with great performances; but who shines above everyone is Joseph Levitt with a fantastic performance, proving to be an very promising actor.

Thanks to a wonderful third act, in terms of direction and screenplay that never fail or work against the film at any time, the public has an emotional breakdown all of the characters and the story itself and fantastic to witness.

Most movies don't know how to handle cancer. Heck, most people don't know how to handle cancer — and I'm not talking about the patients. Cancer, or any other terminal illness for that matter, almost always plays some kind x-factor in a film — that is when a film even dares to enter a realm often deemed depressing and "not for the movies." Most often, scripts will position cancer as a tearjerking emotional turning point in a film or as the initial spark of some banal "live life to the fullest" comedy.

"50/50" puts an end to that. Written semi-autobiographically by cancer survivor Will Reiser, it would seem it takes one to write one. Although cancer drives the entire story, the story doesn't fixate on cancer or melodramatize the terrible truths we already know about potentially fatal illness. Perhaps you could tell as much from the trailer thanks to some typical Seth Rogen antics, but the injection of contemporary R-rated humor is neither irreverent, insensitive nor an attempt to simply put a positive spin on a depressing subject. Life — believe it or not — doesn't stop for cancer. People don't sit in the hospital the entire time and then lie at home in bed the rest. Reiser's story provides a mostly unforced and honest depiction of a young man's diagnosis and treatment for potentially fatal spinal cancer, one where cancer isn't the conflict in and of itself, but the way it so dramatically changes the behavior of the people whose lives it enters and positively and negatively alters relationships.

Joseph Gordon-Levitt continues his spree of playing absolutely lovable main characters as Adam, a play-it-safe 27-year-old who after the initial shock handles his diagnosis in stride, keeping his ups and downs internal other than when the script cues him to let it out a bit. The more external symptoms come from Adam's girlfriend (Bryce Dallas Howard), best friend Kyle (Seth Rogen) and mother (Anjelica Huston).

Other than focusing on these relationships, director Jonathan Levine ("The Wackness") puts particular emphasis on character perspective, which will change instantaneously at points throughout the film. In one terrific sequence, Adam enters the hospital for his first chemo treatment and gets bummed out by all the sick and ailing people in the hallway. After the older men he meets while getting treatment (Philip Baker Hall and Matt Frewer) give him some marijuana-filled pastries, he leaves down the same hallway high as a kite, suddenly elated despite the same negative images lining the hall. Levine understands that so much of how you deal with cancer relates to mood and perspective at any given time.

Levine coaxes brilliant and thoughtful performances out of his actors. Even though Rogen exerted his usual shtick a bit more than needed, he handles his character as written, someone who wants desperately to help his best friend but hides behind shallow self-centered form of support that many men turn to because they can't communicate emotions all that well.

The women of "50/50" also deliver if not more so. Howard's character is an unlikable mess but she gives her performance convincingly. Anjelica Huston perfects the ideal on-screen mother, the best since Melissa Leo's Oscar-winning mother in "The Fighter." Anna Kendrick also continues to blow me away with her talent. She plays a psychiatrist working on her PhD who receives Adam as just her third patient. She gives such lifelike quirks to her characters and Katie plays right to her strengths.

But in a drama/comedy about cancer, the key lies in tone and for that Levine should become an A-list director. "50/50" could have easily turned into a Hollywood hack-job like the various comic-toned cancer films before it, a film that either overplays the dramatic or overcompensates with the humorous, but "50/50" might be one of film's best balancing acts between the two. The shifts feel completely natural between moments of deep sentiment and moments of levity. Those who can't help but fixate on this being a movie about cancer will likely have to remind themselves to feel serious when "50/50" just wants you to simply absorb it as you would any other film.

Other than some predictable moments and plot devices to give the film a nicer Hollywood sheen, "50/50" provides a genuine and heartfelt movie experience, one that neither goes for the emotional sucker punch nor the sugarcoated version. Instead of making us look at cancer in a specific way, it makes us look at the way we look at cancer — or any uncomfortable subject — the way we talk about it or don't talk about it, the way we interact with those who live with it and the way we cope with it ourselves. That way when someone we love has a serious problem, we can ultimately do what's best for that person.

~Steven C

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A light hearted touch on a depressing subject ..loved it ,

After playing a bad boy rocker with a full head of hair, Joseph Gordon-Levitt now plays a nervous Cancer-patient with no hair at all. 50/50 is loosely based on the story of Will Reiser, who wrote this film, and is telling us his story and struggle through the character Adam.

Adam is played by Levitt, a marvelous actor who is continuing his string of quirky, yet well made independent films where he plays an off-the-wall protagonist. Adam is twenty-seven and works for a Seattle radio company. He is informed that he has a rare form of Cancer called Neurofibrosarcoma, and is told he only has a 50% chance of living with it. Frustrated, but moving day by day in a seemingly calm manner with his buddy Kyle (Rogen), Adam continues his long journey only to be bothered by his annoying, self-centered girlfriend (Howard) frequently. Through thick and thin, Adam starts to cope with his disease and manages to stay calm for most of the picture.

We all have to die at one point. It's part of the life. But I can't imagine the sadness and calamity brought upon someone who finds out they have a rare form of Cancer and that their chances of living are fifty-fifty. At twenty-seven nonetheless. My mother, who has work in a Chemotherapy unit for about a decade, said that the youngest she has even seen someone die from Cancer is two and a half years old. Some people, hardly get to experience life at firsthand because of Cancer.

There are so many forms of Cancer, rare and common, harmless and not, that your chances of getting it are very high. Getting it is at random, but coping with it is even harder. While 50/50 has a heartbreaking, and is sometimes emotion-testing and tear-jerking, it still has a strong comedic relief thanks to Seth Rogen, who is rather unfairly bashed in a majority of his films.

The acting is superb by both leads, the parents of Adam played by Angelica Houston and Serge Houde are portrayed effectively and in a loving way, and the screenplay and Johnathan Levine's direction never fails or works against this film in any way. Three years prior he was creating good chemistry between Ben Kingsley and Josh Peck in The Wackness. Now, he's finally mastered in creating two characters that do nothing but sparkle when on screen together. You can't really call this a Seth Rogen film because while his comedy is here, his underlying sweetness shows through the cloth of this film more than it has ever done before. The last time he gave a performance this well done was in Sandler's Funny People.

Thanks to a wonderful third act in terms of direction and screenplay, you get an all out emotional breakdown from the characters and yourself. 50/50 has a way with making emotional moments not seemed contrived, but welcomed. I think out of everyone in the theater, my mom was more emotional than the average person in the general public which is understandable.

Many films have come out this year, and many have been ignored. Comedies and dramas alike have been swept under the bus with other blockbusters in theaters at the same time. I plan on doing a list of the top ignored and underrated films of 2011. I hope 50/50 doesn't make that list.

Starring: Joesph Gordon-Levitt, Seth Rogen, Bryce Dallas-Howard, Angelica Houston, and Serge Houde. Directed by: Johnathan Levine.