Une histoire de vie et de genre basée sur la nouvelle de Stephen King, qui raconte trois chapitres de la vie d'un homme ordinaire nommé Charles Krantz.Une histoire de vie et de genre basée sur la nouvelle de Stephen King, qui raconte trois chapitres de la vie d'un homme ordinaire nommé Charles Krantz.Une histoire de vie et de genre basée sur la nouvelle de Stephen King, qui raconte trois chapitres de la vie d'un homme ordinaire nommé Charles Krantz.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Saidah Arrika Ekulona
- Andrea
- (as Saidah Ekulona)
Avis à la une
There is a concept here about the truth: we live, and then we die, and because I know it's a movie based on a story by Stevn King it has me asking the question: which am I more afrriad of?
I know the ambiguous trailer did not seem like anything you would expect from a Steven King movie, but what I got is exactly why this dude is The Master of Horror.
Maybe I am reading too much into a film, possibly influenced far greater by Mike Flanagan's filmmaking, yet the emotion I felt for this movie was deep.
That's the brilliance of this movie, I felt something at the end, and it made me think, and it was beautiful for that.
It's everything I expected from a movie/
I know the ambiguous trailer did not seem like anything you would expect from a Steven King movie, but what I got is exactly why this dude is The Master of Horror.
Maybe I am reading too much into a film, possibly influenced far greater by Mike Flanagan's filmmaking, yet the emotion I felt for this movie was deep.
That's the brilliance of this movie, I felt something at the end, and it made me think, and it was beautiful for that.
It's everything I expected from a movie/
It honestly boggles my mind how I kept reading about how this movie was bombing at the box office, when it clearly was very poorly marketed. It was two weeks after its "wide" release before it finally showed up to our local art house/second run movie theater. The chain multiplexes gave it a complete miss.
Mike Flanagan is a very talented screenwriter and director and this was possibly Stephen King's most sentimental work. And there's two INCREDIBLE dance scenes. The result is completely human, uplifting film.
There is some anxiety inducing story in the start of the film, but it is not a horror film by any measure. King is also very good with general fiction too, after all.
This movie will stick with you for awhile. Hours after my viewing, I was still thinking about it (and tearing up.)
Mike Flanagan is a very talented screenwriter and director and this was possibly Stephen King's most sentimental work. And there's two INCREDIBLE dance scenes. The result is completely human, uplifting film.
There is some anxiety inducing story in the start of the film, but it is not a horror film by any measure. King is also very good with general fiction too, after all.
This movie will stick with you for awhile. Hours after my viewing, I was still thinking about it (and tearing up.)
I had the pleasure of attending Regal's Mystery Movie Monday and was absolutely delighted to preview The Life of Chuck. Directed by Mike Flanagan and adapted from Stephen King's novella, this film is a deeply moving exploration of life's fleeting moments and the quiet, powerful ways one person can leave a mark on the world.
Tom Hiddleston gives a captivating performance as Charles "Chuck" Krantz, portraying his life in reverse, from death back to childhood. Jacob Tremblay and Benjamin Pajak, who portray Chuck at younger ages, deliver equally sincere and affecting performances, each capturing the spirit and complexity of the character at various stages of his life. The film's unconventional structure may initially challenge viewers, but by the end, it offers a resonant, emotionally rich experience that lingers long after the credits roll.
The supporting cast brings warmth, depth, and surprise. Mia Sara, in a heartfelt return to the screen, shines as Chuck's mother. Matthew Lillard's brief appearance is both deeply touching and meomorable (my one complaint is that he did not return later in the movie), and Mark Hamill lends weight and tenderness in his role as Chuck's grandfather. Nick Offerman serves as the narrator, and his voice, calm, grounded, and thoughtful, beautifully anchors the film's reflective tone.
As a teacher, I was especially moved by the portrayal of educators. Characters like Miss Richards (Kate Siegel), Miss Rohrbacher (Samantha Sloyan), and the beautifully portrayed role by Chiwetel Ejiofor, all embody the kind of teachers we aspire to be, compassionate, inspiring, and transformative. Their presence in Chuck's life is a testament to the quiet heroism of educators.
And I have to say it, Rahul Kohli is a joy to watch in everything he does. His presence is always a highlight.
The Life of Chuck is more than just a film, it's a love letter to life, memory, connection, and the meaning we create in our short time here. Flanagan's masterful direction, paired with a stellar cast and emotionally intelligent storytelling, makes this one of the most beautiful and thought-provoking films of the year.
I wholeheartedly recommend it to anyone ready to be moved, and reminded of what truly matters.
Tom Hiddleston gives a captivating performance as Charles "Chuck" Krantz, portraying his life in reverse, from death back to childhood. Jacob Tremblay and Benjamin Pajak, who portray Chuck at younger ages, deliver equally sincere and affecting performances, each capturing the spirit and complexity of the character at various stages of his life. The film's unconventional structure may initially challenge viewers, but by the end, it offers a resonant, emotionally rich experience that lingers long after the credits roll.
The supporting cast brings warmth, depth, and surprise. Mia Sara, in a heartfelt return to the screen, shines as Chuck's mother. Matthew Lillard's brief appearance is both deeply touching and meomorable (my one complaint is that he did not return later in the movie), and Mark Hamill lends weight and tenderness in his role as Chuck's grandfather. Nick Offerman serves as the narrator, and his voice, calm, grounded, and thoughtful, beautifully anchors the film's reflective tone.
As a teacher, I was especially moved by the portrayal of educators. Characters like Miss Richards (Kate Siegel), Miss Rohrbacher (Samantha Sloyan), and the beautifully portrayed role by Chiwetel Ejiofor, all embody the kind of teachers we aspire to be, compassionate, inspiring, and transformative. Their presence in Chuck's life is a testament to the quiet heroism of educators.
And I have to say it, Rahul Kohli is a joy to watch in everything he does. His presence is always a highlight.
The Life of Chuck is more than just a film, it's a love letter to life, memory, connection, and the meaning we create in our short time here. Flanagan's masterful direction, paired with a stellar cast and emotionally intelligent storytelling, makes this one of the most beautiful and thought-provoking films of the year.
I wholeheartedly recommend it to anyone ready to be moved, and reminded of what truly matters.
Summed up, Mike Flanagan made a deep, multilayered yet beautiful film about the value of life. It's really hard to explain but Flanagan does not waste a single shot. There is a narration throughout the movie, yet right from 'Act Three,' everything seen and experienced unfolds perfectly in 'Act One.' Ejiofor & Gillan are fantastic in Act Three but if The Life of Chuck is to be nominated for anything, it has to be the sound. From the cosmic elements in 'Act Three' to the dancing scenes in 'Acts Two & One,' Flanagan did an exceptional job incorporating the sound throughout.
Of course, everyone was focusing on Hiddleston and his character, but Tom even mentioned it was really a team effort in Act Two and Annalise Basso, Hiddleston's dance partner in Act Two, and Taylor Gordon (who is in the credits as The Pocket Queen), the busker, all three combined with their choreographers Mandy Moore & Stephanie Powell really make the dance scene sing. Taylor Gordon is a talent in herself in her brief, but excellent role.
What surprised me was how Act One was with young Chuck and no one talks about how excellent the kids were. Their performances were just as brilliant as the adults, if not more so when young Chuck receives a very haunting monologue from his grandfather (an unbelievable Mark Hamill) about certain choices in life. Act One really helps put the puzzle together that was Act Three, where the cosmic elements can be off-putting, but it all serves a purpose. Stephen King is right when he says The Life of Chuck is one of the good ones. The spirit and energy is felt from beginning to end, and with all on board performances giving their best, Flanagan is further establishing himself as one of contemporary's greater directors.
One thing I will say is The Life of Chuck is dedicated In Memory to Scott Wampler. And there are a few cameos in The Life of Chuck but Scott's inclusion just tugged me right at the heart. Great film.
Of course, everyone was focusing on Hiddleston and his character, but Tom even mentioned it was really a team effort in Act Two and Annalise Basso, Hiddleston's dance partner in Act Two, and Taylor Gordon (who is in the credits as The Pocket Queen), the busker, all three combined with their choreographers Mandy Moore & Stephanie Powell really make the dance scene sing. Taylor Gordon is a talent in herself in her brief, but excellent role.
What surprised me was how Act One was with young Chuck and no one talks about how excellent the kids were. Their performances were just as brilliant as the adults, if not more so when young Chuck receives a very haunting monologue from his grandfather (an unbelievable Mark Hamill) about certain choices in life. Act One really helps put the puzzle together that was Act Three, where the cosmic elements can be off-putting, but it all serves a purpose. Stephen King is right when he says The Life of Chuck is one of the good ones. The spirit and energy is felt from beginning to end, and with all on board performances giving their best, Flanagan is further establishing himself as one of contemporary's greater directors.
One thing I will say is The Life of Chuck is dedicated In Memory to Scott Wampler. And there are a few cameos in The Life of Chuck but Scott's inclusion just tugged me right at the heart. Great film.
This is a beautiful film. The pacing was perfect, with likeable characters. It doesn't spoil itself or its message, but rather gives you three acts leaving you pondering how everything weaves together.
I have pondered in my life why certain moments are impactful and have helped form me into the individual I am today. It feels like utter randomness, but that's the point isn't it. What matters to me...what gives me substance...is what makes me the unique person I am. It's the good, the bad, the meager, all of it that comes together to form our universe and reality as we know it. So I'll leave you with this: Be kind to yourself and others. Hug your loved ones, forgive those you can forgive, and when your expiration date comes accept and trust that your life was exactly as it was meant to be.
I have pondered in my life why certain moments are impactful and have helped form me into the individual I am today. It feels like utter randomness, but that's the point isn't it. What matters to me...what gives me substance...is what makes me the unique person I am. It's the good, the bad, the meager, all of it that comes together to form our universe and reality as we know it. So I'll leave you with this: Be kind to yourself and others. Hug your loved ones, forgive those you can forgive, and when your expiration date comes accept and trust that your life was exactly as it was meant to be.
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Le saviez-vous
- AnecdotesThis marks Mia Sara's return to acting since 2013. She had retired but told filmmaker Mike Flanagan she would return to acting for him after watching Sermons de minuit (2021).
- GaffesToutes les informations contiennent des spoilers
- Citations
Charles 'Chuck' Krantz: I will live my life until my life runs out.
- Bandes originalesGimme Some Lovin'
Written by Spencer Davis, Steve Winwood and Muff Winwood
Performed by Steve Winwood
Courtesy of Wincraft Music Inc
By arrangement with Kobalt Music Group
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- How long is The Life of Chuck?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 6 712 600 $US
- Week-end de sortie aux États-Unis et au Canada
- 224 585 $US
- 8 juin 2025
- Montant brut mondial
- 13 645 979 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
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