Morse

I am not particularly fond of the vampire genre, but this movie is so much more. It is artistic, poetic, and in many ways a very profound movie exploring the nature of good and evil. It does so through the world of a child where both pure evil and pure goodness are somewhat discernible, and it achieves an astounding array of contrasts that allow us to see that good and evil can coexist side by side. Doing so, this movie is very thought-provoking, leaving the audience yearning to read the novel. In short, this movie is a gem. There is no need to remake this movie which according to IMDb.com they will be. You don't need to wait until 2010, you should watch this movie now.

Twelve year old Oskar (Kare Hedebrant) lives with his mother in an apartment block, at school he is called Piggy and is relentlessly bullied by three other boys. Then he meets his neighour Eli (Lina Leandersson), who tells him "I am twelve, but I have been twelve for a long time" - brilliant! Oskar is a bright kid, a series of murders in which victims are drained of blood and Eli's ability to climb walls combined with her nocturnal lifestyle leads him to ask if she is a vampire. Let the Right One In is a vampire movie, but it is more than just horror, it is also a coming of age drama and indeed a love story. The two leads are amazing, two of the best child performances that I have seen. One other thing that impressed me was the snow covered Swedish landscape, not only does it look wonderful but it gives the film a cold, bleak look.Red blood on snow, very effective. This movie isn't for everyone - if you don't speak fluent Swedish then it means subtitles, and at almost two hours it may prove too long for viewers who become impatient with slow burners. This was my second viewing, both times during Winter as I think watching it during warmer months may lessen the impact. Essential viewing for lovers of European horror and contemporary vampires.

I saw several movies at the Seattle International Film Festival this year, and Let the Right One In was by far my favorite of the bunch. It's primarily a movie about how friendship can help you find your own personal strength. Two lonely children meet and change each other's lives. The fact that one is a vampire makes the movie even more interesting and unique, but it's not the most important plot detail. The cold darkness of Sweden makes the perfect backdrop for the story. It was so refreshing to see a vampire movie that doesn't rely upon cheap scares, fangs and gore. The only scene I didn't enjoy involved cats with computer animated faces - it looked very stupid and out of place, but this was a small disappointment in an otherwise outstanding film. I highly recommend this movie.

I have watched both Twilight and Let the Right one in.

I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.

There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.

I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!

If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.

"Let the Right One In" is, at its heart, a sweet coming-of-age story which is so unique and different that it simply defies categorization. In this Swedish film, adapted from John Ajvide Lindqvist's bestselling book, director Tomas Alfredson dares to mix pleasure and pain in a way that is both horrifying and tender.

"Let the Right One In" has a storyline which, although it reveals some secrets early on, is best left as a surprise. So this will necessarily be one of those rare reviews in which the less said about the plot the better. 12-year-olds Oskar (Kare Hedebrant) and Eli (Lina Leandersson) meet one snowy afternoon at a jungle gym in the courtyard of Oskar's housing complex outside Stockholm. Their young, tender attraction for each other is apparent right from the start and we think we know where their relationship is headed. But there is a deep dark secret to be discovered here and when it's revealed the audience is both repulsed and curiously fascinated at the same time, in a similar fashion as when yellow crime scene tape brings us closer rather than warning us away.

The supporting cast is completely beholden to the narrative as it revolves around the adorable young couple, whose performances rival the best I've ever seen for actors of that age. The innocence and vulnerability of Hedebrant's Oskar is simply a tour-de-force and he admirably carries the film on his little shoulders. Leandersson matches him scene by scene, line by line, and the result literally gave me chills.

Production values are stellar, with all technical aspects -- lighting, original music by Johan Soderqvist, and Hoyte Van Hoytema's cinematography -- combining in perfect synchronization to produce a Hitchockian tale that somehow brings love and light into what could have been the darkest drama imaginable.

"Let the Right One In" was the overwhelming choice for Best Narrative Feature after its North American Premiere here at the 2008 Tribeca Film Festival. It is a truly well-deserved honor. Tomas Alfredson has crafted a brilliant work of art that left me shaking my head with wonder.