On découvre au fond de l'océan un vaisseau spatial sur lequel le développement du corail est inférieur à trois cents ans.On découvre au fond de l'océan un vaisseau spatial sur lequel le développement du corail est inférieur à trois cents ans.On découvre au fond de l'océan un vaisseau spatial sur lequel le développement du corail est inférieur à trois cents ans.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
The government has discovered a space craft buried beneath some coral in the Pacific Ocean. The government concludes that this must be an opportunity at alien contact so they grab a team of scientists to make the first contact. Within the crashed vessel they find a shimmering sphere. A few of the scientist decide to enter it and then things get weird.
I liked the cast: Sharon Stone, Samuel L. Jackson, Dustin Hoffman, Liev Schrieber, Queen Latifah et al. The setting was very claustrophobic as they spent the majority of the movie 1000 feet beneath the surface surrounded by water. Once people started being killed by odd creatures it was race to figure out what or who was causing this before they all perished.
This movie was really about man's inability to handle alien gifts/technology. That's a lesson we've learned many times over. The movie got a bit confusing towards the end as they tried to solve the mystery of who/what was the cause of the death and destruction. I felt there were a lot of holes in the movie and it left me a bit unfulfilled.
I just don't get how "Sphere" wasn't a wonderful film!
You can feel so much potential in that opening half-hour. And there are so many good elements at play. But it just sort-of falls apart at times. It feels unfinished. (A sentiment also echoed by one of its stars, Dustin Hoffman.) It feels like it could use some tightening in some spots, some additional scenes in other places, some more work with the pacing and maybe a re-shoot or two. Then it could be a great, wonderful film. As it is now, it's merely "ok."
When a team consisting of a psychologist, mathematician, biologist and an astrophysicist are sent 1,000 feet below the surface of the ocean to investigate what could be an crashed alien spaceship, things take a bizarre turn when two revelations are unveiled. First, the ship might actually be human in origin, and second... a mysterious spherical object is found in storage on the ship, and it's influence could lead to the brink of disaster.
The performances are almost universally incredible in this film. Featuring the aforementioned Dustin Hoffman, we are also treated to the likes of Samuel L. Jackson, Sharon Stone, Liev Schreiber, Queen Latifah and Peter Coyote. And all are able to make a good impact, even when the script and storyline don't give them too much development as characters. The talent elevates the experience.
Director Barry Levinson does some incredible work here as well. Levinson (responsible for some great films) really treats the audience with a combination of intimacy and spectacle from scene to scene. His sense of storytelling, like the acting, elevates the entire feature. (Particularly admirable are some great scenes of horror and suspense. Levinson makes some interesting choices as to what he chooses to show and what he chooses to hide.)
And many other aspects of the production are equally high in quality. Elliot Goldenthal's score is magnificent and haunting. The cinematography of Adam Greenberg is perfect and gives a great aesthetic. Visual and practical effects are almost uniformly excellent. (Save for one or two "gory" effects that don't quite work.) Everything here just seems to work.
The problem, as said above, is that the film sadly doesn't feel finished. And I can't place my finger on any specific aspect of it that fails. It just needs... more work. Some parts of the film feel overlong and in need of trimming. Other parts are abrupt and feel like scenes and shots are missing. Some moments feel contrived and out of context. The pacing is all over the map. And it betrays everything that works so well. It's just a bit too sloppy in its current form.
I honestly think that if the film was given another month or so of time for post-production and editing (and maybe a week or two of re-shoots), it would have been infinitely better. Heck, it might have even been great.
But as is, the film's troubled storytelling and inconsistent pacing all but ruin the experience. Although I will contend that there is enough good here to make "Sphere" worth checking out. Even if only once for the sake of curiosity.
I give it about an average 6 out of 10. I'd say check it out if you see it on cable or available to rent. You just might like it.
With a cast like this you gotta have high hopes. With a director and a writer to match you deserve something fantastic! And for the most part this delivers. The build up is dark, mysterious and exciting. However once the sphere is found it goes downhill. It still has some really good moments the jellyfish bit is scary and other actions bits are cool. But it gets all muddled up in what the sphere is and who is doing what on the base. It almost manages to hold together until the final half hour then it all just collapses like a flan in a cupboard! It's a shame because for the most part it felt like it was building to something much better, but no.
The cast promised much but didn't deliver. Jackson was great, but I don't think he can be bad even in a bad movie. Hoffman stutters around like he doesn't know what he's doing. I know he's meant to be playing a character that isn't used to heroics, but he doesn't bring anything. Stone is OK but at times looks like she reading her lines off a board. Coyote is OK and Schreiber is understated by his own hammy standards. It's also cool to see Queen Latifah in a role.
Overall this is worth watching as for the majority it's real good. However you notice that the film has got 30 minutes left to go make your excuses and leave, by then you've seen the best it has to offer.
Definitely the giant squid thrills are insufficient (note that Crichton devoted a good part of his novel describing encounters with 'the monster'). I guess animation artists were short budgeted...though the film as a whole still is a visual treat...and the atmosphere is rightly captured, with nice music.
Overall, I think the movie is worth watching and is definitely of a much higher caliber than 'The Lost World'. It follows a psychological-cum-sci-fi thriller theme and i feel is better than the similar flick 'Abyss'. As from the novel's point-of-view...it could have been done better though. 8/10 stars!
Le saviez-vous
- AnecdotesMany scenes, like Harry (Samuel L. Jackson) and Norman's (Dustin Hoffman's) conversation about making up the ULF report and dealing with Ted (Liev Schreiber), were completely improvised.
- GaffesWhen Jerry first makes contact, he transmits in code : "MY NAME IS JERRY". Later, the code is revealed to have been mistranslated and the message reads: "MY NAME IS HARRY" If the letters H, E, J, and A in the simple letter/number substitution code were wrong, the first message would have read: "MY NEMA IS JERRY". Also, the entire series of conversations they had would have exhibited the same error, yet none did so. (HAPPY would have been JEPPY, ALL = ELL, etc.)
- Citations
Dr. Harry Adams: We're all gonna die down here.
Norman Goodman: What?
Dr. Harry Adams: You see? It's curious. Ted did figure it out - time travel. And when we get back, we gonna tell everyone. How it's possible, how it's done, what the dangers are. But then why fifty years in the future when the spacecraft encounters a black hole does the computer call it an 'unknown entry event'? Why don't they know? If they don't know, that means we never told anyone. And if we never told anyone it means we never made it back. Hence we die down here. Just as a matter of deductive logic.
- Crédits fousThe opening credits are cast over an invisible sphere.
- Versions alternativesSPOILER ALERT: An alternate television edit has been shown with a simplified and more ambiguous ending that follows the shooting script; Harry warns them that the authorities are on their way to debrief them, and they will demand answers. The three survivors ready themselves to forget about their mission and the power they possess. Outside, a helicopter sets down. Subsequently, we see the three survivors being interviewed in a debriefing room after decompression, each shot individually against the same background. They react as if they're oblivious to anything going wrong in the Habitat, unaware of anything that happened to Ted, Barnes or the Sphere. The helicopter leaves, and the camera pans down to the ocean, where the Sphere supposedly still remains.
- Bandes originalesHorn Concerto No. 3 in E Flat Major, K.447
Written by Wolfgang Amadeus Mozart
Performed by Vienna Mozart Ensemble; Herbert Kraus, Conductor
Courtesy of LaserLight Digital
By arrangement with Source/Q
Meilleurs choix
Détails
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 37 020 277 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 433 957 $US
- 15 févr. 1998
- Montant brut mondial
- 37 020 277 $US
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1