Les vacances au Mexique d'un groupe d'amis tournent mal lorsqu'ils se lancent avec un autre touriste dans une fouille archéologique dans la jungle, où quelque chose de démoniaque vit dans le... Tout lireLes vacances au Mexique d'un groupe d'amis tournent mal lorsqu'ils se lancent avec un autre touriste dans une fouille archéologique dans la jungle, où quelque chose de démoniaque vit dans les ruines.Les vacances au Mexique d'un groupe d'amis tournent mal lorsqu'ils se lancent avec un autre touriste dans une fouille archéologique dans la jungle, où quelque chose de démoniaque vit dans les ruines.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 nominations au total
Sergio Calderón
- Lead Mayan
- (as Sergio Calderon)
Luis Antonio Ramos
- Mayan Rifleman
- (as Luis Ramos)
Avis à la une
A group of young friends travelling in Mexico, are convinced by a young German man named Mathias, to accompany them to an archaeological dig.
I honestly can't believe that this film dates all the way back to 2008, I watched it when it was first released, and have never forgotten a few of the scenes, one in particular.
If you're a fan of films along the same lines as Paradise lost and Green inferno, then I think you may well enjoy this, the horror comes more from gory sequences, rather than jump scares. Some of the visuals are pretty gross.
It's far from perfect, it takes an age to get going, and there are more cliches than you can even count, plus a set of characters that are a little difficult to like.
Despite its many flaws, I still enjoyed it, it's not without originality, and the horror moments still hold up.
Time to invest in some weedkiller.
7/10.
I honestly can't believe that this film dates all the way back to 2008, I watched it when it was first released, and have never forgotten a few of the scenes, one in particular.
If you're a fan of films along the same lines as Paradise lost and Green inferno, then I think you may well enjoy this, the horror comes more from gory sequences, rather than jump scares. Some of the visuals are pretty gross.
It's far from perfect, it takes an age to get going, and there are more cliches than you can even count, plus a set of characters that are a little difficult to like.
Despite its many flaws, I still enjoyed it, it's not without originality, and the horror moments still hold up.
Time to invest in some weedkiller.
7/10.
A surprisingly decent pulp horror outing with its roots (no pun intended) purely in the 1930s: this is based on a contemporary novel which I'm convinced must have been inspired by the Clark Ashton Smith short story The Seed from the Sepulchre (coincidentally one of my favourite stories ever). The story is simple, an age-old tale about naïve teenagers on a holiday from hell, not dissimilar to PARADISE LOST in its own way. Once the characters find themselves trapped in an ancient Mayan temple and at the menace of a most unusual monster it really picks up.
The horror is a neat mix of slow-building fear with graphic surgical gore, a la HOSTEL. It certainly doesn't pull its punches, with one graphic set-piece particularly difficult to forget afterwards. There are plenty of other chilling moments, like the bits involving mimicry or a later scene that literally gets under your skin. The youthful cast is typically dull, with only the German character provoking interest, but that doesn't matter when the story and pacing are so well achieved. It's amazing what a little originality can do: compare this to something like the exceptionally dull PROM NIGHT remake and you'll see what I mean.
The horror is a neat mix of slow-building fear with graphic surgical gore, a la HOSTEL. It certainly doesn't pull its punches, with one graphic set-piece particularly difficult to forget afterwards. There are plenty of other chilling moments, like the bits involving mimicry or a later scene that literally gets under your skin. The youthful cast is typically dull, with only the German character provoking interest, but that doesn't matter when the story and pacing are so well achieved. It's amazing what a little originality can do: compare this to something like the exceptionally dull PROM NIGHT remake and you'll see what I mean.
One of the better horror films of recent years, is creepy and scary and the sort of thing that makes your skin crawl. Its a simple story- several tourists go to a temple in the Mexican jungle that happens to be off the beaten path. There is of course something there and the locals are not happy about visitors. I won't say more since I'm going tempted to tell you way too much...which would be too much since the plot is simple. Its almost too simple. The reason the film works is that the film has decent characters and it does things that are decidedly not your typical horror movie choices. Its short, its sweet and it works. Its not perfect, there are one or two things I didn't like, but on the whole its a very good very creepy film. Frankly while Brazil got upset about Touristas a year because it might make think people about going there, Mexico should worry since this film will make anyone think again about going into ancient ruins. (7.5 ish out of 10 on the horror scale because thinking about the screams makes my skin crawl)
Four American tourists agree to a trip into a South American jungle with a German tourist, to look at an ancient Aztec temple. Once they get there, they find themselves trapped on the temple by some locals. However, they begin to realize however, that they are keeping them there for a horrifying reason....
On the surface, this is yet another movie about American tourists getting into trouble in another country. However, unlike for example Paradise Lost, the Hostel movies, Wolf Creek, and such, the threat here is not from a human source, but something else. It's a refreshing change, but that is only one of the plus points in this good horror movie. There are many more.
The script, written by Scott B. Smith based on his own novel, is pretty good. The characters are well written, and the plot as it unfolds takes it's time to play out, which again is refreshing. Most American horror movies seem to want to rush through the opening scenes, to get to the so-called scare moments, but Smith takes time with his plot, as he did with his other script, the brilliant A Simple Plan. This movie isn't as good as that but it is still good. One of the key things is he never explains how or why the temple is doing what it is doing, yet you never really question it. He allows some intelligence in not only the characters but also in the audience watching. Again, a refreshing change.
The performances from the cast are good. The script allows time for the cast to make their characters believable (for a horror movie)and as the horror and terror mounts, they react in different ways.
The direction by Carter Smith is good. He creates a sense of dread as the the events play out. While the movie is not particularly scary, he creates a sense a good sense of dread, right up to the end, and also doesn't try and cop-out at the end, or allow for some awful twist. Again a welcome change.
The movie does have some scenes that are bloody, or graphic and gory, it's not over the top. There is a reason for the violence in the movie, and also the blood and gore. It's not simply there to gross-out the audience (though the scene with the makeshift amputation will have that effect, no doubt!!).
At a time when most of the American horror movies are either remakes or sequels, it's nice to see a horror movie that while not original at least is different. And for that reason alone, it's worth watching.
On the surface, this is yet another movie about American tourists getting into trouble in another country. However, unlike for example Paradise Lost, the Hostel movies, Wolf Creek, and such, the threat here is not from a human source, but something else. It's a refreshing change, but that is only one of the plus points in this good horror movie. There are many more.
The script, written by Scott B. Smith based on his own novel, is pretty good. The characters are well written, and the plot as it unfolds takes it's time to play out, which again is refreshing. Most American horror movies seem to want to rush through the opening scenes, to get to the so-called scare moments, but Smith takes time with his plot, as he did with his other script, the brilliant A Simple Plan. This movie isn't as good as that but it is still good. One of the key things is he never explains how or why the temple is doing what it is doing, yet you never really question it. He allows some intelligence in not only the characters but also in the audience watching. Again, a refreshing change.
The performances from the cast are good. The script allows time for the cast to make their characters believable (for a horror movie)and as the horror and terror mounts, they react in different ways.
The direction by Carter Smith is good. He creates a sense of dread as the the events play out. While the movie is not particularly scary, he creates a sense a good sense of dread, right up to the end, and also doesn't try and cop-out at the end, or allow for some awful twist. Again a welcome change.
The movie does have some scenes that are bloody, or graphic and gory, it's not over the top. There is a reason for the violence in the movie, and also the blood and gore. It's not simply there to gross-out the audience (though the scene with the makeshift amputation will have that effect, no doubt!!).
At a time when most of the American horror movies are either remakes or sequels, it's nice to see a horror movie that while not original at least is different. And for that reason alone, it's worth watching.
The Ruins was an impressive achievement and all out great gory fun, in my honest opinion. While the characters aren't really likable, the movie itself is so entertaining and interesting that it makes up for the obvious solid plot and professional development it lacks. While it's certainly not a masterpiece, The Ruins is just an instantaneous breath of fresh air. It's clever in a sense, creepy to the bone and new with an insane entertainment level that it keeps your attention and doesn't let go.
I found the "creatures" an effective and nice, sinister twist to deal with next to the other conflict of being stranded upon the Mayan ruins away from all civilization except the natives who are hellbent on letting them die up there, and I thought while the characters were stupid, that was the right way to handle the situation considering that most people would lose their wit in situations like that after some time, and I always like it when horrors try to make their characters believable, because that makes up for them not being special. It was so compellingly good just to watch what all happened, and I really enjoyed the scenes and thought that it had excellent suspense and a wonderful atmosphere of claustrophobia and paranoia.
Yes, it gets a little bland around the edges, and like I said, it's not like it ranks among the greatest films of all time, but I truly do think it is a satisfying taste of what effective, legendary horrors could do if they were made with better care, because it has all the right substances, but just falls flat a little with it's slight mediocrity. Regardless, it is nonetheless very amusing and indulging. I praise the creators for coming as far as they did with a poor direction, and for toppling over a lot of horrors that have been made in the past decade. Too bad more people didn't see what I did, because it is quite underrated and under appreciated, I think.
I found the "creatures" an effective and nice, sinister twist to deal with next to the other conflict of being stranded upon the Mayan ruins away from all civilization except the natives who are hellbent on letting them die up there, and I thought while the characters were stupid, that was the right way to handle the situation considering that most people would lose their wit in situations like that after some time, and I always like it when horrors try to make their characters believable, because that makes up for them not being special. It was so compellingly good just to watch what all happened, and I really enjoyed the scenes and thought that it had excellent suspense and a wonderful atmosphere of claustrophobia and paranoia.
Yes, it gets a little bland around the edges, and like I said, it's not like it ranks among the greatest films of all time, but I truly do think it is a satisfying taste of what effective, legendary horrors could do if they were made with better care, because it has all the right substances, but just falls flat a little with it's slight mediocrity. Regardless, it is nonetheless very amusing and indulging. I praise the creators for coming as far as they did with a poor direction, and for toppling over a lot of horrors that have been made in the past decade. Too bad more people didn't see what I did, because it is quite underrated and under appreciated, I think.
Le saviez-vous
- AnecdotesThough the film takes place in Mexico during the summer, it was shot primarily in Australia during the winter. Heavy coats were provided for the actors in between takes, and water and olive oil had to be sprayed onto their bodies to simulate sweat.
- Gaffes(at around 55 mins) Before amputating Mathias' legs, Jeff states that he is at risk of septicemia, which is, "an infection, usually of the bone." Septicaemia is, by definition, the invasion of bacteria into the bloodstream and has nothing to do with bones.
- ConnexionsEdited into The Ruins: Deleted Scenes (2008)
- Bandes originalesSolta O Frango
Written by Pedro D'Eyrot, Rodrigo Gorky (as Rodrigo Gorky), Diplo (as Thomas Pentz) and Marina Vello
Performed by Bonde do Rolê
Courtesy of Domino Recording Co., Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Las ruinas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 17 432 844 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 003 421 $US
- 6 avr. 2008
- Montant brut mondial
- 22 818 256 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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