Two Lovers

A simple love story about a 30-something schlub (Joaquin Phoenix) who gets involved with two women. One is a perfectly decent woman with her crap together (Vinessa Shaw). The other (Gwyneth Paltrow), the one he's really hot for, is a screw-up, drug-addled and dating a married man and hoping desperately that he'll divorce his wife and leave his kids for her. Of course, it's not the smartest thing in the world for Phoenix to fall for Paltrow, but, hey, love is pretty unpredictable. She is so much like him, it makes perfect sense. I have a couple of big complaints about this film. First, it all plays out very predictably. Add these three people together and you get the sum long before the end of the film. Secondly, and perhaps what bothered me most, Phoenix and Paltrow seemed too old for these characters. Sure, there are 30-something losers all over the place, but these two seem to me to act like 20-somethings. They're lost in this weird limbo of childishness that seemed wrong for people their age. Even Shaw doesn't quite seem like a real human being. Like Phoenix, she seems dependent on her parents like a college student. People just never seem like real people in this movie. That said, the film does have sort of an "off" tone that is intriguing. It's a very claustrophobic and tragic tale, and it captured me in that way. I didn't love the film, but I definitely found it interesting.

Perhaps, the most startling aspect of "Two Lovers" is Joaquin Phoenix's performance. Superb. I haven't really liked any of the James Gray's films, until now that is. There is something profoundly moving and profoundly truthful here and I'm sure it has to do with Phoenix's portrayal. Gwynneth Paltrow is wonderful as the girl walking an emotional tightrope. And Vinessa Shaw is a real find. I was also moved by Isabella Rossellini as Joaquin's mother! Beautiful and intense but unlike many of her contemporaries not "cosmetic" A real extraordinary face. In fact she looks more like her mother Ingrid Bergman now than she ever did. So, a smart, romantic "dramedy" with wonderful performances. When was the last time I was able to say that? Go see it and tell me if you think I'm exaggerating at all.

James Gray's latest film tells the tale of Leonard Kraditor (Joaquin Phoenix), a man who had a problematic break-up with his fiancée two years ago, and has since been heading down a suicidal road. 4-months into living back home with his anxious parents (played by Moni Moshonov and Isabella Rossellini) and helping out at his father's dry-cleaning business, Leonard is introduced to Sandra (Vinessa Shaw), a sweet daughter of his father's business friend. Wearing her heart on her sleeve, Leonard has moments of true spark with her, and you can see his eyes changing away from the torment inside. A woman is surely the right thing for Leonard, as he carves through the days with a worn-out heart and a mind in loneliness. Soon after meeting Sandra, he befriends Michelle (Gwyneth Paltrow), a beautiful but messed-up girl that's dating her married boss (played by Elias Koteas). With her, Leonard sees an escape, and a burning romance. Leonard's mind is now set on two women, and he finds himself torn between them.

James Gray hadn't really impressed me with his earlier films, for me they all lacked out on the intensity and became standard crime-thrillers. With his latest melodramatic romance, he really surprised me; he does a caring job directing the three performers, and he tells a strange and tender story. The music of the film is Jewish guitar-instrumentals that are carefully intertwined, but most of the film has got a blanket of quiet bleakness, and it's covering every little corner.

The performances of Gwyneth Paltrow and Vinessa Shaw are great, and although the two never share screen-space, director Gray naturally and carefully shifts between the two lives Leonard is living, and so the two of them add lovely pieces to the story. But it's in-between the double relationship the film and its protagonist is living, the film has to connect, and it couldn't have been done better than by Joaquin Phoenix. Leonard is a suicidal depressive that enters human-bounding and the give & receive of it, and this is a very difficult character to portray - but just look at Phoenix, he is phenomenal; the incredible naturalism of it shows Phoenix in the performance of his career.

The melancholy of the film doesn't make it for the dominant audience, but I've never even cared a bit for that, and it's a delight that romance on screen can be thrown upon like this. 'Two Lovers' is a small film with a heart that's full of rare atmosphere, the form of it is tearing and in center, a superb Joaquin Phoenix.

I use the word "normal" to mean "real world normal", meaning NOT perfect. These people have issues, they don't know necessarily what they're doing with their lives, they are on medication, the film begins with a suicide attempt. And yes, in the real world this is certainly more normal than chasing through an airport to a swelling symphonic soundtrack and declaring a perfectly rehearsed monologue to the person you love, followed by rapturous applause from everyone at the gate. "Two Lovers", while lacking in the sort of clichés and melodrama that makes theatergoers all starry-eyed, delivers one of the best love stories I've seen on the big screen.

Don't be fooled by the title; this is not a steamy tale of infidelity and illicit passion. It's about a person who is faced with a mostly theoretical choice between 2 lovers. We've all been there. Whether you're married, in a new relationship, playing the field or just dreaming "what if", in matters of the heart there's the sure thing, and then there's the crazy impulsive route.

Jonquin Phoenix plays "Leonard", a man whose life recently underwent an upheaval and who simultaneously meets 2 women: "Sandra" who is the sure thing (Vinessa Shaw) and "Michelle" who is the crazy route (Gwynneth Paltrow). As the relationships slowly develop (very slowly, at a real world pace), we start to see the conflict not in terms of passion & romance but in terms of life choices.

Refreshingly, Leonard is a character who knows what he wants from the beginning, so the audience isn't insulted with annoying "what should I do" scenes. Rather, Michelle is the one who represents the unknown, speculative bet in Leonard's world. As the story progresses, all of Leonard's actions are consistent with his feelings, and it's just a matter of seeing how things will play out. Again, this is such a great, unusual, non-Hollywood approach to love stories which, if you really analyze your own experiences, is probably much more in line with the way you handle yourself.

Despite this stability of the main character, the story remains unpredictable right up to the final minute. No sappy airport chase scenes here, but I guarantee you'll be riveted in the final act. If you want to see a story that you can apply to your own love life, regardless of your situation, check this out for some deep insight.

I liked this fourth film of James Gray very much. It is interesting, nuanced, well photographed and directed. The casting is very fitting: Joaquin Phoenix, Gwyneth Paltrow and Isabella Rossellini require no introduction - every film where they appeared was a kind of success.

I liked the story line precisely for the reasons some of the critics did not - inconclusiveness of the situation. The narrative should not be treated as a moral tale with prescribed behavior and a suggestion to act certain way. For some of us, who lived and experienced, life situations have no clear conclusions, especially in the matter concerning personal relationships. And so we are shown various geometrical configurations of relationships between people: A loves B, B loves C, C loves D; D perhaps does not love anyone; C can not settle for B and returns to D when D calls; B settles for A. Who's right and who's wrong? Luckily this is not all there is about this film. There are interesting shots, exotic locations (Brighton Beach, Brooklyn, NY), very good acting.

Some reviewers complained that the narrative is too predictable - perhaps. I personally would prefer more broader metaphor, perhaps more connection with social dimension, more resonance between personal and social. Oh well, I hope this is coming in the next Gray's films.