Réunion sanglante

Dae-wung Lim's 'Seuseung-ui Eunhye' is pretty much another East Asian slasher flick made in the traditional fashion. It starts off slow and drags on. For a slasher flick, there isn't that much slashing which isn't necessarily a bad thing provided that the story's good enough. But, once the slashing starts, it goes on until almost the end. The torture scenes are quite creative and well executed. Unlike the Hollywood slasher flicks, the story here has layers and at least some of the twists make sense. Yet, it's not without its share of flaws. Plot holes are abundant and the pacing is poor. The dialogues do ramble on at some point. The performances, especially those of Seong-won Jang and Mi-hee Oh are better than what one usually expects from such movies. This certainly isn't the best of East Asian horror and slasher but it's not a bad suggestion for those who enjoy this kind of stuff.

In "Bloody Reunion", a group of South Korean former class mates are invited to a reunion in a nice cottage located in the countryside. Mrs. Park, an old teacher from elementary school, who happens to be very ill and crippled, wants to see her favorite students reunited again. However, when these former class mates arrive to the cottage, the plot thickens and we realize that Mrs. Park actually wasn't exactly very nice to her students and as a consequence, they still hold a big grudge against her. Unfortunately, the old woman doesn't seem to remember much of it, maybe due to her illness or perhaps it's just a fake reaction in order to cause sympathy and avoid having her head chopped off. The only truth that can't be denied is that Mrs. Park has caused an immense scar on her students and they're all in the mood for revenge.

Even though I really enjoy Asian horror films for what they are, with their repeated and yet somehow dissimilar premises, I still wanted to see something completely different. If we keep in mind that some of the finest Asian flicks were remade in the United States, frankly, I don't see why we should bash a movie that falls into the slasher category. Especially, if we keep in mind that the ending, somehow turns the whole thing around in a matter of seconds and what seemed to be a slasher at first, quickly turns into a gory drama flick with a big mystery revealed. In order to avoid possible spoilers, that's all I have to say regarding the genre of this film and its ending. While "Bloody Reunion" doesn't exactly belong to my all time favorite horror movies, I still appreciate the director's dignified effort of leaving the ghosts aside for a second and mostly focusing on a graciously gory tale about revenge. With some obvious winks to "Friday the 13th", this film somehow tricks the audience into believing something that ends up being the complete opposite. Even though I'm not a big fan of these "incredibly amazing twists" (notice the sarcasm, please) that horror movies tend to include nowadays, I dislike insulting predictable endings a lot more. These predictable endings are even more blameworthy when we're talking about a slasher or a giallo, which are two horror sub-genres that are mostly captivating because of the mystery and uncertainness. In "Bloody Reunion", the ending turns out to be pretty one-dimensional and yet quite dramatic. I will not spoil it, but it's perhaps one of the highest points in the movie and one of the main reasons why "Bloody Reunions" separates itself from the typical American slashers.

Tartan's new release, Bloody Reunion (a.k.a. To Sir, With Love) is not a remake of the 1964 classic starring Sidney Poitier. It is a grimy, sadistic, South Korean foray into the slasher flick genre. In ways it is very reminiscent of early 80's Horror flicks like Jason or Sleepaway Camp. And just as those films are considered cinematic trash, Blood Reunion might also fit the same description. Fortunately for my viewing pleasure, I love Asian Trash Cinema! Bloody Reunion tells the story of a group of elementary students who return years later to visit their former teacher-who has recently took ill-in the countryside. Once the group arrives, the film briefly jumps back and forth between the past and present, showing us that this sweet teacher (Mrs. Park) had a cruel side to her. In fact as the film progresses we find out that most of her former students have murderous intentions towards the teacher. And their not the only ones with murderous intentions, as we soon find out. Someone in the group is systematically bumping off the students one by one in the most gruesome fashion possible.

That's pretty much the story, as the film's narrative kinda sputters out after the first 30 minutes and then degenerates into a slasher flick (literally). The film than takes you through a series of murders each more horrid than the next. This goes on for awhile, and if the film was just this,I would have probably liked it less. But just when you thought you've figured it out, the film twists into a way that you don't expect. And is pleasantly surprising.

The film has a lot of faults and loose ends. For one, the sub plot about Mrs. Park's deformed child never really pays off. The acting is substandard (but does anyone really expect good acting in a slasher flick?). And as I mentioned before the story kinda just stops and the viewer is left with a lot of unanswered questions. I guess it all depends on what your frame of mind when you watch it. Don't go into this with high expectations and you just might come out liking it. Also, if gore and violence aren't your thing, STAY AWAY from this film.

All in All, a decent horror flick with some genuine creepiness. Not as good as I had hoped, but it's nice to see a director depart from the long-haired ghost girl movies that Asian Cinema seems to puts out over and over

Korean horror movies are taking break from haunting-spirit-possessed-unanimated-object or long-haired-ghost. Instead, in To Sir, With Love (TSWL), director I'm Dae-wuong is revisited the 80's slasher intact with the very formula. Throw in some contemporary Korean thrill and drama, TSWL is surely to entertain and trust me, this nothing to do with Sidney Poitier's classic.

The story revolves around some twenty something people, groups for a reunion with their former teacher in a small countryside cottage. Most of the student obviously has a serious grudge against their teacher who's now is wheel-chair bound. As the event continues, the grudge slowly unfolded, even the teacher seems doesn't remember. When the night comes, someone wearing a paper cut rabbit mask start making bloody carnage, one by one, in a grisly body count. Anyway, you know the drill! If you watch a lot of horror movies, you will easily constructing the plot and even though there are hint of Jason Voorhees-like tale, where the teacher keeps his deformed child in the basement, you still able to figure out the killer is and it's including the twist the end.

Therein lies the problem with TSWL. The genuine story does never exist while some genuine scares are building well enough. Yes, the positive aspects are TSWL succeed in build the tension with some interesting set-ups. The gore it self is nicely done. Somehow we expect it just could be much better. The last Korean slasher I watched is 'Bloody Beach', which is fairly good. But it years ago. Now, comes the match, TSWL.

Despite the flaws, TSWL is definitely worth to watch, especially if you fans of Korean Horror. After some tired Sadako's clone invading the Korean cinema-scene, it's time for something new.

The appealing combination of words "korean" and "slasher" pulled me into this one, and indeed it's quite the saucy slasher, but not in the best of senses. Via an unapologetically fast intro we learn that a teacher gives birth to a deformed child, who they don't love and keep in basement, until her husband commits suicide in front of the kid. Sounds like a slasher alright. Cut to present day, a class of that time is visiting the now old and wheelchair-bound teacher, and this dinner party will bring out old grudges. The script of "Bloody Reunion" tries hard to twist a bunch of borrowed tropes, and explore a high count of characters too deep too quickly, establishing plot-points frequently with little behind them. The movie is sort of 50/50 plot/slasher violence driven, and the plot involves serious matters, like psychological trauma through abuse, but as opposed to more acclaimed, focused movies on similar themes, "Bloody Reunion" doesn't allow time or space for substantial development and construction, and rather takes leaps. Visually, the movie is very well serviceable, but unimpressive, and the constant zooming in some dialogue scenes didn't work very well. When it comes to special effects, however, they're gruesome alright. It's a slasher that definitely speaks some effort, and is a decent attraction to the fans of the genre. 6/10.