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It's not terrible, but a film about serial killers shouldn't be this boring for such a long period of time. It's also uncomfortable and keeps that line for the entire duration of the film which turns out to be repetitive and very single-note. I also need to mention the stupidity of some characters (I wouldn't see someone chained and stay in that place for even 5 seconds; I can't understand the mind of rapists but it's difficult to think they would accept that invitation too...).

I like some technical aspects of it. I like how artsy some shots and directional choices look. Great score too and good acting. It's just not enough in terms of storytelling, engagement, or what it is trying to say (besides trauma and influence).

Beautiful surreal imagery, gruesome violence and dark atmosphere dominate the first and last ~5 minutes of the film.

I will not go into detail as to what happens inbetween but it would make your skin crawl in a different movie. Here, it is neither staged in gruesome detail nor cleverly implied, nor is the protagonist's emotional reaction to her mistreatment of particular interest to the film maker. The normalcy of it all and her overall numbness could in themselves be horrifying, but a thin plot about human pets, off-screen mass-murder and familial conflict keeps us from really getting to know Martha.

For the most part this was a disappointment and yet my interest in the work of Karim Ouelhaj is piqued. Those few minutes of genius bookending the film speak to a strong personal sense of style, the mark of a horror auteur.

On an overwhelmingly positive note: the noisy industrial soundtrack, especially the piece that plays during the end credits, is excellent. I do hope Karim embraces his more poetic tendencies and collaborates with Gary Moonboots on another film.

Urgh. This year's seeking profundity by brutalising young women effort.

Clearly talent in front and behind the camera, all completely wasted on a tick box exercise in outrage - the aforementioned misogynist violence (and some of it is indefensible), rape, incest, auto cannibalism and so on and so forth.

Striving for the heights of Kieslowski or Haneke and falling down because everything it does has been done before and can only be that shocking once or twice but here we are 20 years later with people attempting to pull the wool with the same old shtick.

I didn't hate it but it profoundly bored me.

Trying to adjust to everyday life, a woman and her brother who are the children of an infamous serial killer manage to find themselves forced into exploring the same barbarian means of their father when society causes them to revert to his old methods of torture and depravity to deal with their problems.

This was a generally fine if somewhat one-note piece. What works out for this one is purely the film's excess that comes off far more than simply gore, bloodshed, and depravity for the sake of it. Wallowing openly in the brutal antics dealt to the victims of the rampage including being bashed with hammers, sliced with knives or much worse, the rape of several victims, or even going through her psychological breakdown employed here serves to generate an oppressive feeling of brutality and madness that is all the better due to the squeamish effects-work during these scenes. That has a lot to do with the effectiveness of the story here as well due to the two-pronged setup that's employed. The first feature, about the lives of the two children living together under the shadow of their father who's an infamous, uncaught serial killer in the community, gives this a distinct relationship that's explored rather well. Her living under his domineering touch while trying to adjust to normality in the company of others is a nice bent that manages to provide a great insight into her meek and fragile exterior that contrasts loudly with his brutish and maniacal serial killing ways. Moreover, that mindset gets brought into play with the gradual extent of her descent into madness that echoes the same trajectory of their father. Realizing that he's attempting to replicate the same type of vicious killing spree against her desire for normality, the snap and eventual recognition that she's become something similar through the antics of those around her due to the sexual assaults and torment she receives makes it feel all the more earned which helps to sell it even more. Aided along by the nightmarish visions of past victims running around the house that take on a supernatural bent, this has a lot to like overall. There's not much to hold it down as it's mainly hurt by the aforementioned one-note setup. That is how the film spends the middle part of its running time engaging in the same type of stereotypical treatment of most serial killer films by not doing much differently with the idea of the emotional build-up to the killing. Rather than doing something new, going back to the familiar well sexual abuse and fractured family relationships are at the heart of everything and it's not that impressive so it leaves long stretches of time where very little is interesting. It's not a huge negative but this does bring it down somewhat.

Rated Unrated/R: Extreme Graphic Violence, Graphic Language, Nudity, and Rape.

I read a review which compared this film to the Canadian version of Martyrs and so I took a shot at it.

I gave Martyrs a 9/10 and it is my #1 horror movie of all time. Megalomaniac does not come close. I was bored throughout the silliness of the story and the lack of clarity with flashbacks that made no sense to this viewer.

Felix and his sister Martha are the offspring of a notorious serial killer and the siblings carry on in the family tradition. Felix abducts women and murders them and then leaves them at the side of the road. His sister lives with him in their gothic house and works at a factory where she is harassed by her co-workers.

A social worker pays monthly visits to the home for unexplained reasons while a young woman is chained to a wall in a nearby room.

The ending is a bloody mess and I do not recommend this film.

It's a typical sick Brutal Horror Movie from France. We remember cult classics like "Inside", "Frontiers", Martyrs and "High Tension" and you can confidently put this film behind them. There are some Brutal and disturbing scenes. The Movie has a Dark Atmosphere from Start to Finish. The Actors aren't the Best, but they're trying Hard - Eline Schumacher does a very good job as a tormented victim and as a sick Psychopath.

This film shows a closer perspective between serial killers and his poor victims.

Be warned, the film is partly contemptuous of people. It's only for die-Hard fans of the Brutale Serial killer theme

Is not suitable for every viewer.!!!

"Megalomaniac" is one of the most disturbing and powerful horror films I've seen in a while. This French-language Belgium production fits comfortably in the European Extreme horror film genre -- like "Martyrs" and "Frontier(s)" among others. You'll feel like you were punched in the gut after you're done watching it. And although it's not for everyone, it's one of the best horror films of 2023.

As the film begins, we are told the story of "The Butcher," who killed 15 women over the course of six months. We then fast forward to meet his two grown children, Felix and Martha. They live in the family home, and Martha works as a janitor, where she is treated awfully, to support them. Felix appears to be continuing his father's work, and Martha seems to know about it. She also appears to be trying to get help for her clear mental issues by having a social worker visit her occasionally.

Martha's treatment at work becomes truly horrible, and we think that we are going to see her embrace the madness that runs through her family and lash out. But "Megalomaniac" is far too clever for that. Martha's descent into madness is far more horrifying than we could ever expect and you will never get me to spoil what happens, other than to say it becomes one of the most disturbing and nihilistic films I've seen in a long time. And the movie becomes even more powerful when every now and then, it hints that things may not be completely as they seem... but never takes any shortcuts or gives easy answers.

The acting is absolutely spectacular. Eline Schumacher as Martha and Benjamin Ramon as Felix command the screen every time they are on it. The film doesn't shy away from graphic violence but also doesn't revel in it and that makes it even more intense. And intense it is, "Megalomaniac" does not let up for the entirety of its running time, there is not a single light moment or laugh in it.

To be honest, I am a little surprised this film actually got a wide, mainstream release. You will feel this movie as you watch it and after it's done. It will generate long discussions, including what the title refers to. It's a pleasure to give a rave review and hopefully get it some more viewers, so if you're a fan of these types of intense horror films "Megalomaniac" is recommended without reservation.

Man, I did not expect this movie to be so BRUTAL! A lot more art-house and slow when compared to movies of its ilk, but I have been clamoring for another film along the same lines as Martyrs or Frontier(s), and this film really delivers. I haven't seen a movie go for this style in so long, I was worried that directors had given up on the sub-genre for good. I'm happy to say that this movie would be at home with the likes of the more disturbing ones.

Everything works so well in this film, from the directorial style to the acting to the gorgeous cinematography, but I would be remiss if I didn't mention that this film is SLOW and extremely deliberate. While the few scenes of actual violence are beyond disturbing (with one scene so shocking I didn't even know how it got past the ratings board), but the rest of the film was a dreary, depressing familial drama(?), although that wouldn't be the appropriate label for a film about a pair of siblings who are taking after their father, a vicious serial killer. There was just so many scenes of this brooding woman, allowing life to beat her down, and when her brother finally got to work, it happens quickly, and then we are back to scenes of her moping around, looking crestfallen and despondent. I understand why this was done in the context of this style of film, but it's a real drag when you get that rush of brutality to only come back down to so many scenes of mediocrity.

If you're a fan of movies like Martyrs, Inside, High Tension, ect. This movie will be right up your alley. It's extremely and deliberately slow, but stick with it. The pay off may be worth it, depending on how patient you are.

Kenny's Movie Review

"Megalomaniac" (2023)

Premieres in select theaters 9/8 and On Demand everywhere 9/26

I'd like to thank the Great people at Dark Star Pictures for allowing me to screen this for my readers

Martha and Félix are the children of the Butcher of Mons, a notorious Belgian serial killer from the 1990s. Unstable and riddled with insecurities, Martha lives vicariously through social media. Her brother, crushed by the family legacy, takes over their father's killings. Harassed and violently assaulted at work, the docile Martha falls into madness and goes through the looking glass into the strange and terrifying world inhabited by her brother.

Okay, first off this movie is not for everyone but darn this is a EXCELLENT film. "Martha" played wonderfully by Eline Schumacher lives with her brother "Felix" who also is terrific Benjamin Ramon, are brother and sister living in the HUGE Victorian style house literally in the middle of nowhere, "Martha" has a job working Graveyard shift at a factory and is picked on by the other workers and they do really mean things to her including a rape scene which is not graphic but you really have a idea what's happening.

Meanwhile her brother is carrying on the father's tradition of being a serial killer and he said to "Martha" you have the whole house do not go into these 2 rooms, well "Martha" being on medication who has a social worker come over every month (is thst scene crazy) and evaluates her.

Well one day "Martha" goes into one of the rooms and sees one of her brothers victims chained up and starts calling her "kitty" these scenes are absolutely creepy and really disturbing.

I'd go into more but man I really want you to see this film. Martha played by Eline Schumacher is the star of this film, you feel terrible for her but she's as ruthless as her brother. This is a French film and has subtitles but the acting and action on the screen really gives you all the things you need to follow the film. The director Karim Ouelhaj sets a really dismal and disturbing tone for the film and might I add it's bloody.

This is the best film I've seen all year, I will add this to my collection when available for purchase.

5 Whoppers out of 5 Whoppers 🍔🍔🍔🍔🍔.

Seriously check this out.

Once again thanks to the great people at Dark Star Pictures for allowing me to share my thoughts.

Wow. This movie is definitely not for everyone, but it is for me. Well acted, beautifully shot, and I could really feel what she was feeling. Looking at them both, I can understand how they got where they were in life, and partly, it shows nature and nurture coming together. I did not find it in anyway pointless or the violence glorified. More like a character study. No matter how much she tried, everything and everyone was against her so ultimately she found herself beside the rest of her family. I feel that the last 5 seconds of the film are quite symbolic.

If you like films that delve deep into the darkest depths of the human soul, don't mind a slow pace (which I think is deliberate) graphic violence, and are not adverse to a story that is utterly bleak, then give it a watch!

One thing I use to gauge a good film with, is that ability to resonate, and fester in your mind, weeks after watching it. This film definitely did that for me. There are definitely plot holes, unnecessary, or poorly executed scenes, and an uneven pace throughout. However, the performances of Ellie Schumacher, and Benjamin Ramon, were absolutely extraordinary throughout the film. It's not a film anyone would want to watch over and over again, unless they were a psychopath. But I could see myself watching this again at some point, a few years after the first watch. Simply for the fantastic acting of the entire cast. Even the peripheral characters which make Martha's work life a living hell, are so well acted, and three dimensional, that you absolutely loathe them, and want to cause them physical harm while watching it. I wish there was more backstory given, or more connection made, between the siblings and their serial killer Father. However, this is one of the aforementioned weaknesses of the movie. I still think it was well worth watching, regardless of it not being a "perfect" film.

One thing I use to gauge a good film with, is that ability to resonate and fester in your mind for weeks after watching it. This film definitely did that for me. There are definitely plot holes, unnecessary, or poorly executed scenes, and an uneven pace throughout. However, the performances of Ellie Shumacher and Benjamin Ramon were absolutely extraordinary throughout the film. It's not a film anyone would want to watch over and over again. But I could see myself watching this again, a few years after the first time seeing it. Simply for the fantastic acting of the entire cast. Even the peripheral characters which make.