NOTE IMDb
5,6/10
14 k
MA NOTE
Après avoir eu une aventure avant un client, une jeune baby-sitter de 16 ans devient proxénète en employant ses camarades...Après avoir eu une aventure avant un client, une jeune baby-sitter de 16 ans devient proxénète en employant ses camarades...Après avoir eu une aventure avant un client, une jeune baby-sitter de 16 ans devient proxénète en employant ses camarades...
- Réalisation
- Scénario
- Casting principal
Avis à la une
Stuck at home and recovering from a viral throat infection, I was looking for a couple of nice little cheesy movies that didn't take much brain power. What I found instead, was one utter piece of dross (Black Ribbon, don't bother watching it), and this absolute gem.
Not at all the Debbie-does-Dallas style piece of cheese that I was expecting from the description I had read, I found this film really rather touching and thought provoking. The acting was excellent, especially considering the apparent young age of some of the cast. Katherine Waterston shone as Shirley, and managed to convey all of the awkwardness of her slightly neurotic teenage character, whilst still being completely convincing in later scenes where her inner core of steel shows through. The range of different personalities amongst the girls as a group was excellent, and each character was thoroughly fleshed out. If there was a weak link here, I would say that perhaps there was not quite enough focus on the reactions of the teenage boys to what is going on around them - Scott's reaction to Shirley later in the film appears to come from nowhere. Perhaps a deleted scene?
The sex, whilst somewhat explicit, was never gratuitous, and there were a couple of uncomfortable scenes that had me on the edge of my seat. Whilst I certainly never got involved in anything like this as a teenager, I found I was reminded very strongly of the amoral thing I once was, and rather grateful, in fact, that I was never given the choice that these girls are offered in the film. The lack of any real analysis of their actions only serves to make these teens more convincing in my view - what teenager really considers the consequences of their actions before taking them?
My recommendation: Get hold of a copy of this film, grab yourself some popcorn, and watch it through, and be prepared for some introspection afterwards.
Not at all the Debbie-does-Dallas style piece of cheese that I was expecting from the description I had read, I found this film really rather touching and thought provoking. The acting was excellent, especially considering the apparent young age of some of the cast. Katherine Waterston shone as Shirley, and managed to convey all of the awkwardness of her slightly neurotic teenage character, whilst still being completely convincing in later scenes where her inner core of steel shows through. The range of different personalities amongst the girls as a group was excellent, and each character was thoroughly fleshed out. If there was a weak link here, I would say that perhaps there was not quite enough focus on the reactions of the teenage boys to what is going on around them - Scott's reaction to Shirley later in the film appears to come from nowhere. Perhaps a deleted scene?
The sex, whilst somewhat explicit, was never gratuitous, and there were a couple of uncomfortable scenes that had me on the edge of my seat. Whilst I certainly never got involved in anything like this as a teenager, I found I was reminded very strongly of the amoral thing I once was, and rather grateful, in fact, that I was never given the choice that these girls are offered in the film. The lack of any real analysis of their actions only serves to make these teens more convincing in my view - what teenager really considers the consequences of their actions before taking them?
My recommendation: Get hold of a copy of this film, grab yourself some popcorn, and watch it through, and be prepared for some introspection afterwards.
I loved the characters though I did wish that the movie didn't end so fast, I would have loved to see someone's wife find out. There are a lot of interesting and sleazy events taking place in this film and oddly enough you'll find yourself glued to the seat begging for more craziness to happen as the story line unfolds. This film is dramatically insane with hot romances and yet its a little disturbing once you factor in the age and lives that they lead. These girls are not your typical high school students, don't expect anything but slightly tamed adult material from this flick. This movie in my opinion is a must see, and most definitely not for people with an open mind.
Whoever said that brains and beauty is not an explosive combination? An enterprising young woman sees a way to take control of her life and becomes a mastermind behind a society of young women whose lives are slowly shattered when they decide to use their charms to make some money.
The film starts out slowly and then hits a few highs along the way, giving us a share of strong, controversial and provocative moments. As we see the story unfold, we are not quite sure when the dangerous and tragic moments are coming. They are expected, but they are not quite as obvious as one expects. Little by little, we see the girls lose control of their enterprise, as each person's agenda begins to threatens the good of the group. Personalities begin clashing as the quiet and demure realizes she doesn't have enough strength to continue. In the opposite end, her sister is taking more and more dangerous assignments, and all of this emotional turmoil begins to prove too much for the head of the club.
In the end, things work out but not that smoothly, and not without a couple of gigantic crises along the way. It is shocking at times, and there are a couple of lulls along the way that almost derail the film, but it is a movie that shows a side of teens that has probably never been shown before. It will make you think.
The film starts out slowly and then hits a few highs along the way, giving us a share of strong, controversial and provocative moments. As we see the story unfold, we are not quite sure when the dangerous and tragic moments are coming. They are expected, but they are not quite as obvious as one expects. Little by little, we see the girls lose control of their enterprise, as each person's agenda begins to threatens the good of the group. Personalities begin clashing as the quiet and demure realizes she doesn't have enough strength to continue. In the opposite end, her sister is taking more and more dangerous assignments, and all of this emotional turmoil begins to prove too much for the head of the club.
In the end, things work out but not that smoothly, and not without a couple of gigantic crises along the way. It is shocking at times, and there are a couple of lulls along the way that almost derail the film, but it is a movie that shows a side of teens that has probably never been shown before. It will make you think.
The well-acted indie drama "The Babysitters" takes what appears on the surface to be fairly salacious and distasteful material and turns it into a scathing attack on contemporary mores and values.
Shirley (Katherine Waterston) is an attractive suburban high school student who decides to make a little extra money babysitting for the young son of a local couple. When the husband, Michael (John Leguizamo), who is clearly unhappy in his marriage, pays to have sex with her at the end of the night, Shirley comes up with a scheme to parlay that into a full-fledged teen-prostitution ring, with Michael lining up other clients among his married buddies and Shirley setting herself up as a sort of "madam," "hiring" her friends from school to serve as under-aged "call girls." But the folks involved soon discover that, when it comes to affairs of the heart and of the loins, one can't always dictate how things will turn out.
Writer/director David Ross aims at a wide range of targets, from the sterility of suburbia and middle class marriage to middle-aged men who refuse to grow up – and who, instead of serving as moral guides for the girls, are willing to exploit them for their own perverted needs - to the capitalist system itself, at least as embodied by the "enterprising" young entrepreneur, Shirley, who often has to stoop to ruthless and dictatorial tactics to ensure the viability and survival of her business.
But always, beneath it all, there is the intense sadness and emotional emptiness of the situation, as these attractive young ladies - who are really just confused and insecure kids under all the makeup, sexy clothing and alluring bravado - find themselves getting into something they can neither fully understand nor fully control. Even Michael seems unable to separate the sex from his own more romantic feelings for Shirley as he battles with jealousy thinking about her with other men. Perhaps, the most indicting line of dialogue comes from one of the creepier gents who cluelessly proclaims that one day, when these girls are all grown up, they will look back on this time as one of the greatest of their lives. Yet, paradoxically, the exploitation goes both ways, as these "naïve" girls, particularly Shirley, wrap a bunch of immature middle-aged men around their little fingers, ultimately using the men's uncontrollable libido against them.
It is this complicated twist that gives the film its darkly humorous tone and makes "The Babysitters" more than just a titillating and exploitative exercise in finger-wagging moral umbrage.
Shirley (Katherine Waterston) is an attractive suburban high school student who decides to make a little extra money babysitting for the young son of a local couple. When the husband, Michael (John Leguizamo), who is clearly unhappy in his marriage, pays to have sex with her at the end of the night, Shirley comes up with a scheme to parlay that into a full-fledged teen-prostitution ring, with Michael lining up other clients among his married buddies and Shirley setting herself up as a sort of "madam," "hiring" her friends from school to serve as under-aged "call girls." But the folks involved soon discover that, when it comes to affairs of the heart and of the loins, one can't always dictate how things will turn out.
Writer/director David Ross aims at a wide range of targets, from the sterility of suburbia and middle class marriage to middle-aged men who refuse to grow up – and who, instead of serving as moral guides for the girls, are willing to exploit them for their own perverted needs - to the capitalist system itself, at least as embodied by the "enterprising" young entrepreneur, Shirley, who often has to stoop to ruthless and dictatorial tactics to ensure the viability and survival of her business.
But always, beneath it all, there is the intense sadness and emotional emptiness of the situation, as these attractive young ladies - who are really just confused and insecure kids under all the makeup, sexy clothing and alluring bravado - find themselves getting into something they can neither fully understand nor fully control. Even Michael seems unable to separate the sex from his own more romantic feelings for Shirley as he battles with jealousy thinking about her with other men. Perhaps, the most indicting line of dialogue comes from one of the creepier gents who cluelessly proclaims that one day, when these girls are all grown up, they will look back on this time as one of the greatest of their lives. Yet, paradoxically, the exploitation goes both ways, as these "naïve" girls, particularly Shirley, wrap a bunch of immature middle-aged men around their little fingers, ultimately using the men's uncontrollable libido against them.
It is this complicated twist that gives the film its darkly humorous tone and makes "The Babysitters" more than just a titillating and exploitative exercise in finger-wagging moral umbrage.
The sole reason for why I picked up "The Babysitters" was because of John Leguizamo being in it. Having read the synopsis for the movie, and that wasn't particularly a selling point for me. So, for me, the movie was depending on John Leguizamo to carry it - and so he did.
The story in "The Babysitters" is about a young girl who babysits for a family, and whilst driving her home in the evening, the dad invites her in to a diner for something to eat. Here they come to talk and a spark is set off between them. The dad ends up having sex with the babysitter. Eventually his friend finds out and wants in on the deal, and the babysitter bring in her friends to help servicing these adult men who have wives and kids. And business is good for the 'babysitters'.
Storywise, then "The Babysitters" doesn't really blow you away - pardon the pun. The story is good enough in itself, although it does deal with a taboo subject, so the movie may not be suitable for just anyone.
What made the movie watchable was the acting in the movie, because people really did great jobs with their given roles and characters. And also the characters in the movie were really fleshed out nicely and in great detail.
"The Babysitters" is a story- and character-driven movie, so don't expect the movie to get up into a fast pace at any given moment.
If you enjoy dramas that deal with issues that are not common day events - controversial events you might say - then "The Babysitters" might be just the right movie for you.
The story in "The Babysitters" is about a young girl who babysits for a family, and whilst driving her home in the evening, the dad invites her in to a diner for something to eat. Here they come to talk and a spark is set off between them. The dad ends up having sex with the babysitter. Eventually his friend finds out and wants in on the deal, and the babysitter bring in her friends to help servicing these adult men who have wives and kids. And business is good for the 'babysitters'.
Storywise, then "The Babysitters" doesn't really blow you away - pardon the pun. The story is good enough in itself, although it does deal with a taboo subject, so the movie may not be suitable for just anyone.
What made the movie watchable was the acting in the movie, because people really did great jobs with their given roles and characters. And also the characters in the movie were really fleshed out nicely and in great detail.
"The Babysitters" is a story- and character-driven movie, so don't expect the movie to get up into a fast pace at any given moment.
If you enjoy dramas that deal with issues that are not common day events - controversial events you might say - then "The Babysitters" might be just the right movie for you.
Le saviez-vous
- AnecdotesHoward Stern was offered the chance to be a producer on the film but he turned it down.
- GaffesWhen the girls are in the music room, the day after the destruction caused by Shirley, Melissa and Michael, the first two bars of a Sonatina are shown in the chalkboard. There are too many beats in the second bar, as there are two crotchets (one beat each), a quaver rest (half of one beat) and four quaver notes (half a beat each). This is a total of 4-and-a-half beats, but there should only be 4 beats.
- Citations
Melissa Brown: [talking about babysitting in class] Make any money?
Shirley Lyner: Yeah.
Melissa Brown: How much?
Shirley Lyner: Two hundred dollars.
Melissa Brown: Jesus, Shirl. What'd you do, suck Mr. Beltran's cock?
- Versions alternativesTwo versions are available. Runtimes are: "1h 28m (88 min)" and "1h 30m (90 min) (Toronto International) (Canada)".
- Bandes originalesThe New Science
Written by David Wingo
Performed by Ola Podrida
Courtesy of Plug Research
By Arrangement with The Orchard
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Babysitters
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 44 852 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 518 $US
- 11 mai 2008
- Montant brut mondial
- 44 852 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant