Inside

I often come across people who prefer horror films that happen to have a good story. I, on the other hand, prefer films with a good story that just so happen to be scary. "From Within" is one of the latter. After having watched it, I'm surprised I had never heard of it before. It has a sense of overall quality unique to its class (relatively unknown, made for a Horrorfest).

The story is the movie's strongest point, with a plot that throws in appropriate twists without wavering from its core. From beginning to end, it is emotionally engaging and suspenseful. The character development exceeded my expectations as well, along with the performances from the cast. There is violence, but the film never drowns itself in gore. Most of the actual deaths happen just off-screen, giving you just enough build-up to use your imagination.

Supernatural horror/thrillers are a dime a dozen, and many of them fall short of expectations. "From Within" stands out among the crowd— proving that given a well-executed plot and the right casting, films of this genre can be as powerful as ever.

I was lucky enough to see this movie at its premier at the Tribeca Film Festival, and I must say that I truly enjoyed it. Normally, I am not a huge fan of the horror film genre, but this film proved that it was much more than a "put 10 people in a house, and kill them off one-by-one" flick. I found the story line interesting, the cinematography on-point, and the acting, especially that of Elizabeth Rice, excellent. Contrary to the previous person's review, I found the cast to be quite likable, and I also appreciated the occasional shots of humor, particularly those from the visiting female cousin. One final facet of the movie that I thought was compelling was the musical score -- very effective in contributing to the mood. IMHO, From Within is definitely worth seeing, and it should do very well when it is released for general viewing.

Although this type of film has been done many times before there is always room for good writing, acting, camera work and directing. Hey, if one is going to enjoy a modest budget horror flick one must get past the fact the takes-place-in-a-town-with-weird-residents plus the supernatural-aspects-to-be-taken-for-granted are simply ingrained in the process. This setting and genre must either be accepted and enjoyed or ignored altogether.

That said, the acting is FROM WITHIN is exceptional. The teens (and they actually look like teenagers instead of dressed up 30-year-olds) are neither sullen nor over the top but anxious, indecisive, vulnerable; i.e., like real teenagers. Miss Rice in particular delivers her lines in convincing fashion. The two young male leads could easily slide into stereotypes but...well...don't. The adults, e.g., the sheriff and the preacher, aren't overbearing elders. All the adults, in fact, actually interact with the teens, whereas in many movies like this one there is the teen world (Read: real and emotional) and the adult world (Read: static and authoritative).

The supernatural aspect, while never believable, is thankfully modest in inception and use. If the final scenes are not edge-of-your-seat they hold your interest as to what's going to happen. Cool "twist" at the very end too. What's a 56-year-old movie snob watching something like this for? Hey, I'm entitled to some fun too. Most things like this are lucky to last 20 minutes on my screen. FROM WITHIN went the full micro-wave popcorn ninety minutes.

In Grovetown, there is a series of suicides after the suicide of an outcast teenager Sean (Shiloh Fernandez). His brother Aidan (Thomas Dekker) waits for the return of his cousin Sadie (Margo Harshman) to the family house for the funeral. When Dylan (Kelly Blatz), who is the fanatic Christian son of the reverend, beats up on Aidan, the undesirable youngster is helped by Dylan's girlfriend Lindsey (Elizabeth Rice) that drives him home. They talk about Dylan's mother Candace Spindle that had a grimoire to worship her pagan gods in a creek and was blamed by the god-fearing locals of murdering a man; then she died in a suspicious fire. Lindsey and Aidan befriend each other and sooner she finds that Sean has cursed the town with his own sacrifice unleashing an evil force that is leading the inhabitants to commit suicide. When Lindsey is chased by her evil image, Aidan decides to help her to stop the curse; but the price to be paid is high.

Last week I bought "From Within" on DVD without any reference, and I had low expectations with this movie. Fortunately I was wrong and I was surprised with this great horror movie. In this original story, the Christians are evil with their fanaticism, self-proclaiming "soldiers of the Lord" and capable of dreadful murders in the name of God. Further, the conclusion with no redemption is unusual in American movies that prefer commercial endings instead. The sweet and gorgeous Elizabeth Rice has an amazing performance and shows a perfect chemistry with Thomas Dekker. The unknown director Phedon Papamichael shows a promising debut, supported by a good screenplay and a cast with great potential. My vote is eight.

Title (Brazil): Not Available

Horror films dealing with "compulsory suicide" as a theme are automatically unsettling and scary. They're also quite rare, since they must deal with the issue of how to give a proper and reasonably plausible explanation to the strange phenomenon of the compulsory suicides. Larry Cohen's "God Told Me To" is a fine example, and to a lesser extent also the more recent "Truth or Dare", but the modest sleeper-hit "From Within" might be the best one yet. Here the suicides are linked to extremely religious fanaticism and a curse evoked by a family of heathens.

Bible freaks are frightening as well, especially when they are young folks like the characters played here by Kelly Blatz and Adam Goldberg. "From Within" is probably the only film ever in which the fancy religious nerd beats up the handsome rebel kid in the schoolyard! The suicide sequences are disturbing because the victims are (mostly) innocent and often still very young, and personally I always get the creeps from self-declared prophets spreading the - supposed - Word of God. The film, set in a secluded little town, also looks stunningly beautiful and stylish, which is no doubt due to the director - Phedon Papamichael - being an Oscar-winning cinematographer. The performances are good, the soundtrack is suiting, and the climax is - hands down - one of the best and most shocking climaxes of all horror movies made after the year 2000.