Félins: Le royaume du courage

Alastair Fothergill and Keith Scholey bring a charming little documentary set in the Kenyan Savannah. The film has been edited tightly to tell a coherent story and add a more dramatic feel. What sets it apart from watching a documentary on Animal Planet or Discovery Channel is that the viewer does not get the feel that he/she is watching a documentary. It feels like watching a feature film where the lionesses and the cheetahs are the protagonists. It is beautifully shot with stunning cinematography and a brilliant soundtrack with the exception of the Jordinn Sparks track that takes place during the closing credits. But watch the closing credits as it's hilarious seeing how the animals have been credited. Samuel L. Jackson's husky voice excellently narrates the story. It centers around Sita the cheetah and her cubs and Laila the lioness and her daughter Mara. And the presentation of the 'characters' are very well done as the viewer can easily relate to them and root for them. The elements of adventure, suspense and even comedy are brilliantly balanced in this wildlife tale. Given that the title is 'African Cats', I missed seeing the leopard. But anyway, 'African Cats' is overall refreshing, entertaining and heartwarming and a nice reminder of why some of us love animals.

Disney Nature's new documentary could definitely have been more imaginatively titled, but it's still an impressively mounted experience for wildlife lovers, and feline fanatics especially. The film-makers forego an information-filled Attenborough-style narrative, instead favoring the incongruous delights of Samuel L Jackson regaling us with a 'true life adventure' like some hoary old story-teller reading from a children's tome. Some may find this non-scientific approach condescending, but there's no denying the film offers visual spectacle on an epic scale and an intimate, involving account of life for these surprisingly vulnerable killers.

Fang is an aging lion struggling to look after his pride while contending with the usurping efforts of some younger competition. His sheba is trying to do the best for her cub Mara, stuck between her loyalty to Fang and the security that the more virulent lions on the other side of the river might offer. As the two groups come to blows over food, territory and leadership, it becomes clear that Fang's days may be numbered. Meanwhile, Sita is a cheetah with five rambunctious cubs, who are prized as coveted meals for many of the animals sharing their domain. Her efforts to protect, feed and teach them put her in mortal danger not only from enemies from other species but also their own.

As the beautifully captured seasons come and go, drastically affecting the awesome landscape, we witness the cats face many hardships despite being so high up in their food chain. Motion capture and slo-mo are judiciously deployed to generate wonder and tension, with the film's narrowed focus really giving the audience time to appreciate the African countryside, while several sequences of our subjects in peril prove as heart-stopping as a well-orchestrated horror movie. The soundtrack also adds to the atmosphere despite being somewhat predictably crafted and employed. The stories of the lions and the cheetahs are nicely balanced and bring some dynamic variety to the footage; the bigger cats are as impressive and noble as you'd expect, but the cheetahs often steal the show, thanks to the cubs' undeniable cuteness and Sita's mind-boggling multi-tasking prowess and intelligence.

Jackson really does attack his narration with all the relish of a new father indulging his kids at bedtime, making Daniel Craig's po-faced voice-over for the recent One Life film seem joyless and disheartening in comparison. The use of character names does actually help the audience keep track of the cats, even though the attempts to characterize them are sometimes laid on a little too thick. Keith Scholey and John Truby's script invests proceedings with even more humor and pathos than they would already have, and for the most part directors Scholey and Alastair Fothergill know just when to let the action speak for itself. There's also a cringe-worthy but amusing credit roll, where the various animals are assigned appropriate film-making roles; giraffes posing as crane operators are just the tip of the iceberg. It's something of a novelty but also represents icing on the cake for a film that has been more lovingly assembled than you might expect.

Cynics will point to the film's release coinciding with that of The Lion King to accuse Disney of trying to fleece families, while some will find the child-friendly voice-over cloyingly sentimental, but it marks a bit of a change for cinematic nature documentaries and at least they had the good sense to stick to 2D. Cat-lovers young and old will be delighted with this release, and it truly deserves to be experienced on the big screen. By concentrating so steadfastly on such a particular topic, Disney have made a wonderfully immersive and invigorating film, even if it's not particularly enlightening. The film may gloss over its stars' violent nature and assemble footage in a way that manipulates audience sympathy while slightly toning down the harsh reality, but African Cats is an unexpected pleasure to behold, coming as a breath of fresh air in an often stuffily rarefied genre.

We often think of African wildlife documentaries as being dry, reiterated, or just clips of either cute baby animals or slow motion shots of the predator striking at it's prey. All under the dry narration of Sir David Attenborough or someone trying to sound like him. This is different.

The theme of "African Cats" is one of a mother's love, the setting is on a stretch of Kenya divided by a great river where on one side we are shown a lioness and her cubs as members of the ruling pride, on the other a mother cheetah and her cubs as she attempts to raise her young as a single mother. Each situation has it's benefits and it's disadvantages.

All of this wonderful story telling occurs amidst the beautiful scenery of Africa and all under the perfect narration of Samuel L. Jackson whose voice matches the inflection and emotion of every scene reminiscent of the work of the late John Facenda of NFL Films.

The movie does not try to out-do its predecessors and be more than it is, it stays to it's story and it's themes and makes for a wonderful film for anyone. From the kid who loves animals, to the casual film goer who enjoys a good story. 6 out of 10, check it out.

2/28/18. With great cinematography this animal documentary follows the lives of two big cat families. An aging lion, Fang, eventually must face up to Kali and his 4 sons (ok, it's no contest), and Sita, a female cheetah with 5 cubs must bravely survive the dangers of the jungle. Great movie, and worth catching with kids of all ages!

This was (in my humble opinion), one of the better "wildlife movies" I have seen. Sure, there were not too many scenes of carnage but neither was the footage sanitized to that with what we are traditionally used to with Disney. A pretty good narration by Jackson and brilliant cinematography results in a rather good portrayal of life and death in central Africa.

If there is a little anthropomorphism so what? The overall cinematography was a great compliment to the music and I would think anyone leaving the theatre would admit to almost smelling the Masai Mara in all of its majesty. John P Nightingale