A writer who is brutalized during her cabin retreat seeks revenge on her attackers, who left her for dead.A writer who is brutalized during her cabin retreat seeks revenge on her attackers, who left her for dead.A writer who is brutalized during her cabin retreat seeks revenge on her attackers, who left her for dead.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
Never seen the original so wont compare to that, but I just loved the awesome revenge. Dont do bad things and bad things wont happen to you :-)
It's not often that I'll favourably compare a remake to the original, but in this instance, I must. I thought the original was a pretty bad film, undoubtedly shocking, and deserving of its infamous name, but the remake I feel captures the essence of the revenge, and desperation of the victim to get her own back.
It is of course shocking, and at times is quite sickening to watch, there were plenty of moments when I had to look away, but you can't help but feel a sense of justice as the tables get turned.
Very nicely produced, and well acted. A remake I know, but worthy of being deemed something of a horror classic, one to give you a fear of Ravens for life. 8/10
It is of course shocking, and at times is quite sickening to watch, there were plenty of moments when I had to look away, but you can't help but feel a sense of justice as the tables get turned.
Very nicely produced, and well acted. A remake I know, but worthy of being deemed something of a horror classic, one to give you a fear of Ravens for life. 8/10
'I SPIT ON YOUR GRAVE' (2010): Four Stars (Out of Five)
Modern remake of one of the most controversial films of all time 'DAY OF THE WOMAN' (which was it's original limited release title in 1978, it was later retitled 'I SPIT ON YOUR GRAVE' to capitalize on it's notoriety when it was given a major release in 1980). The film and it's 1978 predecessor both deal with rape, savage torture and murder. Both films have been highly criticized because of this with critics like Roger Ebert giving both films a zero star rating and calling the original a "vile bag of garbage". Almost an equal number of supporters (of the original film), including high profile critics, have raised their voices in defense of the film as well, with many labeling it a misunderstood masterpiece. Opposers of the film claim that it's man hating (with reports of some men walking out of the theater in disgust at both films) and some also accuse the film of glorifying violence against women (for it's violent rape scenes). Defenders of the films claim the movies are 'pro women' feminism and cathartic. People have been debating these issues for thirty two years and they'll probably go on debating them for longer than that and that's a good thing. If a movie causes that much discussion you have to give it some respect just for that.
Both films tell the story of a writer named Jennifer Hills (played by Sarah Butler in the new film and Camille Keaton in the original, Keaton is the grand-niece of Buster Keaton and won a Best Actress award for the role at the 1978 Catalonian International Film Festival) who heads to a cabin in the woods to work on her next novel. Once there she attracts a lot of attention from some hooligan hippies which eventually escalates in them braking into the cabin, raping her repeatedly and leaving her for dead. She unknowingly survives the viscous attacks and seeks out brutally sadistic revenge on all of the men involved, including a mentally handicap young man who was coerced into involvement by his buddies.
The remake was directed by Steven R. Monroe and written by Stuart Morse. The writer and director of the original film, Meir Zarchi, served as an executive producer on the film. Zarchi has said that he was inspired to make the original film after coming across a young rape victim in New York and escorting her to the police (which he says was the wrong decision considering how incompetent they were in the matter) and later the hospital for assistance. He defends the violence of the film as being completely necessary and rejects any criticisms that it is exploitative.
As far as the remake compares to the original film it's technically far superior on every level; it's better filmed, acted, written and directed (the original film had to manage with a much smaller budget though). The new film also shortens the rape scenes, in comparison to the much more explicit original, and relies more on psychologically implied imagery (which I think was a smarter decision). It also elaborates and extends the violent revenge scenes with much more creative deaths (much like many popular horror films). Where as the first half is more realistic and believable the second half branches much more into 'grindhouse' style revenge fantasy. While the film is much better than the original in all those ways it'll never be as remembered and cherished as a cult classic by fans.
I personally don't agree with the film's critics or it's supporters. I don't think you're supposed to necessarily agree with the heroine's actions or condone them and I definitely don't think you're intended to agree with the assailants' actions (that's a ridiculous argument). I think the film raises a lot of thoughts (most of them unpleasant) and discussion which like I said is something the films deserve credit for. A movie should never be judged by the actions of the characters within it, so however disgusting and disturbing they are (and in these films they're atrocious) it doesn't mean that they're bad films. I think both films are well made to a certain extent and effective at what they attempt to do. They're definitely not for everyone and very hard to watch but they're also memorable and dialogue inducing.
Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=AgaAYiwY0g0
Modern remake of one of the most controversial films of all time 'DAY OF THE WOMAN' (which was it's original limited release title in 1978, it was later retitled 'I SPIT ON YOUR GRAVE' to capitalize on it's notoriety when it was given a major release in 1980). The film and it's 1978 predecessor both deal with rape, savage torture and murder. Both films have been highly criticized because of this with critics like Roger Ebert giving both films a zero star rating and calling the original a "vile bag of garbage". Almost an equal number of supporters (of the original film), including high profile critics, have raised their voices in defense of the film as well, with many labeling it a misunderstood masterpiece. Opposers of the film claim that it's man hating (with reports of some men walking out of the theater in disgust at both films) and some also accuse the film of glorifying violence against women (for it's violent rape scenes). Defenders of the films claim the movies are 'pro women' feminism and cathartic. People have been debating these issues for thirty two years and they'll probably go on debating them for longer than that and that's a good thing. If a movie causes that much discussion you have to give it some respect just for that.
Both films tell the story of a writer named Jennifer Hills (played by Sarah Butler in the new film and Camille Keaton in the original, Keaton is the grand-niece of Buster Keaton and won a Best Actress award for the role at the 1978 Catalonian International Film Festival) who heads to a cabin in the woods to work on her next novel. Once there she attracts a lot of attention from some hooligan hippies which eventually escalates in them braking into the cabin, raping her repeatedly and leaving her for dead. She unknowingly survives the viscous attacks and seeks out brutally sadistic revenge on all of the men involved, including a mentally handicap young man who was coerced into involvement by his buddies.
The remake was directed by Steven R. Monroe and written by Stuart Morse. The writer and director of the original film, Meir Zarchi, served as an executive producer on the film. Zarchi has said that he was inspired to make the original film after coming across a young rape victim in New York and escorting her to the police (which he says was the wrong decision considering how incompetent they were in the matter) and later the hospital for assistance. He defends the violence of the film as being completely necessary and rejects any criticisms that it is exploitative.
As far as the remake compares to the original film it's technically far superior on every level; it's better filmed, acted, written and directed (the original film had to manage with a much smaller budget though). The new film also shortens the rape scenes, in comparison to the much more explicit original, and relies more on psychologically implied imagery (which I think was a smarter decision). It also elaborates and extends the violent revenge scenes with much more creative deaths (much like many popular horror films). Where as the first half is more realistic and believable the second half branches much more into 'grindhouse' style revenge fantasy. While the film is much better than the original in all those ways it'll never be as remembered and cherished as a cult classic by fans.
I personally don't agree with the film's critics or it's supporters. I don't think you're supposed to necessarily agree with the heroine's actions or condone them and I definitely don't think you're intended to agree with the assailants' actions (that's a ridiculous argument). I think the film raises a lot of thoughts (most of them unpleasant) and discussion which like I said is something the films deserve credit for. A movie should never be judged by the actions of the characters within it, so however disgusting and disturbing they are (and in these films they're atrocious) it doesn't mean that they're bad films. I think both films are well made to a certain extent and effective at what they attempt to do. They're definitely not for everyone and very hard to watch but they're also memorable and dialogue inducing.
Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=AgaAYiwY0g0
I recall having seen the 1978 version a long, long time ago, but must confess that I can only recall parts of the movie. So I decided to give this 2010 remake version a go, without having any hopes or expectations to it.
Wow! This movie was wicked. And in more than just one way. The story was compelling, even though it was twisted and perverse. But the movie just sweeps you up and takes you along for a ride, and you want to stick around and see what happens next. Basically, the story is about a young writer named Jennifer, who goes to a small town to write, and she is assaulted and tormented by a group of locals. Leaving her for dead, Jennifer comes back and takes revenge on those who wronged her.
The "I Spit On Your Grave" 2010 remake had me nailed to the chair, especially because it was so brutal. This movie is definitely not for the faint hearted or for those easily offended. I was cringing several times throughout the movie and was curling in the chair in phantom pains as well. The way the brutal scenes were executed and portrayed was just off the charts. It was in a weird way, perfect brutality caught on film. Sounds bad to say, I know, but trust me, watch the movie and you will know what I am talking about. It was like you were right there in the movie yourself.
Most of the people cast for the movie was new faces for me, I think I only recognized a single face, and he didn't even have a big role, that being Tracey Walter (playing Earl). Sarah Butler did a good job with the role of Jennifer, and she really came off quite believable. And credit is due the guys playing the tormentors as well, because they did good job with their roles as well (despite it being the roles of perverse deviants).
"I Spit On Your Grave" really surprised me and left me wanting for more. I actually want to sit down and watch the 1978 movie again to freshen up my memory of that version and compare it to this 2010 version.
Normally I am not keen on Hollywood remakes of older movies, but this one really hit the nail straight on the head, and as the nail tore through the flesh, you will cringe, groan and want for more.
There wasn't much music throughout the movie, or perhaps I just failed to notice it, because I was so caught up in the movie. But "I Spit On Your Grave" doesn't really need a hyped up score to work, because the story is selling (and telling) itself.
The effects in the movie were good as well, though there wasn't an extraordinary amount of effects. But the effects that were used worked superbly and were straight to the point, showing and telling what needed to be portrayed. The movie has just the right amount of blood, guts and gore without turning into a splatterfest.
If you haven't already gotten around to seeing this 2010 remake, then get yourself into gear and sit down to watch it. You will be in for quite an experience. But be warned; this movie is brutal. "I Spit On Your Grave" is definitely a movie that I will be popping into the DVD player again sometime in the future. It was wickedly awesome!
Wow! This movie was wicked. And in more than just one way. The story was compelling, even though it was twisted and perverse. But the movie just sweeps you up and takes you along for a ride, and you want to stick around and see what happens next. Basically, the story is about a young writer named Jennifer, who goes to a small town to write, and she is assaulted and tormented by a group of locals. Leaving her for dead, Jennifer comes back and takes revenge on those who wronged her.
The "I Spit On Your Grave" 2010 remake had me nailed to the chair, especially because it was so brutal. This movie is definitely not for the faint hearted or for those easily offended. I was cringing several times throughout the movie and was curling in the chair in phantom pains as well. The way the brutal scenes were executed and portrayed was just off the charts. It was in a weird way, perfect brutality caught on film. Sounds bad to say, I know, but trust me, watch the movie and you will know what I am talking about. It was like you were right there in the movie yourself.
Most of the people cast for the movie was new faces for me, I think I only recognized a single face, and he didn't even have a big role, that being Tracey Walter (playing Earl). Sarah Butler did a good job with the role of Jennifer, and she really came off quite believable. And credit is due the guys playing the tormentors as well, because they did good job with their roles as well (despite it being the roles of perverse deviants).
"I Spit On Your Grave" really surprised me and left me wanting for more. I actually want to sit down and watch the 1978 movie again to freshen up my memory of that version and compare it to this 2010 version.
Normally I am not keen on Hollywood remakes of older movies, but this one really hit the nail straight on the head, and as the nail tore through the flesh, you will cringe, groan and want for more.
There wasn't much music throughout the movie, or perhaps I just failed to notice it, because I was so caught up in the movie. But "I Spit On Your Grave" doesn't really need a hyped up score to work, because the story is selling (and telling) itself.
The effects in the movie were good as well, though there wasn't an extraordinary amount of effects. But the effects that were used worked superbly and were straight to the point, showing and telling what needed to be portrayed. The movie has just the right amount of blood, guts and gore without turning into a splatterfest.
If you haven't already gotten around to seeing this 2010 remake, then get yourself into gear and sit down to watch it. You will be in for quite an experience. But be warned; this movie is brutal. "I Spit On Your Grave" is definitely a movie that I will be popping into the DVD player again sometime in the future. It was wickedly awesome!
Remakes are a dime a dozen these days but when you go through your old DVD or video collection and you come across the 1978 original I Spit On Your Grave you cant help but think "not a chance they will remake this". But remake it they have and the storyline is a mirror image of the original but for some reason this new version doesn't seem to be as nasty as the original. The reasons for this might have to do with the fact that the actors can actually act, its shot in a cleaner, more professional manner and maybe most importantly of all : we are just not that shocked by anything anymore. With more and more films pushing the boundaries of violence and gore, this just doesn't offend as much as the original did in its day. Having said that its still a tough watch and anybody not familiar with the original and not a fan of this genre will find its extended torture and intimidation scenes very difficult to stomach, but with a title like I Spit On Your Grave this movie will only attract a certain type of viewer.
Le saviez-vous
- AnecdotesIn the final shooting script, Jennifer was intended to arrive at the cabin with her dog and it was to be featured heavily during the introduction of the film. The dog was written out of the script last minute because hiring a trained dog for the intended shooting schedule would put the movie over budget. According to the director Steven R. Monroe, "The dog would have made more money than anybody on the movie."
- Gaffes(at around 1h 30 mins) During Johnny's torture scene, his real teeth are visible above the fake ones.
- Versions alternativesThe UK release was cut, the distributor was required to make a total of seventeen cuts during three separate scenes of sexual violence in order to remove potentially harmful material (in this case, shots of nudity that tend to eroticise sexual violence and shots of humiliation that tend to endorse sexual violence by encouraging viewer complicity in sexual humiliation and rape), in order to obtain an 18 classification. Cuts made in accordance with BBFC guidelines and policy. An uncut classification was not available.
- ConnexionsEdited into I Spit on Your Grave 3: Vengeance Is Mine (2015)
- Bandes originalesMoccasin Blues
Performed by Further Down
Written by Michael Lee Collins, Robert Aaron Rigsbee, Dustin Allan Dorton, Joshua Kane Copeland, Pete Matthews, and Charles Mooney, Jr.
Published by Charles Mooney, Jr. (BMI)
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- How long is I Spit on Your Grave?Alimenté par Alexa
- What are the differences between the British BBFC 18 Version and the Unrated Version?
Détails
Box-office
- Budget
- 2 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 93 051 $US
- Week-end de sortie aux États-Unis et au Canada
- 32 440 $US
- 10 oct. 2010
- Montant brut mondial
- 1 278 650 $US
- Durée1 heure 48 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the streaming release date of I Spit on Your Grave (2010) in Australia?
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