Red State

Kevin Smith breaks away from his comedic roots to direct and write this religious/political/bigot baiter that lurches from Hostel type madness into a siege of the damned. Starring Melissa Leo, Michael Parks, John Goodman, Michael Angarano, Kerry Bishe and Nicholas Braun, story finds Parks heading up a Christian cult that lures horny youngsters to their place of worship on the promise of sex with an older woman. Of course once the lads get there it's not long before the truth of the lure is revealed and we are treated to hate spiel by sermon and some unpleasantness from the production code edition of the torture porn play book.

Red State is an infuriating movie in many ways, but it is never dull and it always remains challenging, even if some of Smith's sermonising agendas lack cohesion entering the final third of the piece. In fact there are three tonal shifts that don't make an altogether appetising whole, Smith straining to bridge the gap between satire and horror – cum – thriller. And sadly the climax to all the damaged threads is very anti-climatic. On the major plus side is a cast doing fine work, headed by Goodman, Leo and Parks, the latter getting to play lead dog for a change. It's impressively shot by Dave Klein and Smith shows flickers of there being a good director in the mix.

Poor box office and bad reviews upon release inevitably got it tarnished as a bad film. In truth it's a fascinating failure, but it has merits enough to warrant time spent with it. From Westboro to Waco, stopping briefly for a night in a Hostel, Red State is not easily forgotten once sampled. For better or worse. 6/10

So, a friend of mine won tickets to catch a screening of "Red State" followed by a Q&A session with Kevin Smith and the cast, which included Melissa Leo, John Goodman, and more. The show was at the stunning Radio City Music Hall, which felt strange considering the elegance of the venue when pitted against the griminess of the film. The film was wonderful. In Smith's own words, "A nasty-ass little horror flick with few (if any) likable characters". Three young men encounter a cult-like church (modeled after the ever-so-famous Westboro Baptist Church), whom they discover is up to more than simply protesting funerals. That's about as much as you need to know. This is easily Smith's best work to date. From a visual/directing standpoint, the camera is so effectively used to capture the unsettling tone. He makes an extensive use of the shaky-cam, which, but in more creative ways that I've seen in recent times. The shaking is definitely more subtle than say "the Bourne Identity", which adds just the perfect amount of tension during dialogue heavy scenes, and just the right intensity during the more violent ones. Both are which are in great quantities. The quality of the picture was also very good (shot of Red Cinema cameras). The sound is also a high point of praise. The real charm of the movie is its unsettling tone, which pervades throughout most of it. There is no real score here, either. Every song you hear is within the film itself, mostly sung by Michael Parks, the man playing the villainous preacher. And speaking of him, I must say that his performance was Oscar worthy. Absolutely terrifying. The writing itself might be where my few criticisms lie. The film has many twists, a few too many for my liking. These "surprises" impress a lot of people, but to me, they come off as cheap and make the film feel really inconsistent at times. Also, whereas the first half of the film is a genuinely frightening horror film, the second half feels most like an action/thriller. It was all very good, but only until the film nears its conclusion does it really feel scary again. But, the writing is also rather impressive. When I look back on it, nothing in the film feels superfluous, it all flows and connects greatly. The opening few scenes set the rest of the film up awesomely. And, of course, there's a small dose of humor in it, much of it compliments of Mr. JOHN F-ING GOODMAN. The Cast was all fantastic, but particularly Parks, Melissa Leo, and John Goodman come off as shining stars here. The Q&A was fun, mostly because I got to see such awesome people in person, but I never got to ask my question, and some of the questions asked were so bad they got boo's all around from the rest of the audience. All in all, when Red State hits theaters this October, you really need to see it. It's all around a wonderful piece of indie cinema, and will satisfy horror-fans, and casual movie goers alike. My rating, 8/10. I have every intention of seeing this again when it's actually released. P.S. Best Opening credit sequence ever!!!

I'm going to be honest with you: I've never watched a Kevin Smith film other than this one. Yes, go ahead, have problems with that. But that's not why we're here. I'm telling you this so you know that I had absolutely no expectations of this film coming in, other than that a friend of mine told me it was very thought-provoking.

And she was right.

I think "Red State" is an unappreciated gem of a film. Coming from the perspective of being fascinated with the Westboro Baptist Church, I especially got into it. If you don't know about the Westboro Baptist Church prior to watching the movie, you need to look them up. Because much of the film is based around a religious sect that is quite similar. In fact, Abin Cooper (brilliantly played by Michael Parks) gives a sermon in the film that essentially quotes the WBC's beliefs verbatim. It's hard to believe that people can actually believe this stuff--but they do. And that is what makes this story truly frightening. My favorite horrors are based enough in reality to be believable--as a matter of fact, I think something MUST be believable in order for it to be scary. "Red State" is not scary because it has monsters or buckets of gore. It is scary because it is probable: there is nothing more frightening than the terrible things human beings are capable of doing if they choose to.

In reading other reviews, I have noticed that many people criticized "Red State" for being all over the place or inconsistent. I didn't see that at all. Frankly, I appreciated the Coen-brothers-esque comedic breaks. John Goodman, especially, brought up some fond memories of "The Big Lebowski"-type humor. But I never felt that these breaks took away from the film or made it any less compelling.

Another note, and I mentioned this before with Michael Parks, is that I thought the acting in "Red State" verged on superb. Parks' performance as pastor Abin Cooper was spot-on, and the rest of the cast followed suit. The story was put together well, with a nice but brief intro and a plot that never felt too forced. I was pleasantly surprised at the way the story was wrapped up, too, even though it probably wouldn't count as a typical "happy ending." But stories like this don't typically have those anyway, do they?

To sum up: I wasn't expecting a lot from this movie. Negative reviews gave me low expectations. But, as usual, my curiosity got the best of me and I couldn't help but check it out for myself. "Red State" is a movie that I can genuinely say pleasantly surprised me. It is a little off the beaten path, slightly unorthodox, and subtly disturbing. But I loved it.

OK. So after reading the other reviews and deciding to watch this based on the positive reports, I feel compelled to offer a more realistic review.

First of all, this is not the masterpiece it's made out to be. A lot of Kevin Smith fanboys seem reluctant to give him a bad review.

So here we go, it's a bit of a mess really. It seems to be getting a lot of praise for switching genres but honestly, it just comes across as confused. Yes, the performances are pretty good and some of the camera work is exceptional (the escape/chase scene is noteworthy) but overall it's almost like three films in one. This might sound like a good thing but not the way it's presented here.

And as for everybody trying to get clever over the title, the meaning is pretty clear to me. It refers to both the political and the government angle that the authorities can lock any suspected terrorist up for an indefinite time. A la communist/red states.

Overall, some good performances, memorable dialogue and decent cinematography fail to save this confused mess.

Always amazed to see the variety of reviews. How one can watch this and compare it to a Scooby Doo movie or call it a Bollywood knock-off, and others view is a critically acclaimed. Ahhh, the eye of the beholder.

Anyway, I enjoyed it for Kevin Smith's screen writing and the performances of Parks, Leo, Goodman, and Bishe. Parks' gospel singing was a plus.

It's not horror; it's not Tarantino. It's Kevin Smith. He's great at writing irony and duality in specific circumstances. There isn't character development, just characters that express themselves. I care about them because of what they have said, not what was said about them.

And how can you not love the Goodman soliloquy about the bloodhounds.

Just watch it. Like Smith says in his "Making of ..." video, what may seem like a bad movie for $20 in a theater cane be a favorite movie when you see it in five hours at home.