Pandorum

Part psychological thriller, part sci-fi, part ALIENS, PANDORUM is a unique hybrid. Although nothing new in terms of things we haven't seen before (encapsulate a group of men/women and see how they react), the film is strung together differently enough to hold your attention. You never really know what's around the next corner.

The story is pretty common: Earth is doomed. Spaceships are sent out to find a habitable planet. One of these ships has been lost in space for some time, and when ship's pilot #4, Bower (Ben Foster, 3:10 TO YUMA), wakes up from a prolonged hyper-sleep, much of his memory is gone or scrambled. Slowly things begin coming into focus as he finds various clues about who and where he's at. And not long after his awakening, another pod opens up and spills out Payton (Dennis Quaid, VANTAGE POINT), a high ranking officer who's memory is just as screwed up.

Bower is chosen to explore the ship, and getting out of their pod chamber is the first challenge since they're locked in for unknown reasons. Like giving birth, Bower squeezes through the canals of the ship's innards and is expelled onto what appears to be a dead ship. But he quickly runs into friends and foes. Some of the crew, it appears, have mutated and are cannibalistic. Others have had to do terrible things in order to fight and survive. All Bower wants to do is reactivate the ship's power systems and get to the bridge.

And that's about as far as I want to go without producing any spoilers....

There are several "jump-in-your-seat" moments that'll surprise the hell out of most viewers. And the darkness of the cold ship makes for some excellent atmosphere. The sound score also added a spooky quality to the production.

Ben Foster has rarely let me down in his choice of roles, and Pandorum was no exception. His embattled and continually challenged character was pitched just right throughout the film. It was also one of the first times I'd seen him as a main character and I was pleased to see it. He's a great young actor.

And I've saved the best for last: the filming. It was pretty amazing. Again, the dark qualities and claustrophobic shots were pulled off without feeling forced or contrived (something I can't say of all films ...like THE DESCENT).

Surprisingly this film got poor reviews and pretty much flopped at the box office (costing over $40 million to make but only grossing $10 million). Shame. It's actually better than you might think.

I have to say this movie was better than I expected. If you liked Aliens and Resident Evil...this is like both of those movies got together and had a sequel. Well not quite, but the story was good and had no gaping holes in it. The acting was good without going over the top.

I loved the way this movie started; guy wakes up from hyper-sleep…his memory is not fully functional, he knows things are not right and has to save the day.

I thought the story was great in that they did not over-explain everything like they have in so many sci-fi movies. The mid plot line was very good never found myself asking "what the hell are you doing", and the ending was very good without being so trivially expected.

Of course Dennis Quaid is a great actor but I really liked watching Ben Foster. He was one of the best actors in 3:10 to Yuma.

Special effects were good but did not need to be over the top because the story was solid. Worth the price of admission.

I simply loved the posters for PANDORUM, they were edgy and graphic enough to make me want to give this movie a shot even thou i'm not a Dennis Quaid fan at all. I gave it a shot earlier today and i have to say it was a pretty good movie.

PANDORUM is your classic outer space scifi movie which we really haven't had for sometime. I do have to say the aliens kind of reminded me of the creatures in the movie DESCENT just with armor. The movie itself had a feel of the original ALIEN movie. Now to what I enjoyed about this movie was the way the story evolved into a edge of your seat thriller with twist after twist. The story is what separates this from other spaceship, scifi movies. Even leaves the viewer thinking "what if" this happens. PANDORUM is a good way to enter this fall season. Great story, good effects, easy story to follow, just enough gore to satisfy everyone and not to much Dennis Quaid to make me happy!

why haven't i heard about this movie? someone should have made some noise for this! seeing a movie with no expectations makes it greater then it might deserve but i think i would rate it high even with high expectations.

the first half is extremely creepy and i would compare it to Alien. yea yea, fan boys will ofc hate me, but i have seen no other movie that i would compare to Alien except this one. i have never seen a movie that kept me so focused. i was trying to eat my dinner as i started this movie and i think it took me 1h+ to get the dinner down cause i didn't wanna look away. the story isn't even that original (are there original movies left to be made?) but the pieces picked from stories already told are put together in a really awesome way which makes it feel new and fresh. i think you could make 5-6 movies by picking out parts of Pandorum and developing them. I'm glad they kept it as one compact, awesome flick!

Echoing such luminous sci-fi classics as 2001 and Alien, Pandorum is a terrific psychological thriller, although it does struggle at times to be coherent and original. But it's a true mindbender, and it's packed with action that moves so quickly neither the actors nor the audience can really catch a breath, which is a good move if your plot is shaky to begin with.

As with the best deep-space movies, the context is mental illness, what the Professor on Gilligan's Island called, oddly enough, "island madness." Only in space. In the distant, distant future, a ship has been sent from the Earth carrying a lot of people, headed to the only Earth-like planet ever found. Sometime during the journey, things go awry. We pick up the story as an astronaut named Bower (Ben Foster) awakens from hypersleep, abruptly; he's soon followed by his commanding officer, Payton (Dennis Quaid). The rest of the crew is gone, and the only door is locked from the outside. What's happened here? Making matters more difficult is the amnesia that each man suffers from, owing to their having been in hypersleep way longer than intended. Somehow, they must piece together what has happened and find out what lies behind that door - and throughout the rest of the gigantic ship.

Not only does the movie recall Aliens and 2001, you can also see similarities to The Descent and The Abyss; really, any movie in which people are trapped in claustrophobic environs. And although the pacing is frenetic at times, the movie is really chillingly shot (by Wedigo von Schultzendorff). On the one hand, the plot flows linearly - Bower needs to get to the ship's reactor so he can reboot it and save everyone - meaning that the actors race from scene to scene, running out of time. On the other hand, they don't piece together what's happened as quickly as they might in other, lesser films; they seem to figure things out gradually, as if assembling a puzzle in their heads. Bowers and others - and there are others - discover right away, though, that they're not really alone on the ship and that their enemies are extremely strong and fast and vicious.

Injected into this oh-my-goodness-what's-out-there madness is, well, madness. The movie's title is explained as being a sort of mental illness that affects astronauts from time to time, when they just plain go bonkers for seemingly no reason and kill everyone on board. Is that's what's happening here? Is Bower the crazy one? Or is it Payton? Are they, in fact, alone on the ship? Foster is excellent as the hero who remembers a little bit more of their mission as time elapses; Quaid, in turn, shows a few more layers than we're accustomed to seeing from him (he's usually more of a poor man's Harrison Ford). Both actors turn in convincing, full-throated performances that complement, rather than succumb to, the special effects and cinematic wizardry. Often, the effects are the entire show. Now, it's true that you won't see a lot of character development here, as you might in the most cerebral of sci-fi, but what works best here is the paucity of knowledge about the situation and the characters. By spinning the tale gradually, feeding the audience only a snippet at a time, director Christian Alvart dangles the mystery in front of his viewers without allowing them to settle back and solve the mystery on their own. When you're constantly kept on your toes with sudden lurches of unseen shapes and reverberating noises, you - like the befuddled characters - are concurrently kept off balance. The result is an unsettling, entertaining delight.