Le prix du silence

Kate Beckinsale, Vera Farmiga, Alan Alda, Matt Dilon. Such great cast alone was enough "quality stamp" for me to get me interested in this film. I must say Nothing But The Truth has exceeded my expectations many times over.

Based on a true story, the basic plot line has close focus on a reporter of a Washington D.C. major newspaper Rachel Armstrong (Kate Beckinsale) who after writing an article on the US president's actions revealing the identity of a secret CIA agent Erica Van Doren (Vera Farmiga) is being pressured to reveal her secret source by the government in such ways she could never have imagined.

The story flows flawlessly, picks up nicely and slowly drags you into a twist of controversial emotions, drawing the characters with all their pros and cons and letting you slowly get acquainted with their moral inner fights.

Beckinsale and Farmiga have a great energy between them that will have you forget you're watching a movie and catch your breath at the few scenes at which they confront each other. Alda, as usual is a brilliant defender of humanity and freedom. Dilon's take on the "hyenous prosecutor" is so tremendously real will all aspects of belief in his work it's simply scary.

Alik Sakharov great DoP work on this film shows every muscle moving on the actors' faces, which underlines the great work of the actors.

This film definitely proves Lurie knows what he's doing out there and I'll definitely have my eye on his future work.

This rates up very high on my scale as one of the better movies of 2008. Its not written as though a high and mighty political messenger wrote it, yet you do not have to look to deep to find the meaning. The star studded cast of Matt Dillon, Alan Alda and Kate Bechinsale brings out the qualities that was needed to make this type of film truly majestic.

The intense vigor of how the prosecuting attorney played by Matt Dillon, (which I first thought was going to be way out of character for him, but he pulled it off so effectively that he now has a new fan), actually attacks our protagonist is so real and matter of fact.

Being based on a true story helps in the matter of believability and the injustice of our justice system.

8/10

The ending reminded me of "The Sixth Sense". The only thing is, it was just us (the viewers) this time. Although the major part of the script was focused on Beckinsale's character which she flawlessly portrays, but it was Vera Fermiga who stole the show with her limited screen time. Since, it was a work of fiction which was somewhat inspired by real events, a more screen space to Fermiga's character would have certainly maintained the intensity in the plot which clearly declined after she parts away. You have to watch it to believe it. These two ladies faced off each other twice in the movie and I have to say those were the moments you couldn't forget. As for the whole movie, it is something you don't see regularly on Hollywood's menu and therefore is definitely worth your time.

The ending will leave you asking this question to yourself - "Was she really protecting the source? Was it really about her principles?" And yes, you will get your answers shortly and that answer changes every opinion you had about the characters that you could have vouched for.

And this my friend is what makes this piece of work alluring!

A good film loosely inspired by the journalist Judith Miller. Always good to see films that remind me that journalism used to have integrity and guts... something we need these days. Kate Beckinsale, Matt Dillon and Alan Alda killed it. David Schwimmer just looks like a sad, lost puppy dog as usual.

I first heard about this film because of Matt Dillon, one of my favourite actors. He is the second billing in this film, right behind Kate Beckinsale, also starring Vera Farmiga, Alan Alda, Angela Bassett, and David Schwimmer.

The film is about Rachel Armstrong, a reporter (Beckinsale) who has written the story of her life: a military coup by the United States on a South American country was a lie, a Watergate, an operation that could get a president impeached. One CIA agent (Farmiga) had been there before the attack and had reported that there was no need to attack. They attacked anyway, and through a number of sources, Armstrong succeeds in finding the story. When the paper hits, the government realizes that they must find out the original source of Armstrong. Hired to find out this story is Patton Dupois (Matt Dillon), who goes after Armstrong with a ruthless but aloof determination. She is held in contempt of court when she refuses to reveal her source, and she is put in jail. Armstrong's boss (Bassett) and her lawyer (Alda) urges her to keep up the stand she has taken, while her husband (Schwimmer) is angry that she has done this. She herself must cope with the consequences of taking on the government, and the pressure just lays on throughout the story.

Beckinsale keeps the story going easily with her brilliant performance. The story is of course, focused on her, and the effect of imprisonment and interrogation can be seen on her face when she sees her son through the glass of visiting hours, or when Dupois questions her in court. Matt Dillon is also a brilliant actor, and I hope the two of them get nominated this year. However, while Dillon deserves it, I think Alda will end up with the nomination, who is both witty and cynical throughout the court battles.

The film's true strength comes from the fact that it is not a true Hollywood film. There is a tone about it that is certainly not like a usual story like this. The characters are dark, but also with redeeming qualities. Schwimmer's character of the husband does hurtful things, but out of weakness rather than malice. Dillon's character is ruthless in his prosecution, but in truth, he is just doing his job well. Even Beckinsale's character is not the underdog hero that this film could have been about. Thankfully, this movie takes a different route.

It was a real enjoyment seeing this film. Dillon shines as he usually has when I've seen him, and so do Beckinsale and Farmiga. The only over-the-top character is that of Avril Aaronson, played by Noah Wyle, and is thankfully overshadowed by the good performances of those who carry the film.