The Descent

The concept of crawling through tight, winding, unfamiliar tunnels is scary enough. But, of course, this movie moves far beyond that.

This movie has a great setup with a close group of long time friends having fun and reuniting for different outdoor adventures.

From the beginning the directing is great. You really get a sense of adventure and the anxiety/excitement that goes into exploring a cave. It portrays it well and brings home the endeavor that cave exploration is.

The story is engaging as it builds. They run into natural trouble that's bad enough. But then the dire situation becomes far worse.

This movie is genuinely suspenseful. The gore is well done. The characters are sympathetic. The emotion builds to a fever pitch.

There are some shocking elements to the ending.

It is a great movie and there is no way it should be rated anything less than an 8 out of 10.

It really is well done. With relatable characters you can actually care about. It's considered a classic by many for a reason. It's legitimately uncomfortable, suspenseful and scary. And well directed. It's just a great movie.

A friend picked The Descent as a film for us to see together and I wasn't all that excited about the choice. I was very mistaken. The Descent is a scary fun film. If you're claustrophobic or in general just don't like tight spaces then you might find this film particularly unnerving. The descent down into the tiniest caves and crevices of the earth gave me considerable anxiety. During their exploring of the caves they start to get the feeling that they are not down there alone. Something else is down there but just not sure what it is. That alone creates even more tension and fright to be down a space like that with some unknown creature around. It was at this time that for me it went in a different direction with the creatures becoming the new central element of the story. This is fine but it kind of turned into a more typical killer monster/creature thing. Sure they idea of the creatures being down there is good but the extent to which they are utilized was a bit too much for me. Despite this one criticism, The Descent is definitely a film to check out.

An interesting and differentiated horror movie in the "gore" style. It is above average for the genre. It started slowly, but after half it became interesting, maintaining a tense atmosphere, a little frightening and claustrophobic. The atmosphere is good. It can be divided into two parts: before and after the cave. You sit on the armchair during the exhibition with that feeling of agony and distress. It escapes from the usual clichés to the genre, having an unconventional and surprising ending. There are some logic flaws in the plot and the characters, but nothing that compromises the story. The curiosity is to see the cast practically all feminine. It's worth as entertainment. I recommend it to all lovers of horror art.

Focusing on the fear of claustrophobia with the simple dread of the unknown, The Descent puts likable characters in frightening situations. As a horror fanatic, this film floats at the top of my list of best scary films in recent years. The setup feels like it moves quickly and seamlessly into the main storyline, but that's because it's so beautifully shot, well-acted, and scripted so that we know and care enough about the characters to worry once they belay down into the dark cave. This character knowledge carries weight throughout the movie, as the group variously splinters and works together to escape. Shocks and jolts start before the central scare appears. And props to an all-woman cast that feels totally natural and not slapped together to achieve cheap feminist self-congratulations. Well-acted and atmospheric, I recommend this movie to anyone wanting to see a solid, scary horror movie that doesn't reinvent the genre, but definitely strays from the norm.

With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.

With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.