Middle of Nowhere

This was definitely a well acted movie. It had all the fixings; it made me laugh and even managed to make my eyes water. Sarandon is the household name, but Yelchin and Amurri steal the show. The story clearly revolves around them. They come from different worlds at first, but seem to come to an understanding after all is said and done. There are many different themes in this movie, and they all play a part in developing each character. However only the two main actors (Yelchin and Amurri) really have the chance to showcase their talents. Also, this movie made me realize that Yelchin maybe in the movie business for a long, long time.

Definitely worth a watch. Enjoy.

I didn't know what to expect from this movie, since its visible lack of propagation. First, I highly congratulate this film for being so real; all the cast is pretty unknown and they surely do their work with professionalism and realism. Better than that, they chose actors that look like ordinary people, not perfect actors with artificial beauty and years of gym. Main story is reasonable and we feel connection with every character, even thought sometimes they act a little strange-- mainly the younger sister, who didn't speak a word until some point. Anton Yelchin has an evident similarity with Corey Haim, specially when comparing with his work in 1988's "License to Drive". There isn't a moment in this movie that we see overacting or lack of plausibility, which is another plus for the flick. It is also impressive to see how these actors express their feelings with nature, getting into the characters for real. All in all, it's a surprisingly GREAT movie, and I congratulate the whole team for such professional work.

MIDDLE OF NOWHERE is one of those surprise films that appear to have gone direct to DVD - not because they are unworthy of theater showing but because they are thinking films rather than explosively entertaining/CGI/3D extravaganzas. The script (Michelle Morgan) is smart, the concepts are viable and refreshingly not overdone, the direction (John Stockwell) shows great respect for the talents of the actors, and the cast is as solid as could be assembled for a film about touchy subjects. The theme that is born at the beginning of this film and grows in importance right to the end is the parent/child conundrum: when is parenting adequate and what are the drivers for dysfunctional family units.

Grace Berry (Eva Amurri, in a very natural and focused tough role) explains to a college scholarship counselor (Sharon London) that she needs financial aid to begin her higher education to become a doctor, but though she is a brilliant student, the counselor refuses to award a scholarship because of Grace's exceptionally bad credit rating. Distraught, Grace challenges her mother Rhonda (Susan Sarandon) when she discovers Rhonda has used Grace's name to open credit cards and has spent them to the limit. Grace needs big money to attend college and her summer job at the water park in town is minimum wage only. Also working at the water park is the happy-go-lucky Dorian (Anton Yelchin) who flirts with disaster, having found an 'extra job' selling weed to the rich folks of the city. After a lot of patter Dorian gently coerces Grace into being his driver (Dorian has no car, having been grounded for misbehavior by his grumpy uncle who is serving as relief for Dorian's adoptive parents), and the two begin a quality friendship that fills emotional and financial gaps in each of their lives.

But the truth about Grace and Dorian's parents surfaces: Dorian was given up by his 15-year- old mother for religious reasons and has been placed with quasi-appropriate wealthy parents; Grace lives with the knowledge that her father committed suicide only to come to discover that the suicide was the result of discovering that Rhonda was (and still is) having an affair with his brother Bob (William Haze). Grace's discovery comes through a conversation with her Aunt Polly (Karen Bramen, in an excellent role for this new actress) and Grace's mother-favored younger sister Taylor (Willa Holland), and the revelation sets off a series of events that propels the story to an end. Yes, there are sidebars expected in stories of teenagers: Grace falls in lust with rich kid Ben (Justin Chatwin); Taylor rebels against her mother by cutting her hair thus ending her mother's obsession with Taylor's becoming a model and Taylor seduces Dorian; Dorian confronts his birth mother; there are fights where Dorian is injured and finds himself alone without family support. But without a sugarcoated finale, the film ends quietly, affirming the importance of friends - a kind of love than can replace gaping holes in family relationships.

The movie truly belongs to Eva Amurri who proves she is becoming as fine an actress as her mother, Susan Sarandon. The film also allows Anton Yelchin to demonstrate a much broader range to his acting than he has been given before. The entire cast is excellent. This is a coming of age story - with far more attention being paid to the adult end of the developmental spectrum.

Grady Harp

This is a surprisingly good movie about a recent high-school graduate (Eva Amurri) who's irresponsible mother (Susan Sarandon) has blown her college fund and destroyed her credit, so she gets together with a very moral but very misguided rich kid (Anto Yelchin)to deal dope in their "middle-of-nowhere" small town. A love triangle develops between the girl, her erstwhile "business partner", and her precocious, aspiring model younger sister (Willa Holland), but it is a largely unrequited one as she is uninterested in him and he resists the jailbait charms of her sister.

Eva Amurri is a beautiful and talented actress, if a bit long in the tooth to be playing a recent high school graduate. Willa Holland is an unusually beautiful teenager who has since gone on to work in European films like "Summer in Genoa" (as an even more sexually precocious youngster). She does a good job playing an aspiring underage model. It's nice to see Susan Sarandon playing a completely unsympathetic role like this. The real surprise though is Anton Yelchin who I usually find incredibly annoying even in movies I otherwise like like "Alpha Dog". Instead of wanting to kick his teeth down his throat as usual though, I actually kind of liked his character here (although strangely this is the second time he played a sympathetic drug-dealer--he had a very similar role in the more famous, but overrated "Charlie Bartlett).

A lot of credit also has to go to director John Stockwell. It's interesting that two of the more interesting and underrated indie directors today, John Stockwell and Keith Gordon, once appeared together as ACTORS in the very mediocre 1983 horror movie "Christine". Stockwell has come the closest to mainstream success (or, depending on how you look at it, selling out) with films like "Crazy/Beautiful" and "Blue Crush", but he does better I think with smaller pictures like this. I'd recommend this.

This is a really beautiful, sincere film that deserves way more recognition than it's gotten so far. The story is down-to-earth; the characters are real people. This movie had perhaps the most realistic representation of teenagers that I've ever seen, in all their wackiness, insecurities, and surprising maturity. I was especially struck by Willa Holland's performance as 15-year-old Taylor: pretty without being overly sexy, immature but with emotional depth. The cinematography was elegant; a focus on the innocent play of water park guests gave the film heart. I encourage you to watch this movie; it will surprise you!