Là-haut

Honestly, I found the DVD of this film in my house and decided to give it a watch as I had nothing better to do. Truth is I really should have made the time before.

Although I enjoy all the other Disney/pixar movies, I am at that teenage age where I mainly seek Violence, sex and gore. Thankfully my teenage boredom did me a big favour in helping what this fantastic masterpiece. This film was so fantastically deep, meaningful and moving beyond relief, as soon as I switched it off I rang my grandparents to tell them I love them.

It should be made necessary that everyone everywhere should see this film and I think the world would be a much better place - it really is that good.

100/10

Viewed at the Festival de Cannes 2009

The opening film of this year's festival, and the first animated film ever to have this honour, Up is truly a film for all ages. The story of the adventures of an old man and a young boy, a flying house tethered to countless balloons, a long-lost (and mad) explorer, a giant bird called Kevin and assorted 'talking' dogs gets funnier and more exciting as it goes along.

This isn't slapstick humour, although there are some lovely visual gags, but deeper, more thoughtful. At times Up is even touching and poignant.

Visually, this is a treat and while I was sceptical about the use of 3D to begin with, it is built into the story so seamlessly that it really is worth the effort to seek it out. At the same time, I can't help feeling the 2D version could be even better because the 3D glasses had the effect of dimming the picture. The use of colour in the film is especially noteworthy, with various palettes used according to mood, character and phase of the story. Character voicing and music are also spot on.

I have no connection with Pixar, Disney or the film whatsoever, even if this review reads like a puff piece. The fact is, Up is an incredible piece of cinema, was a big hit with a very demanding press audience, and is worthy of your time and money.

Anyone who says animated films cannot amuse and entertain, while at the same time delivering any kind of emotion, does not know what they are talking about.

Up is so good I can now forgive Pixar for Cars!

Greetings again from the darkness. Another crackling collaboration of Pixar and Disney, and as expected, it is touching, funny, thrilling and amazing to look at and watch. Only a step below Toy Story just because it is not quite as ground-breaking, though the story is even better.

While I love technology and effects, I am first and foremost a story guy when it comes to movies. This has as good of story as any film you will see. My only caution is that it seems geared towards grown-ups, not kids. The montage of Carl and Ellie growing old together is without dialogue and will probably bore some kids. Their parents certainly won't be bored; however, as it will resonate with most anyone over age 40 who hasn't taken the time to chase their childhood dreams.

No question, this film is a barrage of color and eccentric characters, and can even be a bit frightening at times. Still, the key to this one are the stories and quests of the elderly Mr. Fredrickson and the young Russell, trying to earn his badge of honor. From the beginning, Disney has always had a finger on the pulse of youngsters. Here, we aren't given the usual Hollywood garbage of brainiac kids who make the adults look stupid. Instead we are given a pudgy, slightly goofy kid just trying to get his parents to take note.

Special kudos to Ed Asner for bringing Mr. Fredrickson to life ... in good times and bad. He never goes overboard and is quite often absolutely perfect. Christopher Plummer has a limited role as bad guy Charles Muntz. Or is he really so bad? Cast aside by society, he has spent his life searching for redemption.

I am not saying the kids won't enjoy, but I am saying make sure parents and grandparents tag along. You will be entertained, delighted and moved.

I love Pixar and feel they have been pretty consistent. True I do prefer Toy Story over Cars and Finding Nemo over Ratatouille, but I find their films amazingly animated and thrilling. I thought that after the first two Toy Story films, that Pixar wouldn't be able to make a film to top them. WALL-E, yes I loved it, came pretty close, but in my opinion Up is Pixar's masterwork. And why do I say that? Because it is widely imaginative and astonishing in its emotional range.

First of all, the animation is stupendous, beautiful backgrounds, beautifully drawn characters and stunning colours. The scenery and sights are just fantastic, down to the colour and visual detail that went into the film. Michael Giacchino's music is stunning as well, simple yet melodious and sublime. And I do have to concur with the majority about the opening montage; Finding Nemo had some beautiful moments and WALL-E's haunting isolation moved me close to tears but this opening montage was so poignant and utterly heart-breaking. It is quite simply one of the most beautiful and effective beginnings ever to an animated film.

I have heard complaints that the story meanders when the talking dogs are introduced and that they were irritating. Can I respectfully disagree? What I loved about Up was how widely imaginative it was, in short why shouldn't a dog talk? It's an animated film, why does it have to COMPLETELY realistic? Elephants don't fly, look at what Disney did with Dumbo.The story, back on target was well written, thrilling and startling with a sense of adventure with enough action and high-flying escapism for kids and adults. The script had some truly hilarious and surreal moments, while Toy Story had wonderful sophisticated dialogue, the dialogue in Up made me laugh and it made me cry.

And finally the characters, I loved them all, grumpy old widower Carl, stowaway Russell, eccentric adventurer Charles Muntz, the big bird and the hilarious Doug. Russell may be a tad annoying at first, but he grows on you. The voice acting is exceptional- Carl is voiced with real demeanour and depth by Ed Asner and Christopher Plummer, the wonderful underrated actor he is, is superb as Charles Muntz. But I do have to give mention to Bob Peterson, he is simply brilliant as Doug, he is really funny when he needs to be and never overdoes it.

Overall, this is a wonderful film. There may be controversy over how Beauty and the Beast is no longer the only animated film to be nominated for best picture. Beauty and the Beast has been and always will be my favourite animated film and one of my favourite films of all time (The Lion King is a very close second), but Up is a great film and does deserve an award of some kind. 10/10 Bethany Cox

I was lucky enough to get a ticket to a special pre-release screening of Up at Pixar studios in Emeryville, organized by the San Francisco Film Society. After a hour-long reception in the atrium of their beautiful main building we went through some rigorous security (metal detectors!) and were treated to an hilarious short (Partly Cloudy) and Pixar's new high water mark, Up.

My favorites to date have definitely been Wall-E and the Incredibles, and Up is another slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.

As the associate producer who participated in the Q&A following the movie pointed out, the past three Pixar movies have not been easy sells to their parent company Disney (they'll be back in familiar territory with Toy Story 3 and Cars 2), but Pixar's commitment to inventive, story-driven films continues to pay off here. All of the good press is true, and I can't wait to see it again. Thanks for staying true to yourselves Pixar!