Medianeras
- 2011
- Tous publics
- 1h 35min
NOTE IMDb
7,5/10
17 k
MA NOTE
Martín et Mariana sont deux personnes légèrement dégradées qui vivent dans des immeubles en face l'un de l'autre. Bien qu'elles ne se remarquent pas souvent, la séparation pourrait bien être... Tout lireMartín et Mariana sont deux personnes légèrement dégradées qui vivent dans des immeubles en face l'un de l'autre. Bien qu'elles ne se remarquent pas souvent, la séparation pourrait bien être la chose même qui les rapprocherait.Martín et Mariana sont deux personnes légèrement dégradées qui vivent dans des immeubles en face l'un de l'autre. Bien qu'elles ne se remarquent pas souvent, la séparation pourrait bien être la chose même qui les rapprocherait.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 9 nominations au total
Woody Allen
- Isaac
- (images d'archives)
- (non crédité)
Mariel Hemingway
- Tracy
- (images d'archives)
- (non crédité)
Avis à la une
A Spanish 500 Days of Summer mixed with a more urban and up to date You've Got Mail. I liked this film a lot. I watched on a whim, this being the first movie I've actually watched fully subtitled and I've got to say, personally it made the experience of the movie that much more enjoyable.(I think it added a feeling of being connected, seeing that there are people out there from a different culture feeling and hurting and living just like me) Now even though dialogue is primarily in Spanish, English songs are used and this also brought an even more familiar tone to the movie as a whole. I connected with both the main characters in the film. Their feelings of loneliness on the inside, yet, still going on with their day to day all while being mixed with their phobias, longings, quarks, and vulnerabilities. This movie works, it works on every cylinder. Beautifully shot and beautifully written.. Watching this will not be a waste of your time.
Sidewalls (2011)
A wonderful, heartwarming, smart and funny film. Anyone would like this, so see it.
Two lonely young people in two nearby apartments in Buenos Aries are everything in this fairy tale feel good romance. A romance where the two characters have never met.
The city is lovingly brought to life through its buildings, most of them ordinary big city buildings much like the two characters are ordinary inhabitants. And the title, sidewalls (which is medianeras in Spanish for this home-grown Argentine movie), refers to the tall and often windowless side facades of the structures, including many apartment buildings, including the two where our hero and heroine reside.
So what goes on? You see the almost painfully lonely lives of two really likable people, wishing they could somehow meet. They have similar interests, they live near to each other, and they are both looking for love. Small things happen in the movie, little asides, but really the whole things is just this gradual accumulation of expectation. They really should meet, somehow, cross paths and recognize their parallel needs. The audience is totally convinced they are perfect for each other.
If only life would comply.
Director Gustavo Taretto, who also wrote the sly monologues and voiceovers for the movie (there is almost no dialog), originally made this as a short in 2005, running at half an hour, and it got rave reviews and won a slew of awards. So it was expanded here, and somehow it doesn't seem stretched too long even though the idea is the same (and the same lead actor was used, with a different lead actress). If there is any drawback to the movie, however, it is a slowly growing feeling that there is just this one clever situation at hand and it needs to resolve, or end, or something, to keep the incredible magic of the first half going.
Not that it exactly flags. The fairytale aspects get slightly improbable (as fairy tales do) by the last half hour, but it's exactly what you need. And then it's done, a fun and funny gem. It fits into a category of independent features worldwide using small casts, young actors and simple bright ideas. This is one of the best.
A wonderful, heartwarming, smart and funny film. Anyone would like this, so see it.
Two lonely young people in two nearby apartments in Buenos Aries are everything in this fairy tale feel good romance. A romance where the two characters have never met.
The city is lovingly brought to life through its buildings, most of them ordinary big city buildings much like the two characters are ordinary inhabitants. And the title, sidewalls (which is medianeras in Spanish for this home-grown Argentine movie), refers to the tall and often windowless side facades of the structures, including many apartment buildings, including the two where our hero and heroine reside.
So what goes on? You see the almost painfully lonely lives of two really likable people, wishing they could somehow meet. They have similar interests, they live near to each other, and they are both looking for love. Small things happen in the movie, little asides, but really the whole things is just this gradual accumulation of expectation. They really should meet, somehow, cross paths and recognize their parallel needs. The audience is totally convinced they are perfect for each other.
If only life would comply.
Director Gustavo Taretto, who also wrote the sly monologues and voiceovers for the movie (there is almost no dialog), originally made this as a short in 2005, running at half an hour, and it got rave reviews and won a slew of awards. So it was expanded here, and somehow it doesn't seem stretched too long even though the idea is the same (and the same lead actor was used, with a different lead actress). If there is any drawback to the movie, however, it is a slowly growing feeling that there is just this one clever situation at hand and it needs to resolve, or end, or something, to keep the incredible magic of the first half going.
Not that it exactly flags. The fairytale aspects get slightly improbable (as fairy tales do) by the last half hour, but it's exactly what you need. And then it's done, a fun and funny gem. It fits into a category of independent features worldwide using small casts, young actors and simple bright ideas. This is one of the best.
This is a movie about life and solitariness in modern capitol of Argentina. Urban chaos, modern way of life and new technology keep people apart which was the first point of the movie and title "Sidewalls" is just metaphor for those things. Sidewalls describes main protagonists lives of loneliness, displeasure and endurance. In the end Internet unites them and sidewalls lost its purpose which was the second point of the movie. Maybe the end is in some kind of way like in Hollywood style but it is not very bad flaw. This movie has in my opinion artistic qualities 'cause production, direction and acting really worked here. Storyline was good as well.
Two young adults live lonely, isolated existences in modern Buenos Aires and repeatedly fail to meet each other despite living on either sides of a street.
Javier Drolas is a web designer living in a cluttered, one room apartment. He doesn't like to go outside and only does for his therapy appointments and to walk the dog his American girlfriend left with him when she returned home for a visit and never came back. He has a brief sexual relationship with a young, emo dog walker, but it's not very satisfying.
Pilar López de Ayala is a young architect working as a window dresser. She has a series of unsatisfying relationships and is happier relating to the mannequins she keeps in her apartment.
The film teases several meetings between these two, but along the way, muses on life in modern Buenos Aires, a city that has grown so fast that it's a mishmash of haphazard architectural styles and most people live in tiny apartments in giant high rises. The growth of online relationships and slow death of personal, physical ones is killing the romantic lives of young people like our protagonists.
It's a very slight, but quite engaging film. You never doubt that a film with this light a tone will end with these two meeting, but it's a pleasant journey. Gustavo Taretto telescopes his indebtedness to Woody Allen by having our protagonists both watching the climax of "Manhattan". This film is more like "Annie Hall" with a steady narration by both leads and a blend of many styles ... animation, on screen graphics and many other gimmicks are dropped in.
Javier Drolas is a web designer living in a cluttered, one room apartment. He doesn't like to go outside and only does for his therapy appointments and to walk the dog his American girlfriend left with him when she returned home for a visit and never came back. He has a brief sexual relationship with a young, emo dog walker, but it's not very satisfying.
Pilar López de Ayala is a young architect working as a window dresser. She has a series of unsatisfying relationships and is happier relating to the mannequins she keeps in her apartment.
The film teases several meetings between these two, but along the way, muses on life in modern Buenos Aires, a city that has grown so fast that it's a mishmash of haphazard architectural styles and most people live in tiny apartments in giant high rises. The growth of online relationships and slow death of personal, physical ones is killing the romantic lives of young people like our protagonists.
It's a very slight, but quite engaging film. You never doubt that a film with this light a tone will end with these two meeting, but it's a pleasant journey. Gustavo Taretto telescopes his indebtedness to Woody Allen by having our protagonists both watching the climax of "Manhattan". This film is more like "Annie Hall" with a steady narration by both leads and a blend of many styles ... animation, on screen graphics and many other gimmicks are dropped in.
The movie "Sidewalls" is very different from the movies I usually watch and to be completely honest I'm not sure if I liked it or not. I thought it portrayed real life very accurately; real like is sometimes slow and a bit dull. In real life you go through conflicts caused by others or sometimes the conflicts are within; depression, anxiety, insomnia, loneliness, etc, and I think "Sidewalls" showed that. I would prefer if the movie was in English, mainly because I focused on the dialogue and didn't see some of the detail that was put into a couple shots. However, I thought "Sidewalls" was filmed very well; I personally really like it in movies when there is a voice over with shots that complement what is being said and this movie did that multiple times. I really liked how the two main characters went to the same places, were connected in several ways (the chair, the crosswalk, etc), but they never met until the end of the movie. I think the director wanted this movie to accurately portray reality: mental health issues controlling certain people's lives, how the internet is ruining face to face communication, but can also bring people together, and how everyone, at one time in their life, will feel completely and utterly alone. I think this movie can be directed towards a wide variety; mainly teens-adults. I definitely don't think this movie is appropriate for children because of some of the content and I don't think most elders would like this movie, but besides that I think this movie is targeted to most ages. I think that "Sidewalls" was a movie; it did have some things you could learn from and say was "educationally", but I do think it is more for pleasure. Overall, I do think "Sidewalls" was a good movie; I would suggest it to a friend and may even watch it again myself.
Le saviez-vous
- AnecdotesThe movie that the main characters watch on tv is Manhattan (1979), by Woody Allen.
- ConnexionsFeatures Manhattan (1979)
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- How long is Sidewalls?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Sidewalls
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 377 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 304 $US
- 30 oct. 2011
- Montant brut mondial
- 1 008 116 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Medianeras (2011) officially released in India in English?
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