Megalomaniac

It's not terrible, but a film about serial killers shouldn't be this boring for such a long period of time. It's also uncomfortable and keeps that line for the entire duration of the film which turns out to be repetitive and very single-note. I also need to mention the stupidity of some characters (I wouldn't see someone chained and stay in that place for even 5 seconds; I can't understand the mind of rapists but it's difficult to think they would accept that invitation too...).

I like some technical aspects of it. I like how artsy some shots and directional choices look. Great score too and good acting. It's just not enough in terms of storytelling, engagement, or what it is trying to say (besides trauma and influence).

I read a review which compared this film to the Canadian version of Martyrs and so I took a shot at it.

I gave Martyrs a 9/10 and it is my #1 horror movie of all time. Megalomaniac does not come close. I was bored throughout the silliness of the story and the lack of clarity with flashbacks that made no sense to this viewer.

Felix and his sister Martha are the offspring of a notorious serial killer and the siblings carry on in the family tradition. Felix abducts women and murders them and then leaves them at the side of the road. His sister lives with him in their gothic house and works at a factory where she is harassed by her co-workers.

A social worker pays monthly visits to the home for unexplained reasons while a young woman is chained to a wall in a nearby room.

The ending is a bloody mess and I do not recommend this film.

Trying to adjust to everyday life, a woman and her brother who are the children of an infamous serial killer manage to find themselves forced into exploring the same barbarian means of their father when society causes them to revert to his old methods of torture and depravity to deal with their problems.

This was a generally fine if somewhat one-note piece. What works out for this one is purely the film's excess that comes off far more than simply gore, bloodshed, and depravity for the sake of it. Wallowing openly in the brutal antics dealt to the victims of the rampage including being bashed with hammers, sliced with knives or much worse, the rape of several victims, or even going through her psychological breakdown employed here serves to generate an oppressive feeling of brutality and madness that is all the better due to the squeamish effects-work during these scenes. That has a lot to do with the effectiveness of the story here as well due to the two-pronged setup that's employed. The first feature, about the lives of the two children living together under the shadow of their father who's an infamous, uncaught serial killer in the community, gives this a distinct relationship that's explored rather well. Her living under his domineering touch while trying to adjust to normality in the company of others is a nice bent that manages to provide a great insight into her meek and fragile exterior that contrasts loudly with his brutish and maniacal serial killing ways. Moreover, that mindset gets brought into play with the gradual extent of her descent into madness that echoes the same trajectory of their father. Realizing that he's attempting to replicate the same type of vicious killing spree against her desire for normality, the snap and eventual recognition that she's become something similar through the antics of those around her due to the sexual assaults and torment she receives makes it feel all the more earned which helps to sell it even more. Aided along by the nightmarish visions of past victims running around the house that take on a supernatural bent, this has a lot to like overall. There's not much to hold it down as it's mainly hurt by the aforementioned one-note setup. That is how the film spends the middle part of its running time engaging in the same type of stereotypical treatment of most serial killer films by not doing much differently with the idea of the emotional build-up to the killing. Rather than doing something new, going back to the familiar well sexual abuse and fractured family relationships are at the heart of everything and it's not that impressive so it leaves long stretches of time where very little is interesting. It's not a huge negative but this does bring it down somewhat.

Rated Unrated/R: Extreme Graphic Violence, Graphic Language, Nudity, and Rape.

Beautiful surreal imagery, gruesome violence and dark atmosphere dominate the first and last ~5 minutes of the film.

I will not go into detail as to what happens inbetween but it would make your skin crawl in a different movie. Here, it is neither staged in gruesome detail nor cleverly implied, nor is the protagonist's emotional reaction to her mistreatment of particular interest to the film maker. The normalcy of it all and her overall numbness could in themselves be horrifying, but a thin plot about human pets, off-screen mass-murder and familial conflict keeps us from really getting to know Martha.

For the most part this was a disappointment and yet my interest in the work of Karim Ouelhaj is piqued. Those few minutes of genius bookending the film speak to a strong personal sense of style, the mark of a horror auteur.

On an overwhelmingly positive note: the noisy industrial soundtrack, especially the piece that plays during the end credits, is excellent. I do hope Karim embraces his more poetic tendencies and collaborates with Gary Moonboots on another film.

"Megalomaniac" is one of the most disturbing and powerful horror films I've seen in a while. This French-language Belgium production fits comfortably in the European Extreme horror film genre -- like "Martyrs" and "Frontier(s)" among others. You'll feel like you were punched in the gut after you're done watching it. And although it's not for everyone, it's one of the best horror films of 2023.

As the film begins, we are told the story of "The Butcher," who killed 15 women over the course of six months. We then fast forward to meet his two grown children, Felix and Martha. They live in the family home, and Martha works as a janitor, where she is treated awfully, to support them. Felix appears to be continuing his father's work, and Martha seems to know about it. She also appears to be trying to get help for her clear mental issues by having a social worker visit her occasionally.

Martha's treatment at work becomes truly horrible, and we think that we are going to see her embrace the madness that runs through her family and lash out. But "Megalomaniac" is far too clever for that. Martha's descent into madness is far more horrifying than we could ever expect and you will never get me to spoil what happens, other than to say it becomes one of the most disturbing and nihilistic films I've seen in a long time. And the movie becomes even more powerful when every now and then, it hints that things may not be completely as they seem... but never takes any shortcuts or gives easy answers.

The acting is absolutely spectacular. Eline Schumacher as Martha and Benjamin Ramon as Felix command the screen every time they are on it. The film doesn't shy away from graphic violence but also doesn't revel in it and that makes it even more intense. And intense it is, "Megalomaniac" does not let up for the entirety of its running time, there is not a single light moment or laugh in it.

To be honest, I am a little surprised this film actually got a wide, mainstream release. You will feel this movie as you watch it and after it's done. It will generate long discussions, including what the title refers to. It's a pleasure to give a rave review and hopefully get it some more viewers, so if you're a fan of these types of intense horror films "Megalomaniac" is recommended without reservation.