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Installés dans la salle des homicides d'un quartier général de la police à Melbourne, en Australie, des détectives travaillent pour que justice soit rendue pour le défunt.Installés dans la salle des homicides d'un quartier général de la police à Melbourne, en Australie, des détectives travaillent pour que justice soit rendue pour le défunt.Installés dans la salle des homicides d'un quartier général de la police à Melbourne, en Australie, des détectives travaillent pour que justice soit rendue pour le défunt.
- Récompenses
- 4 nominations au total
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Australian television series can be hit or miss but this one is a few grades above the rest. Buoyed by superior scripts and crisp direction, each episode unravels without the drawn-out emotional drama of other such shows. Yes, there are soap opera moments but they are brief and tightly written.
The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).
That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.
The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).
That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.
I am always quite skeptical about Australian made dramas (and comedies for that matter). In my opinion it has never really been our forte, the writing talent hasn't been there. Fly-on-the wall, variety and reality: sure we excel but not in scripted stuff. But the times are changing, well on some networks at least.
City Homicide is a beautifully executed piece of television. In every way. The writing is strong, snappy and fast paced and is peppered with subtle Aussie humour. The dialogue is excellent. The acting (lead by Noni Hazelhurst and Shane Bourne) is first-class. This can be a real rarity on Aussie TV. The cinematography, editing and music is superb. I have never been so impressed. The Seven Network has done us proud with this production. All Saints isn't bad either, though it is no CH.
Compare all this to the tripe the Nine Network dishes up (and subsequently sells overseas): Sea Patrol. SP is the WORST piece of television I have seen. They spent records amounts of money on it, and for what? Writing? Doesn't appear to be any. Good dialogue? Next. Good acting? Not when Lisa McCune is around. Cinematography? Editing? Music? Mmm the less said about the first two the better and as for the music, it sounds like Mrs Hahn's year 8 music class did it on a synth keyboard. But wait the show is filmed on a real Navy patrol boat. Well then it must be good.
I digress. CH is excellent in every way.
City Homicide is a beautifully executed piece of television. In every way. The writing is strong, snappy and fast paced and is peppered with subtle Aussie humour. The dialogue is excellent. The acting (lead by Noni Hazelhurst and Shane Bourne) is first-class. This can be a real rarity on Aussie TV. The cinematography, editing and music is superb. I have never been so impressed. The Seven Network has done us proud with this production. All Saints isn't bad either, though it is no CH.
Compare all this to the tripe the Nine Network dishes up (and subsequently sells overseas): Sea Patrol. SP is the WORST piece of television I have seen. They spent records amounts of money on it, and for what? Writing? Doesn't appear to be any. Good dialogue? Next. Good acting? Not when Lisa McCune is around. Cinematography? Editing? Music? Mmm the less said about the first two the better and as for the music, it sounds like Mrs Hahn's year 8 music class did it on a synth keyboard. But wait the show is filmed on a real Navy patrol boat. Well then it must be good.
I digress. CH is excellent in every way.
I just finished watching the last show of the series. I waited to write a review until I saw the entire run. Yes, this isn't the strongest Australian show out there, but overall it was a very good show. The entire cast was used equally with no one major "star" coming to the front. For me that is a plus. everyone had an equal part to play. One complaint, when the show ended it left everything up in the air. It could have run at least another season or two. All in all a very good show , well worth your time.
Last September, Mount Gambier's WIN Television station had a bit of a shakeup: WIN had signed an affiliation agreement with Seven (which people are still whining about almost ten months later), and we'd been getting the new programming. I'd started enjoying most of the new programming.
Anyway, One night, I had come home from visiting my grandparents, and saw City Homicide (I think it was the third episode). It was a brilliant show! Shane Bourne is an excellent actor, and with another Australian acting great, Noni Hazelhurst, it was sure to be an excellent show.
It's a well written show, better than CSI or all those other ones.
Someone else compared this show to Sea Patrol: I agree fully with their remarks. Sea Patrol was a rubbish show (We'd had Channel Nine programming beforehand). The acting wasn't there, there was no plot, it was just "ugh!", to sum it up in a word. City Homicide, on the other hand, had me on the edge of my seat on every episode. The adds annoyed me badly, simply because they got in the way of a brilliant, well-written plot.
If you see this show, watch it. (Oh, and if anyone from Channel Seven is reading this, Release Season Two already! And make it much, much, longer! Please?)
Anyway, One night, I had come home from visiting my grandparents, and saw City Homicide (I think it was the third episode). It was a brilliant show! Shane Bourne is an excellent actor, and with another Australian acting great, Noni Hazelhurst, it was sure to be an excellent show.
It's a well written show, better than CSI or all those other ones.
Someone else compared this show to Sea Patrol: I agree fully with their remarks. Sea Patrol was a rubbish show (We'd had Channel Nine programming beforehand). The acting wasn't there, there was no plot, it was just "ugh!", to sum it up in a word. City Homicide, on the other hand, had me on the edge of my seat on every episode. The adds annoyed me badly, simply because they got in the way of a brilliant, well-written plot.
If you see this show, watch it. (Oh, and if anyone from Channel Seven is reading this, Release Season Two already! And make it much, much, longer! Please?)
10sasha99
I've binged my way through many American, British, and a few Australian cop shows and this is one of the best. I'm about halfway through season 2.
If I could describe City Homicide with one word, the word would be "lean." The plots are interesting and the detective work is straightforward. Some of the police work is techie, but most of it is good, old-fashioned research, door-to-door canvassing, and just plain following up leads. And the show avoids injecting unnecessary tension into the process with false leads and red herrings. There's no fat in this show-- just good police work by a capable and compatible ensemble.
There are some character back stories, but they don't shove the crime story to the back burner (as happens in many programs).
If I could describe City Homicide with one word, the word would be "lean." The plots are interesting and the detective work is straightforward. Some of the police work is techie, but most of it is good, old-fashioned research, door-to-door canvassing, and just plain following up leads. And the show avoids injecting unnecessary tension into the process with false leads and red herrings. There's no fat in this show-- just good police work by a capable and compatible ensemble.
There are some character back stories, but they don't shove the crime story to the back burner (as happens in many programs).
Le saviez-vous
- AnecdotesTranslating some of the terms and phrases used in the series for American viewers: A "door knock" is a neighborhood canvas, where police knock on doors to locate witnesses to the crime. A "death knock" is the notification of the next-of-kin of the death of a victim. To "root" someone is to have sex with them, while "rooted" means someone is tired. Similarly, "stuffed" means being tired, but telling someone to get stuffed is similar to telling them to go screw themselves. A "reggo" is a vehicle registration, which reveals the owner. A "shottie" is the term used for a shotgun.
When confronting a suspect, the police do not yell "Freeze!" as they do on American cop shows. Instead, they yell "Police! Don't move!".
- Crédits fousAt the beginning of each programme, a title card is shown that reads "No greater honour will ever be bestowed upon an officer than when they are entrusted with an investigation into the death of a Human Being."
- ConnexionsFeatured in Dancing with the Stars: Épisode #9.6 (2009)
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- How many seasons does City Homicide have?Alimenté par Alexa
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What is the Spanish language plot outline for City Homicide, l'enfer du crime (2006)?
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