Carl Fredricksen, âgé de soixante-dix-huit ans, se rend en Amérique du Sud dans sa maison équipée de ballons et emmène avec lui un jeune passager clandestin par inadvertance.Carl Fredricksen, âgé de soixante-dix-huit ans, se rend en Amérique du Sud dans sa maison équipée de ballons et emmène avec lui un jeune passager clandestin par inadvertance.Carl Fredricksen, âgé de soixante-dix-huit ans, se rend en Amérique du Sud dans sa maison équipée de ballons et emmène avec lui un jeune passager clandestin par inadvertance.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 81 victoires et 88 nominations au total
- Carl Fredricksen
- (voix)
- (as Ed Asner)
- Russell
- (voix)
- Dug
- (voix)
- …
- Beta
- (voix)
- Gamma
- (voix)
- Young Ellie
- (voix)
- Young Carl
- (voix)
- Police Officer Edith
- (voix)
- (as Mickie T. McGowan)
- Nurse George
- (voix)
- (as Don Fullilove)
- Nurse AJ
- (voix)
- Omega
- (voix)
Résumé
Avis à la une
The first part of this movie is a real tear jerker. When Carl and Ellie's lives flash through the years, all the heart breaks and all the love just jump off the screen. Then there is comedy as the journey to Paradise Falls starts. The movie gets very surreal with dog translators, and a very colorful bird. The villain is a bit too villainy. The story gets too serious at times. But it ends almost as emotionally as it starts. It is one of the best of Pixar.
Up is by far the most emotional human drama of any Pixar movies thus far, very heavy, so much so if you're looking for pure fun with some jaw-dropping chase and/or thematic scenes and no downer moments, Up may not be for you. I saw it in a packed theatre of about a 65% adult, 35% adult split audience and it's the only time I can remember being in ANY animated movie where there was sniffles and watery eyes, and that was within the first 10 minutes of the movie. There's an undercurrent of life after losing a loved one in this movie, which I don't feel gives anything away. It's pretty heavy subject matter, Pixar handles it, like they do everything they touch, incredibly well, but it doesn't make it any less sad to have the material threaded throughout much of the movie you're reminded of it, but I suppose it's up to one's own interpretation of loss and how to place it in your life that perhaps will have an emotional effect on you.
Story is what makes a great movie great. Without story, you don't really have anything, maybe some effects, some action, maybe some cute or clever sight gags, maybe some laughs, hopefully some emotion, where Pixar shines above all others in animation and over a good 99% of the movies out there is they can intertwine it all and do it seemingly effortless, which is an incredible feat. To do this in a few movies is one thing, but Pixar has pretty much nailed this now for their entire career of making movies, that's just simply unprecedented.
I should note I saw the 3D version which, to be honest, didn't really take the movie to the next level. One of the more well known syndicated reviewers had said you're better off seeing the non-3D version on screen, and I actually agree. The 3D glasses added little to nothing to the movie except for an eye-strain headache later in the night. It didn't take away from Up mind you, it just didn't add to it either.
Up is a great movie either way you slice it and it should be noted, the theatre I saw it in gave it a fairly loud round of applause at the end. It's pretty rare these days that an audience applauds after a movie, perhaps we as a society has become too jaded, or too just expecting of the goods or feeling we're entitled to the entertainment. It's nice when a movie hits on all cylinders and elicits such a range and emotional reaction people who don't know each other in a packed room all gasp, laugh, cry, and applaud together. Great movies however can do that and Up is truly a great movie.
The opening film of this year's festival, and the first animated film ever to have this honour, Up is truly a film for all ages. The story of the adventures of an old man and a young boy, a flying house tethered to countless balloons, a long-lost (and mad) explorer, a giant bird called Kevin and assorted 'talking' dogs gets funnier and more exciting as it goes along.
This isn't slapstick humour, although there are some lovely visual gags, but deeper, more thoughtful. At times Up is even touching and poignant.
Visually, this is a treat and while I was sceptical about the use of 3D to begin with, it is built into the story so seamlessly that it really is worth the effort to seek it out. At the same time, I can't help feeling the 2D version could be even better because the 3D glasses had the effect of dimming the picture. The use of colour in the film is especially noteworthy, with various palettes used according to mood, character and phase of the story. Character voicing and music are also spot on.
I have no connection with Pixar, Disney or the film whatsoever, even if this review reads like a puff piece. The fact is, Up is an incredible piece of cinema, was a big hit with a very demanding press audience, and is worthy of your time and money.
Anyone who says animated films cannot amuse and entertain, while at the same time delivering any kind of emotion, does not know what they are talking about.
Up is so good I can now forgive Pixar for Cars!
First of all, the animation is stupendous, beautiful backgrounds, beautifully drawn characters and stunning colours. The scenery and sights are just fantastic, down to the colour and visual detail that went into the film. Michael Giacchino's music is stunning as well, simple yet melodious and sublime. And I do have to concur with the majority about the opening montage; Finding Nemo had some beautiful moments and WALL-E's haunting isolation moved me close to tears but this opening montage was so poignant and utterly heart-breaking. It is quite simply one of the most beautiful and effective beginnings ever to an animated film.
I have heard complaints that the story meanders when the talking dogs are introduced and that they were irritating. Can I respectfully disagree? What I loved about Up was how widely imaginative it was, in short why shouldn't a dog talk? It's an animated film, why does it have to COMPLETELY realistic? Elephants don't fly, look at what Disney did with Dumbo.The story, back on target was well written, thrilling and startling with a sense of adventure with enough action and high-flying escapism for kids and adults. The script had some truly hilarious and surreal moments, while Toy Story had wonderful sophisticated dialogue, the dialogue in Up made me laugh and it made me cry.
And finally the characters, I loved them all, grumpy old widower Carl, stowaway Russell, eccentric adventurer Charles Muntz, the big bird and the hilarious Doug. Russell may be a tad annoying at first, but he grows on you. The voice acting is exceptional- Carl is voiced with real demeanour and depth by Ed Asner and Christopher Plummer, the wonderful underrated actor he is, is superb as Charles Muntz. But I do have to give mention to Bob Peterson, he is simply brilliant as Doug, he is really funny when he needs to be and never overdoes it.
Overall, this is a wonderful film. There may be controversy over how Beauty and the Beast is no longer the only animated film to be nominated for best picture. Beauty and the Beast has been and always will be my favourite animated film and one of my favourite films of all time (The Lion King is a very close second), but Up is a great film and does deserve an award of some kind. 10/10 Bethany Cox
Although I enjoy all the other Disney/pixar movies, I am at that teenage age where I mainly seek Violence, sex and gore. Thankfully my teenage boredom did me a big favour in helping what this fantastic masterpiece. This film was so fantastically deep, meaningful and moving beyond relief, as soon as I switched it off I rang my grandparents to tell them I love them.
It should be made necessary that everyone everywhere should see this film and I think the world would be a much better place - it really is that good.
100/10
Le saviez-vous
- AnecdotesBefore the film's worldwide release date, Pixar granted a wish from 10-year-old Colby Curtin to see the movie before she died. Colby had been diagnosed with cancer and was too sick to go to a theater. A Pixar employee flew to the Curtins' house with a DVD of the finished film and screened it for her and her family. Curtin died seven hours later at 9:20 pm, shortly after seeing the movie.
- GaffesThe phrase "Jiminy Cricket" was used in common slang as a euphemism for "Jesus Christ" (in context of a "cuss" word) since the 1920s. The expression is spoken in movies like The Le brave petit tailleur (1938) and Le Magicien d'Oz (1939). Pinocchio (1940) had a character named Jiminy Cricket who was named after the expression, not the other way around.
- Citations
[Carl, in his once-again airborne house, suddenly hears a knock at the front door]
Carl Fredricksen: [Surprised] Russell?
[opens the door to find Dug on his doorstep and is very happy]
Carl Fredricksen: [Smiles] Dug!
Dug: [Looking sad] I was hiding under your porch because I love you. Can I stay?
Carl Fredricksen: [Delightfully] Can you stay? Why, you're my dog, aren't you? And I'm your master!
Dug: [His sadness turns to happiness. As he happily wags his tail] You are my master? Oh, boy! Oh, boy!
[lunges forward and covers Carl in slobbery kisses]
Carl Fredricksen: [laughing] Good boy, Dug. You're a good boy.
- Crédits fousThe photographs of characters shown during the end credits thematically match the crew members' positions, as do the "Wilderness Explorer" badges that also appear.
- Versions alternativesIn international prints, the label on the savings jar for Paradise Falls bears a drawing of said place as opposed to text.
- ConnexionsEdited into Doug en mission Spéciale (2009)
Meilleurs choix
- How long is Up?Alimenté par Alexa
- Will there be a sequel?
- What is The Music Playing During the Scene Carl is Walking down the Stairs?
- How does Russell end up on Carl's porch after his house takes off?
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Up: Una aventura de altura
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 175 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 293 004 164 $US
- Week-end de sortie aux États-Unis et au Canada
- 68 108 790 $US
- 31 mai 2009
- Montant brut mondial
- 735 103 954 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1