Looper
En 2074, lorsque la mafia veut se désemparer de quelqu'un, la personne est renvoyée au passé, ou un pistolet loué l'attend - ceci arrive à Joe -qui apprend un jour que la mafia voudra 'ferme... Tout lireEn 2074, lorsque la mafia veut se désemparer de quelqu'un, la personne est renvoyée au passé, ou un pistolet loué l'attend - ceci arrive à Joe -qui apprend un jour que la mafia voudra 'fermer la boucle' en renvoyant le personnage du futur Joe au passé pour qu'il soit assassiné.En 2074, lorsque la mafia veut se désemparer de quelqu'un, la personne est renvoyée au passé, ou un pistolet loué l'attend - ceci arrive à Joe -qui apprend un jour que la mafia voudra 'fermer la boucle' en renvoyant le personnage du futur Joe au passé pour qu'il soit assassiné.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 18 victoires et 47 nominations au total
- Old Joe's Wife
- (as Summer Qing)
- Looper
- (as James Hebert)
Avis à la une
Taking its cues from hard hitting gangster movies, the story follows Joe, a young man living in 2044 America that is crippled with economic collapse. He works for the mafia as a "looper". This is a job that requires some explanation. You see, 30 years from 2044, time travel will be invented. It is highly illegal, but is used by the mob to dump bodies, because it is impossible to do so in the future-future. Loopers get set times and places where they wait for their victims to appear, bound, gagged, and with a mask over their head. Sometimes a looper ends up killing himself from the future. This begins happening quite often, and rumor has it that a man named the Rain Maker is ordering the killings of all loopers. Joe does not seem to think much of this until his future self arrives, without a mask on. His future self escapes, looking for the child who will one day become the Rain Maker. Young Joe finds a woman and her young, troubled boy who are one of the people on Old Joe's map. He decides to wait there to confront his older self, to try and make things right with the mob.
The movie twists and turns in unexpected ways that create a true feeling of suspense. Rian Johnson takes major influences from the likes of Martin Scorsese to craft a cold and calculating crime film. However, Johnson makes a movie that is so original and eclectic that it is obvious this is the work of a man who knows how to tell a story. There is plenty of action, but it never becomes more important than the story or the characters. Johnson also wrote the script, and he brings humanity to all of the players involved. The introduction of alternate timelines is only the beginning of the insane subplots that pop up, and all fit nicely together. The gritty and subdued style invokes a noir aspect that only serves to enhance the movie.
Joseph Gordon-Levitt plays young Joe. He is fantastic as the cool, calm, and collected gunman. His face is altered with makeup to make him look more like old Joe, played by Bruce Willis. Levitt even speaks like the action star. Willis is really great in a subdued and complicated performance, although it would have been nice for his character to have had a more expanded role; he seems to fall into the role of the antagonist too quickly. Emily Blunt plays the hardened and self reliant mother of the boy old Joe is hunting. Blunt's character is used well and she gives an excellent performance.
Looper is a bizarre movie, and that is a very good thing. Exciting, thoughtful, and at times disturbing, this film is mesmerizing to watch. It's not often that an action film is even half as good as this one, and rarely are movies so much fun to watch.
thatguythatlikesmovies.blogspot.com
Looper is one of those films that should be appreciated by its message more than its genre. it uses the science fiction medium, complete with action stunts and wonders, as an apt and well-sculpted vehicle to a very beautiful message of self-sacrifice and positive reinforcement parenthood. the film goes to extra length to make the story plausible and solid and the actors, including the 'rainmaker' child, did a marvelous job of pulling it off.
i've always believed that the soul of any film, even as i appreciate great plot twists and great special fx and great acting and direction (yeah, i said great too many times!), is the message and/or portrait it intends to get across. Looper made a kill for it.
The story is about this man named Joe who is played by both Joseph Gordon-Levitt and Bruce Willis. Basically his job is a looper. In the Year 2074 civilization has created time travel however it is highly illegal to use it. It is then controlled by the highest criminal mafia in the world. In the future they cannot kill a person, so instead they send them back 30 years and the looper will kill them. When the young Joe saw the Old Joe standing there, he hesitated and the plot clashed.
The story was very confusing at first, but the movie does a good job to explain to us as it goes along. To be honest at first I thought this was going to be bad, the story took some time to build up, and the plot just didn't seem to have any structure. Once the movie did pick up, boy did it pick up. It became intense as the hunter became the hunted.
The story had emotion, action, we laughed and cried. Many places where things appeared to be stupid ended actually be part of the story and working out. There are though, a lot of silly moments in the story that to my opinion could have been left out and the story would have been just as good. The acting was very good. Also kinda shows how much Bruce Willis is getting old, but can still pack a punch. I give this movie an 8.5/10!
The film tells the story of Joe (Joseph Gordon-Levitt), a hit-man for an organised crime syndicate tasked with assassinating targets sent from the future. After being confronted with his future self (Bruce Willis) and failing to perform, Young Joe is forced to track down Old Joe and finish the job before being tracked down himself by the nefarious mob led by Abe (Jeff Daniels). However there is much more to the story than the basic premise, and Johnson isn't afraid to keep details close to his chest until later in the film than most movies of this type, so I won't spoil them here.
While certainly paying subtle homage to its predecessors, Looper is a stunningly original sci-fi masterpiece, vastly superior to any of the higher profile action releases this year. While certainly made on a much larger playing field than Johnson's previous work (Brick, The Brothers Bloom), there is still a small-scale, independent feel to the film, and it benefits from clearly staying completely under the control of the young director. Delivering excitement sprinkled with thoughtful themes of personal sacrifice, he offers us much to chew on.
Johnson understands that a successful action film doesn't need an explosion every ten minutes, and allows ample time for developing character and story, something which will likely divide audiences. Looper is very deliberately constructed, and after the highly charged opening establishing the intricate time-travel premise and direction of the plot, Johnson scales back the action almost too much as he ambitiously juggles the many and varied story elements he has created. Thankfully, any weakness in the middle of the film is largely overshadowed as Johnson launches the third act with such ferocity that the stark change of pace leaves you breathless.
Despite the problems in the middle of the film, Looper overcomes its flaws purely by being that rare beast in Hollywood nowadays, the totally original script. Not an adaptation, not a sequel or remake, but a fresh idea from the mind of an immensely talented young film-maker. In a perfect world, Looper would be the game changer it deserves to be, slapping Hollywood studios across the face and announcing that not everything has to be a PG-13 franchise based on a comic book. It's unlikely that this will the case, and it remains to be seen whether or not the film will even be a success, but it's encouraging to see that there are young auteurs at work who are fighting to craft new and exciting stories, even if we only get to see the results every year or two.
tinribs27.wordpress.com
Le saviez-vous
- AnecdotesJoe (Joseph Gordon-Levitt) falling off the fire escape was filmed on the actor's 30th birthday. Gordon-Levitt was left hanging on the stunt wires while the crew sang "Happy Birthday" and wheeled out a birthday cake.
- GaffesJoe is right-handed, whereas Old Joe is left-handed. Not only that, all of Old Joe's mannerisms - the smirk to one side, the head tilt, and so on - are mirrored.
- Versions alternativesThe version shown on FX in the US features replacement footage for Piper Perabo's nude dialogue scene featuring her in lingerie; according to Rian Johnson on Twitter, it's also a different performance altogether.
- ConnexionsFeatured in Projector: Looper (2012)
- Bandes originalesFear Makes a Man Do Funny Things
Written and Performed by The Mashnotes
Courtesy of Glimmerfed Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Asesino del futuro
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 66 486 205 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 801 552 $US
- 30 sept. 2012
- Montant brut mondial
- 176 506 819 $US
- Durée
- 1h 59min(119 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1