Les faucheurs

this was a promising idea but ended up having no decent basis to back it up. half baked, half full, half cooked, it was actually less than half a movie and I wish I'd skipped through it cos there were long bits that contributed nothing to the story and just slowed the whole thing down.

The screen looked good, obviously a reasonable budget and they must have had some $$$ for those liverpool street locations but why waste all that if you haven't got your story together, if you've got major plot holes and a yarn that the actors can't deliver convincingly (I'm avoiding saying the actors were bad, but they were)

Anyway I wish I hadn't wasted my time watching this, and my advice to you is don't do likewise. Ultimately not worth it.

In England, Ian Stone (Mike Vogel) finds himself trapped in a weird situation: everyday, he meets the same persons in the most different situation, including Medea (Jaimie Murray) and Jenny (Christina Cole); around 5 PM, the watches stop and Ian is haunted by creepy beings with claws and has a painful death, waking again in another life. When an old man meets him and tells that he must protect Jenny to resurrect again, Ian begins to unravel a great mystery.

"The Deaths of Ian Stone" has a promising and intriguing beginning that recalls "Groundhog Day", "12:01" and "The Matrix", with the lead character awaking every day in a different reality after dying. Unfortunately the explanation of the Harvesters is weak and very disappointing. There are many points that deserve better clarification, like why the existence of parallel lives? Or how can the realities change and how could Ian return to the initial life if he died? With a better development of the story, resolving the flaws in the screenplay, this movie could be excellent. But it entertains and is original and my vote is six.

Title (Brazil): "Prisioneiro da Morte" ("Prisoner of the Death")

Like Lost, and Stephen King's The Dark Tower, the Deaths of Ian Stone does a great job of building up a mysterious story and loads of questions, but sadly doesn't really follow through at the end.

Ian Stone is a ice hockey player that gets hunted down and killed by a strange monster. The next day, he's an office worker who's girlfriend turns into a monster and kills him. The day after that, he's a taxi driver who gets stalked by monsters. The only constant is a blonde girl who turns up in every incarnation. Who is killing him every day and why? And who is the blonde girl?

This was all good stuff up to a point, but when things start being explained, it all becomes a bit ho-hum. Not a bad film, mind, the creatures are pretty good creations, and there's plenty of tension, but I think the film makers were looking towards creating a Clive Barker-like worlds-within-worlds mythology. It didn't quite work. For some reason the baddies all dress like Matrix people. Didn't quite get that bit either.

It's okay, just don't get yourself too excited when watching the first half.

I heard, before I saw this movie, that it was supposedly very much like Dark City. This alone made me actually see it, as Dark City is one of my favourite movies and, in my opinion, not known enough considering how many have borrowed from it aftwerwards.

The idea seemed interesting - One man dies over and over again, only to wake up in a new life. Screams DarkCity right there, but I will have to say that I don't think that's a bad thing.

The first 15 minutes, or so, had me at the edge of my seat, and yes, the first half of the movie is quite brilliant. But when our hero started to figure things out (with a little help from Michael Feast, who always is a joy to watch) the plot started to blur and I found myself playing "spot the movie" instead of paying too much attention to whether poor Ian would make it or not. Because Dario Piana has borrowed a lot. Not that I'm actually bothered by it. In fact, if he had managed to tie it all together in the end, it would have been a beautiful lovechild of Dark City and Jacob's Ladder (and other movies).

But sadly, in the end, the swan became a duckling again, ad it's a shame as this movie had so much potential to be something that I personally would have really enjoyed.

Don't get me wrong, this is not a bad movie, and there are some quite disturbing scenes. It simply feels like they had a lot of grand ideas that they, had no idea what to do with when the clock started to count down towards the end credits.

Even so, The Deaths of Ian Stone is a good second movie from Piara and I'm excited to see what he'll come up with in the future.

Ian Stone wakes up day after day, only to be killed again and again. He is followed by a group of murderers who disguise themselves, often as important people in his life. And one woman keeps re-appearing that he must protect at all cost: but why is she so important and why do the killers want him dead?

I have seen this film compared to a variety of movies, including "Donnie Darko" (which seems to be a bit of a stretch). My impression was of "Dark City" and to a lesser degree "The Other Side". Regardless, this film does seem to remind people of other films -- which is strange once you realize how completely different this film is from pretty much every other horror film out there.

The downfall of this movie is the fact you are unclear about what is going on and why it is going on, at least at first. Sure, it's not as confusing as trying to read Immanuel Kant's "Critique of Pure Reason" but you will have to have an open mind to get into this, something that many horror fans might not be willing to do. (I freely admit that as much as I love thinking films, some days I just want to see teenagers die in the woods.)

Even after you finally "get it" there remains some mystery. A lot of questions go unanswered that a good audio commentary or a sequel would need to clear up. I'm not sure I'd want to spend much time with either one, though... this film had very little lasting power for me and even less re-watchability. It's deep, romantic and nihilistic to a degree (which I like) but also a bit too dense to become a fan favorite. Yet, as my title says, it really ranks high in the pantheon of Horrorfest options.

I have to praise the special effects and the scenes of "torture". Both were well-done, and not in any way derivative of the other films that I've been subjected to over the past few years. If this film is to be called "low budget" or "independent" (and I believe it is both) then it is setting a standard for others to follow. 2008's Horrorfest will have to release some gems.

I guess I'm suggesting you see this film. I think you'll like it, and even if you never watch it a second time, I think the experience will be worthwhile. All the actors put on a good show as they reappear in multiple worlds (the main character's heroin scene is amazing) and they deserve full credit for carrying this picture.