Middle of Nowhere

This film is about a teenage girl who is trying to finance her college. As she does not get the support she needs from her mother, she has to find alternative measures.

"Middle of Nowhere" wants to cover a lot of emotions by having many subplots. It wants to tell a teenage girl's struggle financially, her relationship with her family, and also her romantic life. I think it wants to be too much, sometimes it is a touching drama about broken family dynamics, sometimes it is a drama about teenage romance, and sometimes it is an introspective, self searching drama. It ends up not being very engaging, and a bit unfocused. Even though the scene where Grace confronts her mother about the death of the father is very touching, it could have had even higher impact if the script was tighter.

This is a really beautiful, sincere film that deserves way more recognition than it's gotten so far. The story is down-to-earth; the characters are real people. This movie had perhaps the most realistic representation of teenagers that I've ever seen, in all their wackiness, insecurities, and surprising maturity. I was especially struck by Willa Holland's performance as 15-year-old Taylor: pretty without being overly sexy, immature but with emotional depth. The cinematography was elegant; a focus on the innocent play of water park guests gave the film heart. I encourage you to watch this movie; it will surprise you!

Studious Grace Berry (Eva Amurri) is denied financial aid for school because her irresponsible mother Rhonda (Susan Sarandon) ruined her credit history. Her sister Taylor (Willa Holland) refuses to lie to get a lawsuit settlement. She works at the water park and needs $12k by the end of the summer to pay for school. Dorian Spitz (Anton Yelchin) is rebelling against his rich family and forced to work at the park. Dorian convinces Grace to sell drugs with him. She falls for rich kid Ben Pretzler (Justin Chatwin). Dorian has a crush on Grace and Taylor is interested in Dorian.

Eva Amurri is not quite right. She's a little too old. Her character is suppose to be a doormat but Eva is never that as a personality. The pull of pairing mother and daughter is not enough to justify the miscast. The family dysfunctions are compelling but not what is done with them. The movie is building some big drama. The actors are all doing good work. The movie just never gets all there.

This is a surprisingly good movie about a recent high-school graduate (Eva Amurri) who's irresponsible mother (Susan Sarandon) has blown her college fund and destroyed her credit, so she gets together with a very moral but very misguided rich kid (Anto Yelchin)to deal dope in their "middle-of-nowhere" small town. A love triangle develops between the girl, her erstwhile "business partner", and her precocious, aspiring model younger sister (Willa Holland), but it is a largely unrequited one as she is uninterested in him and he resists the jailbait charms of her sister.

Eva Amurri is a beautiful and talented actress, if a bit long in the tooth to be playing a recent high school graduate. Willa Holland is an unusually beautiful teenager who has since gone on to work in European films like "Summer in Genoa" (as an even more sexually precocious youngster). She does a good job playing an aspiring underage model. It's nice to see Susan Sarandon playing a completely unsympathetic role like this. The real surprise though is Anton Yelchin who I usually find incredibly annoying even in movies I otherwise like like "Alpha Dog". Instead of wanting to kick his teeth down his throat as usual though, I actually kind of liked his character here (although strangely this is the second time he played a sympathetic drug-dealer--he had a very similar role in the more famous, but overrated "Charlie Bartlett).

A lot of credit also has to go to director John Stockwell. It's interesting that two of the more interesting and underrated indie directors today, John Stockwell and Keith Gordon, once appeared together as ACTORS in the very mediocre 1983 horror movie "Christine". Stockwell has come the closest to mainstream success (or, depending on how you look at it, selling out) with films like "Crazy/Beautiful" and "Blue Crush", but he does better I think with smaller pictures like this. I'd recommend this.

I didn't know what to expect from this movie, since its visible lack of propagation. First, I highly congratulate this film for being so real; all the cast is pretty unknown and they surely do their work with professionalism and realism. Better than that, they chose actors that look like ordinary people, not perfect actors with artificial beauty and years of gym. Main story is reasonable and we feel connection with every character, even thought sometimes they act a little strange-- mainly the younger sister, who didn't speak a word until some point. Anton Yelchin has an evident similarity with Corey Haim, specially when comparing with his work in 1988's "License to Drive". There isn't a moment in this movie that we see overacting or lack of plausibility, which is another plus for the flick. It is also impressive to see how these actors express their feelings with nature, getting into the characters for real. All in all, it's a surprisingly GREAT movie, and I congratulate the whole team for such professional work.