Lorsqu'un attentat terroriste en Afrique du Nord tue 19 personnes, dont un Américain, un ingénieur chimiste égyptien qui se rendait en avion d'Afrique du Sud aux États-Unis pour rejoindre sa... Tout lireLorsqu'un attentat terroriste en Afrique du Nord tue 19 personnes, dont un Américain, un ingénieur chimiste égyptien qui se rendait en avion d'Afrique du Sud aux États-Unis pour rejoindre sa femme, est arrêté à son arrivée aux États-Unis. Il disparaît suite à ces événements. Sa f... Tout lireLorsqu'un attentat terroriste en Afrique du Nord tue 19 personnes, dont un Américain, un ingénieur chimiste égyptien qui se rendait en avion d'Afrique du Sud aux États-Unis pour rejoindre sa femme, est arrêté à son arrivée aux États-Unis. Il disparaît suite à ces événements. Sa femme demande l'aide d’un sénateur.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
- Safiya
- (as Hadar Ratzon)
Avis à la une
A couple of months ago I was returning from a conference/company business in Spain through Munich Germany to Washington, DC (Home). I was picked up in Munich airport by a German officer as soon as I got off the Madrid plane. He was waiting for me. He was about to start interrogating me until I simply told him "I have no business in Germany, I'm just passing through". He had let me go with the utmost disappointment. That was nothing compared to what happened at Washington, Dulles airport (Which was not nearly as bad as what happened to Ibrahimi in the movie). The customs officer asked me a couple of questions about the length and purpose of my trip. He then wrote a letter C on my custom declaration form and let me go. After I picked up my checked bag I was stopped at the last exit point (Some Homeland Security crap). I sat there for 3 hours along with many different people of many different nationalities. I was not told the reason for my detainment. I was not allowed to use my phone or ANY other phone. I was feisty at first asking to be told of the reason or let me go but decided to suck it up and just wait and see. I asked if I can call my wife to tell her that I'm going to be late but was told no. When I tried to use my phone and as soon as my wife said "hello", an officer yanked the phone out of hand and threatened me to confiscate it. When I asked about needing to call home because my family is waiting, they said "Three hours is nothing, we will make contact after 5 hours". When I asked to use the bathroom, an officer accompanied me there. It toilet was funny; I guess it was a prison style toilet that is all metal with no toilet seat. Finally, they called my name and gave me my passport/green card and said you can go. I asked what the problem was, they said "nothing"!! I know it was only 3 hours but I was dead tired and wanted to go home to see my wife and kids.
As for the movie, it was very well made. Unlike most movies that involve Arabs and use non-Arab actors who just speak gibberish, this movie the Arabic was 100% correct. I assume the country is Morocco (North Africa).
On the surface, this would seem to have everything going for it with a solid cast (veterans Witherspoon, Sarsgaard, Gyllenhaal, Streep, Arkin and new faces Metwally, Naor, Oukach, Khouas) a recent hot director (Gavin Hood, dir. of "Tsotsi", winner of the 2006 Oscar for Best Foreign Film) and a script on a current hot-button issue (the anti-terrorism law of extraordinary rendition which allows U.S. agents to transport suspected terrorists to off-shore sites where anti-torture laws do not apply).
Somehow each of the cast members, perhaps due to the number of major characters involved and thus the reduced screen time allowed for each, come across as superficial stereotypes - the distraught expectant mother, the ex-boyfriend who tries to help, the CIA agent with a conscience, the cold hearted CIA executive, the pragmatic senator, the torture victim, the secret police torturer, the torturer's daughter with a secret boyfriend, the boyfriend with a secret). You're not with any of the characters long enough to identify with them much and when it all gets tied up together in the end a bit too neatly you're just left feeling disappointed and cheated.
Early reviews seem to be mostly praising this but the friend whom I saw it with and another veteran TIFF goer that we see in various line-ups had the same sense of disappointment.
The film just seems too desperate to make it all relevant as it tries to inspire our shock at the wrongs being perpetrated in the name of the anti-terror wars but it mostly comes across as clichéd rather than natural. When the Gyllenhaal character finally builds up the will to act on his moral outrage you're just not convinced about how he's made this character arc as he has spent the first 3/4's of the film either stunned by the effects of a suicide bombing that takes place before his very eyes and then drinking himself into a stupor while occasionally taking time out for an illicit office romance or to bark an order to underlings. It seems Gyllenhaal is the protagonist we are meant to identify with but he is too weak-willed to inspire much audience sympathy. Witherspoon as the distraught expectant mother has more of an immediate draw on our heartstrings but doesn't kick off the expose on the U.S. side of the things which we are pulling for her to do by soliciting help from ex-boyfriend Sarsgaard (who works for Arkin's senator character) after her Egyptian-American husband goes mysteriously missing after a trans-Atlantic flight. There are at least a few moments of fireworks when Witherspoon at least briefly gets to confront the CIA exec played by Streep who is pulling the forced extradition strings behind the scenes, but a few seconds of confrontation doesn't make up for the 90 minutes of gradually increasing tedium that it takes to get there and we still have about 30 minutes to go in the plot after that highpoint. The subplot built around the head police torturer and his family in an un-named North African country is more engrossing and a neat twist is pulled off in that storyline but that wasn't enough to save the picture for us.
I had really been looking forward to this film but something just seemed to be missing in the way it pays off the different plot lines.
The story concerns an Egyptian citizen who lives in America on a green card. He's married to an American woman and has kids and his life seems pretty admirable. However, while he's away on a business trip, he's apprehended, grilled and tortured...with no contact with his family nor lawyers...just his tormentors. While the Egyptian authorities do everything they can to make him talk, this is being watched by a CIA observer (Jake Gyllenhaal)....and over time it's obvious that this man is having troubles with the Egyptians and his superiors. What will this crisis in conscience do? And, what about the wife? And what about the real and evil terrorists in Egypt?
This is a tough movie and certainly isn't one for children. While I don't think the torture scenes were done too explicitly and the nudity in these scenes was never gratuitous or that explicit either, it's just not easy viewing and you might want to consider watching it with someone for support. It's a tough film, certainly, but also one that is important to see. Very well made and quite impactful.
The film features an all-star cast, with Oscar winners Meryl Streep, Alan Arkin, and Reese Witherspoon, as well as Peter Sarsgaard, Jake Gyllenhaal, and Omar Metwally. Supporting roles filled by unfamiliar actors deliver as well, sucking the audience into the plot, and showing how many people can be affected by overseas terror attacks, and our means of investigating them.
Rendition follows an Egyptian born terrorism suspect (Metwally) who is taken by U.S. officials following his flight from South Africa to Washington DC to an undisclosed prison overseas. His pregnant wife (Witherspoon) ventures to Washington DC to find out about his disappearance through a family friend and Senator's employee (Sarsgaard). Gyllenhaal plays a young CIA analyst at the overseas detention facility who monitors the violent interrogation.
This film follows the emotional plights of the torture victim (Metwally), and those involved in obtaining the supposed information from him. Some, like the CIA analyst (Gyllenhaal), are visibly shaken and horrified by the methods exercised, while others, the stern Senator (Streep) and foreign interrogator (Yigal Naor), see it as necessary and effective.
The film may be described by some as a political piece, but is ultimately an emotional one. Metwally's performance as the tortured prisoner is Oscar-worthy. The film does not intend to preach, but rather to question and inform the audience on a topic that does not often have a human face put on it. Renditions have been known to work, but have also been known to produce false information from innocent prisoners. The film simply depicts the emotional struggles of those involved in such grave business, and does so in a way that will affect every viewer differently. The film will keep your interest, and have you engaged in each of the character's plights.
Le saviez-vous
- AnecdotesBased on the true story of Khaled El-Masri, a German citizen who was mistaken for Khalid al-Masri, rumored to have been involved with the September 11, 2001 terrorist attacks. In 2004, El-Masri was arrested and transferred to a "black" site in Afghanistan where he was interrogated, beaten, sexually abused, and tortured for five months before the C.I.A. released him, admitting that his capture and torture were a mistake.
- GaffesIn the beginning when Anwar is in Cape Town, South Africa, according to the shadows cast by the men in Anwar's party, it's about 1 pm. He makes a call to Isabella in Chicago, United States when he apologizes for not calling her earlier. Cape Town is 8 hours ahead of Chicago, it would have been pitch dark in Chicago at that time but Isabella is outside in the midday sun playing soccer with Jeremy.
- Citations
Corrine Whitman: Honey, this is nasty business. There are upwards of 7,000 people in central London alive tonight, because of information that we elicited just this way. So maybe you can put your head on your pillow and feel proud for saving one man while 7,000 perish, but I got grandkids in London, so I'm glad I'm doing this job... and you're not.
- ConnexionsFeatured in HBO First Look: Two Sides of a Story: The Making of 'Rendition' (2007)
- Bandes originalesAkli Fiha
Written by Belgot Mohammed Tarik
Performed by Cheb Tarik
Courtesy of La Fa Mi Productions
By Arrangement with The Orchard
Meilleurs choix
- How long is Rendition?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El sospechoso
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 736 045 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 670 000 $US
- 21 oct. 2007
- Montant brut mondial
- 27 066 382 $US
- Durée2 heures 2 minutes
- Mixage
- Rapport de forme
- 2.35 : 1