NOTE IMDb
6,9/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueA reclusive man sets out for justice and redemption when three troublesome teens kill his dog for no good reason.A reclusive man sets out for justice and redemption when three troublesome teens kill his dog for no good reason.A reclusive man sets out for justice and redemption when three troublesome teens kill his dog for no good reason.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Jack Ketchum
- Bartender
- (as Dallas Mayr)
Avis à la une
Ten reasons why I like this movie:
1. IMDb lists 14 movies named "Red" in the past 30 years and this is the only one I've seen.
2. Productionwas bifurcatedshot by two different directors. But you could never tell, a credit more to the final director, Trygve Allister Diesen, than initial director Lucky McKee.
3. The Carmen Sandiego Factor: The movie is set in rural Oregon, and filmed in Maryland by a Norwegian director. Who would have guessed this could possibly turn out well?
4. Young TV actor Noel Fisher sneers with conviction as he plays Danny--the spoiled, insecure and mean-spirited rich bully--realistically enough to make you hate him.
5. Tom Sizemore plays Danny's dad, an even bigger jerk, and has a natural sneer, which might be drug-induced since the movie was shot before his 2007 prison sentence for another drug conviction.
6. Brian Cox (Bourne Supremacy) is really terrific as Avery Ludlow, the aged protagonist. He's old, fat, bald and has a flawed past. And he's the main man. He's like Mr. Miyagi for the 21st century, except he doesn't know karate.
7. Thankfully, Ludlow does not engage in gratuitous sex with anyone in the movie. While this certainly put the Sundance submission at risk, it was an act of good taste and gracious compassion to the audience.
8. Dogs and puppies make every movie better.
9. The story has all the earmarks of a Greek tragedy, but with a modern American twist. It definitely had a classical feel, including hubris as a fatal flaw, yet still managed to keep viewers fully engaged from beginning to end.
10. Snooty film critics might complain that the wrap-up was trite and contrived, but nevertheless, the ending satisfied the audience, which sure beats the alternative.
1. IMDb lists 14 movies named "Red" in the past 30 years and this is the only one I've seen.
2. Productionwas bifurcatedshot by two different directors. But you could never tell, a credit more to the final director, Trygve Allister Diesen, than initial director Lucky McKee.
3. The Carmen Sandiego Factor: The movie is set in rural Oregon, and filmed in Maryland by a Norwegian director. Who would have guessed this could possibly turn out well?
4. Young TV actor Noel Fisher sneers with conviction as he plays Danny--the spoiled, insecure and mean-spirited rich bully--realistically enough to make you hate him.
5. Tom Sizemore plays Danny's dad, an even bigger jerk, and has a natural sneer, which might be drug-induced since the movie was shot before his 2007 prison sentence for another drug conviction.
6. Brian Cox (Bourne Supremacy) is really terrific as Avery Ludlow, the aged protagonist. He's old, fat, bald and has a flawed past. And he's the main man. He's like Mr. Miyagi for the 21st century, except he doesn't know karate.
7. Thankfully, Ludlow does not engage in gratuitous sex with anyone in the movie. While this certainly put the Sundance submission at risk, it was an act of good taste and gracious compassion to the audience.
8. Dogs and puppies make every movie better.
9. The story has all the earmarks of a Greek tragedy, but with a modern American twist. It definitely had a classical feel, including hubris as a fatal flaw, yet still managed to keep viewers fully engaged from beginning to end.
10. Snooty film critics might complain that the wrap-up was trite and contrived, but nevertheless, the ending satisfied the audience, which sure beats the alternative.
I initially thought this film might be OK, but would probably turn out a let-down, as so many do. I was totally wrong. The film was unexpectedly very good. If you are an animal lover and a family man, you should be able to relate to this film and thus should definitely enjoy it.
I found the story very interesting and the acting was excellent. I watched the film whilst having a bottle of wine and this may have made it even better, but I actually found it very touching and even a little emotional. I am not normally the kind of person, who gets emotional watching a film, but this one struck a cord with me and in a way it saddened me, but at the same time, as I could relate to the main actor, he gave me great strength.
Brian Cox played the part tremendously and managed to portray the past tragedies in his life extremely well and with utter conviction. I scored the film 7, but it would be a high 7 and close to an 8. I prefer action type films and slower paced ones like this normally bore me. This one however was far from boring and in actual fact was thoroughly entertaining.
I found the story very interesting and the acting was excellent. I watched the film whilst having a bottle of wine and this may have made it even better, but I actually found it very touching and even a little emotional. I am not normally the kind of person, who gets emotional watching a film, but this one struck a cord with me and in a way it saddened me, but at the same time, as I could relate to the main actor, he gave me great strength.
Brian Cox played the part tremendously and managed to portray the past tragedies in his life extremely well and with utter conviction. I scored the film 7, but it would be a high 7 and close to an 8. I prefer action type films and slower paced ones like this normally bore me. This one however was far from boring and in actual fact was thoroughly entertaining.
While fishing in Miller's Band with his dog Red, the lonely widower and owner of a small general store Avery Ludlow (Brian Cox) is surrounded by three teenage thieves seeking money and without any reason, one of them shoots Red on the head. Avery investigates the empty cartridge and finds the owner of the shotgun Danny McCormack (Noel Fisher), his brother Harold (Kyle Gallner) and their friend Pete Doust (Shiloh Fernandez). Avery seeks out Danny's father Michael McCormack (Tom Sizemore) that is a corrupt businessman expecting excuses and punishment for the boys, but he finds an arrogant man that does not pay attention to his complaints about the cruelty of Danny to his dog. He decides to sue Danny using his friend and lawyer Sam Berry (Richard Riehle), but Mr. McCormack uses his political influence to obstruct justice. The reporter Carrie Donnel (Kim Dickens) makes a program for TV showing the cruelty of the offender and how justice does not work, but again Mr. McCormack affects her work. However, Avery does not give up of his quest for justice.
Yesterday I saw the trailer of "Red" and I liked what I saw, so I decided to watch this movie expecting to see a sort of "Death Wish". However the story is a powerful drama with a complex lead character performed by the veteran Brian Cox. In this regard, it is great to see the quest for justice of an old man against the corrupt system ruled by money and influence. The cast is superb, with Noel Fisher perfect in the role of the mean Danny, and Tom Sizemore in an awesome performance in the role of the patriarch of a dysfunctional family. Unfortunately the conclusion is not well resolved and quite pointless. The Brazilian title misleads the viewer, giving a wrong idea of the plot. My vote is seven.
Title (Brazil): "Rastros de Vingança" ("Tracks of Revenge")
Yesterday I saw the trailer of "Red" and I liked what I saw, so I decided to watch this movie expecting to see a sort of "Death Wish". However the story is a powerful drama with a complex lead character performed by the veteran Brian Cox. In this regard, it is great to see the quest for justice of an old man against the corrupt system ruled by money and influence. The cast is superb, with Noel Fisher perfect in the role of the mean Danny, and Tom Sizemore in an awesome performance in the role of the patriarch of a dysfunctional family. Unfortunately the conclusion is not well resolved and quite pointless. The Brazilian title misleads the viewer, giving a wrong idea of the plot. My vote is seven.
Title (Brazil): "Rastros de Vingança" ("Tracks of Revenge")
Avery Ludlow is retired and has little left in his life but for his dog, his store and his health. He finds simple pleasures in the peace of his life and all the companionship he needs from his dog, Red. Out fishing one day he a trio of teenagers come across him and politely start to trouble him and essentially intimidate money out of him. The leader of the three has a rifle and, for his own reasons, he leaves Avery with a parting gift of shooting Red dead. Avery is grief-stricken and tracks down the teenagers, going direct to the main boy's father to let him deal with it in a manner that will satisfy Avery. However this fails so Avery tries other legal means to get justice for this wrong, however his persistence in this matter makes it a bigger deal for the well-connected family of the man boy.
On the face of it this is a revenge thriller where a man seeks justice and continues to do so even as events escalate in fact, not only on the face of it but indeed that is the narrative arch we are looking at here, no point is pretending to be surprised by it, we all know where we are going with this from when we got on board. However it walks a very impressive line while doing this that prevents it being about the revenge but instead the justice sought, or rather the undefined "action" that Avery seeks someone to hand him that will in some way make up for his loss. This is very well presented because it is clear throughout that ultimately nothing can fill that gap which is part of the reason things continue to build. I very much liked how it did this as it never fell into violence at the expense of the emotional part of the story and it thus keeps it much more engaging than if it had simply because a violent revenge thriller.
Some have said that this is a film for dog lovers as they will appreciate the loss most but I do not think that is true. Although Red is the subject of the loss, it is about more than the dog but also what the dog represents to Avery and as this comes out the scale of his pain and his loss is more engaging and moving. This general feeling of something emotionally valuable being taken unfairly by another is a raw emotion in the film and it was very well done. True it helps to understand the loyal companionship a dog gives a man but even if you don't, the emotion is real and convincing enough to hook you. Praise to Cox for making this work because he is the heart of the film and is the reason we care as much as we do. You can see what attracted him as an actor because the script gives him plenty to work with, including a strong ending that is another part of the film being about the main character's feelings rather than the act of revenge/justice. He acts all others off the screen and the only downside is that everyone else feels weaker than they actually are by comparison.
I thought Fisher and Gallner were both good even if there was room for them to find more of their character and bring it out in ways that were not in the script. Gallner probably does this best as so much of his mannerisms and body language tell you about his place in that family and how he feels his father views him. Sizemore isn't asked to do much but does it fairly well and is a good presence. Riedle, Englund, Plummer, The Wire's Williams and others all give solid accounts of themselves but everyone knows that, while they have lines, Cox has the real character of the piece and mostly they deliver the goods in support without ever shining for more. Considering the budget the film looks great with impressive cinematography and selection/use of locations. You can see where things are implied rather than shown due to money constraints but these do not matter at all and are well done.
Red is not a cheerful film, not is it one that has a "big" ending or impacting telling. Rather it is a patient and slower film that engages thanks to the convincing core of emotion that drives all the action; without this it could have been a simple and emotionally distant revenge thriller. Cox does excellent work to bring this out and produces the goods from the start right to the final scene, while all the others turn in performances that are solidly good. An engaging and emotional film that is much better than the "taking law into own hands" genre that the plot suggests it belongs in.
On the face of it this is a revenge thriller where a man seeks justice and continues to do so even as events escalate in fact, not only on the face of it but indeed that is the narrative arch we are looking at here, no point is pretending to be surprised by it, we all know where we are going with this from when we got on board. However it walks a very impressive line while doing this that prevents it being about the revenge but instead the justice sought, or rather the undefined "action" that Avery seeks someone to hand him that will in some way make up for his loss. This is very well presented because it is clear throughout that ultimately nothing can fill that gap which is part of the reason things continue to build. I very much liked how it did this as it never fell into violence at the expense of the emotional part of the story and it thus keeps it much more engaging than if it had simply because a violent revenge thriller.
Some have said that this is a film for dog lovers as they will appreciate the loss most but I do not think that is true. Although Red is the subject of the loss, it is about more than the dog but also what the dog represents to Avery and as this comes out the scale of his pain and his loss is more engaging and moving. This general feeling of something emotionally valuable being taken unfairly by another is a raw emotion in the film and it was very well done. True it helps to understand the loyal companionship a dog gives a man but even if you don't, the emotion is real and convincing enough to hook you. Praise to Cox for making this work because he is the heart of the film and is the reason we care as much as we do. You can see what attracted him as an actor because the script gives him plenty to work with, including a strong ending that is another part of the film being about the main character's feelings rather than the act of revenge/justice. He acts all others off the screen and the only downside is that everyone else feels weaker than they actually are by comparison.
I thought Fisher and Gallner were both good even if there was room for them to find more of their character and bring it out in ways that were not in the script. Gallner probably does this best as so much of his mannerisms and body language tell you about his place in that family and how he feels his father views him. Sizemore isn't asked to do much but does it fairly well and is a good presence. Riedle, Englund, Plummer, The Wire's Williams and others all give solid accounts of themselves but everyone knows that, while they have lines, Cox has the real character of the piece and mostly they deliver the goods in support without ever shining for more. Considering the budget the film looks great with impressive cinematography and selection/use of locations. You can see where things are implied rather than shown due to money constraints but these do not matter at all and are well done.
Red is not a cheerful film, not is it one that has a "big" ending or impacting telling. Rather it is a patient and slower film that engages thanks to the convincing core of emotion that drives all the action; without this it could have been a simple and emotionally distant revenge thriller. Cox does excellent work to bring this out and produces the goods from the start right to the final scene, while all the others turn in performances that are solidly good. An engaging and emotional film that is much better than the "taking law into own hands" genre that the plot suggests it belongs in.
I don't know why it happens, possibly I'm not a good citizen, but movies in which animals die sadden me more than when humans do. And possibly on that thought, and because I'm also a pet owner, I couldn't help but intensely root for the owner who goes after the kids who killed red. And that leads me to the marvelous performance by Brian Cox, an actor whom I never gave much attention to, even though many people love him. Tom Sizemore gives, like usual, another great spectacle. Actually all actors deserve praises. The directing by Trygve Allister Diesen is also quite remarkable. I have to admit I have a weakness for this movies about this rural small towns in the USA, in particular those who delve into the drudgery of those living there, which, to me, is the center of this film.
Le saviez-vous
- AnecdotesLucky McKee was the original director and had been shooting for several weeks when he was fired and replaced by Trygve Allister Diesen for unknown reasons. Angela Bettis (a frequent McKee collaborator) was also attached to the project, playing the role of Carrie, but was fired and replaced by Kim Dickens for, again, unknown reasons.
- Citations
Danny: You're fucking crazy.
Avery Ludlow: In that case, you better do as I tell you, hadn't you?
- ConnexionsReferenced in Teen Wolf: The Tell (2011)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Red?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 643 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 176 $US
- 10 août 2008
- Montant brut mondial
- 15 617 $US
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant