L'histoire de deux hommes aux côtés différents d'une émeute en prison - le détenu menant la rébellion et la jeune garde piégée dans la révolte, qui se fait passer pour un prisonnier dans une... Tout lireL'histoire de deux hommes aux côtés différents d'une émeute en prison - le détenu menant la rébellion et la jeune garde piégée dans la révolte, qui se fait passer pour un prisonnier dans une tentative désespérée de survivre à cette épreuve.L'histoire de deux hommes aux côtés différents d'une émeute en prison - le détenu menant la rébellion et la jeune garde piégée dans la révolte, qui se fait passer pour un prisonnier dans une tentative désespérée de survivre à cette épreuve.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 44 victoires et 28 nominations au total
Avis à la une
Cell 211 tells the story of a riot inside a dangerous ward, just when a new prison officer is having his introductory visit to the same. By chance, he sees himself locked in with the rioters and, to survive, he assumes, a new identity as a prisoner.
Although the story is not especially original, the characters and the script are very good, the situation is completely believable within the Spanish social and jail context, and the end is not as predictable as you might expect. Moreover, the movie is unpretentious and fresh, which makes it even more enjoyable.
The acting is very good by all the cast, but especially by Luis Tosar as Malamadre, by Alberto Ammann as Juan Oliveras, and Antonio Resines as Prison officer Utrilla.
A very entertaining Spanish thriller with very good acting, that won 8 Goyas (Spanish Oscars) in 2009.
Fiercely tense with a cracking pace, an edgy sense of urgency and some ugly scenes of brutality, it's also got some great and believable performances as well as some rather poignant scenes, as bonds are made between prisoners and our protagonist gets to see things from their perspective.
Yet the last thing Cell 211 is is generic. It has some refreshingly genuine left field unexpected twists and developments that keep you pretty much hooked, from its attention grabbing opening scene to its blistering conclusion. It also does a great job of keeping you in suspense as to whether or not our protagonist will be discovered, with the viewer left under no illusions what will happen to him if he is.
It's also got some very decent production values and mercifully refrains from that awful jump cut editing during the more chaotic prison scenes.
But best of all is its sheer unpredictability as trust me- after the hour mark, you really won't be sure how things are gonna turn out and will be hooked all the more.
Overall a great film and highly highly recommended. See it now, you'll be glad you did. 9/10, Sheer class from Spain.
1. The script is not a typical Hollywood storyline. It's very realistic and powerful.
2. The performances of all actors are superb. In contrast to Hollywood movies, the actors in this movie are not models who decided to move to the film business but real actors.
Fortunately, there are still cinema people who do not see movies as commercial products for sale with the purpose of bringing enormous profit to the producers but rather works of art. There is still hope for cinema.
Great idea for a movie, apparently the Yanks are going to remake it.
I think that will be good too, if they polish this movie up well, it will be even better.
New scariest movie prison dude ever in the halfwit enforcer.
Fair bit of action, pretty tense at times, even the wife or girlfriend will enjoy it as it's very easy to follow, even with the subtitles.
Not for kids, but there is nothing in here teenagers haven't seen before.
Got to fill in some more lines ffs. Is that enough?
So so. It's been a long time, when i last time saw a film about prisons. Maybe it was "The Shawshank Redemption", i truly can't remember. I think, there isn't much films these days about "true" prison life (i still didn't saw "Un prophète"). Now, the thing i want to say is that i can't remember any other "prison" movie, except "The Shawshank Redemption" and "Midnight Express",but now, i'll always remember "Celda 211" (Cell 211-international title). This film goes "straight to the bone". Really great cinematography, excellent job by director (two thumbs up to Daniel Monzón), unbelievable acting - still can't believe that these guys aren't real prisoners. This film has it all. The only reason i saw this film, is that i watched "Agora", another great film from Spain, and was really surprised, when i heard, that "Agora" was overwhelmed at Goya Awards by some "prison drama". Now i can say, that "Celda 211" is the best film from Europe in long time - and i don't say this very often.
Go and watch this film, You won't be regretting.
Gran película and bravo to Spain!
Le saviez-vous
- AnecdotesThe movie is dedicated to Luis Ángel Puente, a fireman of the city of Zamora (Spain) where the film is located. He participated in the film and died rescuing two boys in the Duero river shortly after.
- GaffesWhen the minister is heading to the prison, the car he is driven in is shown as an Audi A6 (1997) from the front, when arriving to the prison the car is shown from behind, but this is an Audi A8 (2005) model.
- Citations
Malamadre: So the guards beat you up your first day. You must have pissed them off.
Juan Oliver: I do my best.
- ConnexionsFeatured in WatchMojo: Top 10 Spanish Language Movies (2016)
Meilleurs choix
- How long is Cell 211?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Celda 211
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 € (estimé)
- Montant brut mondial
- 19 305 314 $US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1