Toni Erdmann
- 2016
- Tous publics
- 2h 42min
Un père pragmatique mais fantaisiste essaie de se rapprocher de sa fille qui travaille d'arrache-pied et il se créé un alter ego aberrant en se faisant passer pour le coach personnel de son ... Tout lireUn père pragmatique mais fantaisiste essaie de se rapprocher de sa fille qui travaille d'arrache-pied et il se créé un alter ego aberrant en se faisant passer pour le coach personnel de son PDG.Un père pragmatique mais fantaisiste essaie de se rapprocher de sa fille qui travaille d'arrache-pied et il se créé un alter ego aberrant en se faisant passer pour le coach personnel de son PDG.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 59 victoires et 85 nominations au total
Victoria Malektorovych
- Natalja
- (as Viktoria Malektorovych)
Avis à la une
Initially I didn't know what to make of this movie and while billed as a comedy, there really isn't much that I found laugh out load funny about it until the last third of the movie. There are lots of awkward moments, that some could find funny, but others will not like them.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
But it is hard going. Ultimately I'm glad I stayed with it but it tests your patience to the limit at times.
It's not a 1 rating like some reviewers are saying. But it's certainly not a 10 either. It's far too long to enable it to get anywhere that kind of rating. There seems to be so many meaningless scenes that could have been trimmed.
There are certain moments that for me were laugh out loud. Ines played by Sandra Huller is fantastic. It's made me want to see more of her work.
Talk of an Hollywood remake on here. I can only assume it will be a very very different film. There is no way ever a scene for scene remake would make it out of Hollywood.
Give the original a go first, it's different!!
This is a great movie - but most likely not for everyone. It's about academic upper middle-class people and their family relationships. Not everybody will find that interesting and there is no usual "romantic" plot development. It's a family portrait of a father and her daughter and as such has no (plot) conclusion. It is not the usual light comedy since it touches very serious questions and the prevailing mood is unhappiness (it is however _very_ funny at times ;-)).
That being said, this movie makes some very fine and subtle observations, presents them in a funny and entertaining form yet at the same time in a thought-provoking and philosophical way which will make you think about it for a long time. If you're from an academic (german) household you will find lots of similarities in your own family relations.
This movie is not fast-paced - in fact it often has long shots of lonely people and a lot is not said but has to be filled in by the viewer. So if you don't relate to the characters this movie will feel longish for sure. But if you find traces of your own life or that of your friends and relatives you'll be amazed by the subtlety and finesse in which this movie is directed. Although there are some bizarre events, everything which happens in this movie could happen in real life. There are no implausible scenes in this movie! This is an incredible statement given the crazy and bizarre things which happen in this movie. If you wanna know how that could be true, you might wanna watch it.
That being said, this movie makes some very fine and subtle observations, presents them in a funny and entertaining form yet at the same time in a thought-provoking and philosophical way which will make you think about it for a long time. If you're from an academic (german) household you will find lots of similarities in your own family relations.
This movie is not fast-paced - in fact it often has long shots of lonely people and a lot is not said but has to be filled in by the viewer. So if you don't relate to the characters this movie will feel longish for sure. But if you find traces of your own life or that of your friends and relatives you'll be amazed by the subtlety and finesse in which this movie is directed. Although there are some bizarre events, everything which happens in this movie could happen in real life. There are no implausible scenes in this movie! This is an incredible statement given the crazy and bizarre things which happen in this movie. If you wanna know how that could be true, you might wanna watch it.
Toni Erdmann starts slow and is in general a movie that takes its time. 162 minutes might suggest an overlong or very slow paced film, but in this 162 minutes we get a firework-like examination of a relationship between a father and a daughter. And yes, Toni Erdmann is a comedy. There are some moments that are so hilarious, that they gained applause mid film from the audience at my screening. But it is also a tragedy. A really complex one actually. There is so much loneliness in those characters, so much longing. Toni Erdmann is constantly entertaining, extremely well acted and emotionally compelling. A masterpiece of German cinema.
I watched this movie due to its high mark (especially by the meta-score)and in the last seconds I asked myself: so what ? Like we never saw solitude, loneliness movies ever...The acting is OK, but the subject is stretched over limits, and at a certain time I stopped to watch and went for a cigarette ! My understanding about this movie is about two societies with their characteristics (the German and the Roumanian) both mixed in a capitalistic globalization, I won't say without mercy but without care for real people. Perhaps the last or one of the last sentences of the father was that we work all time to accomplish some targets (typically German !) and don't pay attention to details along our life and then is too late....As a Romanian born young person, the atmosphere of Bucarest is very well depicted as well people surrounding the personages. But one shouldn't wonder, as these days the Romanian cinema is among the highest in its achievements, for example Mungiu's recent film "Bacalaureat" (aka Graduation)stands much above the present one. Sorry folks, but I wasn't left with a great impression.
Le saviez-vous
- AnecdotesThe animal costume worn by Winfried is the Kukeri, a common animal totem in Bulgaria that is believed to scare away evil spirits. It was made from the real hair of long-haired goats and according to actor Peter Simonischek was extremely hot and heavy and smelled like a goat stable. With the exception of the scene when Winfried has the head removed, it was worn by a stuntman.
- GaffesWhen the father gives his daughter her birthday gift, there are some jars in the table which change position between shots.
- Citations
Winfried Conradi alias Toni Erdmann: You have to do this or that, but meanwhile life is just passing by
- Crédits fousApart from the production companies there are no opening credits, and the movie's title is only shown after all the end credits.
- ConnexionsFeatured in Film '72: Épisode #46.3 (2017)
- Bandes originalesHeute hier, morgen dort
Written by Gary Bolstad and Hannes Wader
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- How long is Toni Erdmann?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Everyone Else
- Lieux de tournage
- Bucarest, Roumanie(main location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 1 479 387 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 972 $US
- 25 déc. 2016
- Montant brut mondial
- 12 002 864 $US
- Durée
- 2h 42min(162 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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