Yeogo goedam 3: Yeowoo gyedan

Even fans of horror movies are sometimes in the mood for something a little lighter & this fits the bill. It's not gory or intense. The story is good, as is the acting. I've read a lot of comments about the lesbian tone to it, but it's just barely. I didn't see the first two before this one but I might check them out one night when I want something easy to watch. This movie would be perfect for something like a 13 year old girls slumber party or something like that. If there is a lesson to be learned from this movie, more so than be careful what you wish for, it's use conditioner. The main characters have such gorgeous hair it will make you sick!!

This film was a little frustrating in that it's very, very well done in terms of writing, acting, production design and cinematography, but is paced far too slow to manage any real "fright factor" as a horror/ghost story.

I'm well aware that Asian horror films tend to run at a much slower pace than American horror as a general rule, but in this case that "like watching paint dry" pace leaves what could have been a good, maybe even classic film as just "a well-done suspense drama with some light supernatural overtones." With an acceleration in pacing at roughly midway through the film, and the addition - there was a multitude of opportunities for it - of significantly more supernatural content, this would have been a rip-snorter of a horror film that could have made some real tracks in the American market both financially and critically.

Even though as a guy it takes an effort to warm up to the setting of a girls' ballet school, the story is very strong - even excellent - and makes the film worthwhile independently of the horror/supernatural factor, as a study of jealousy vs. self-confidence, subterfuge vs. honest effort, and irrationality vs. reason.

The one weakness I had a little trouble with was the mentally-handicapped student, Hae-Ju, who plays a pivotal role in the story - the fact that she could be present at the school at all. The idea of of a mentally handicapped student being enrolled in an elite and highly-competitive ballet school isn't plausible, unless academic admissions customs in Korea are significantly different than in America. Add to that the fact that she's quite overweight for a ballet student, to the point where, again, it's not plausible that she'd be accepted into such a school.

Those implausibility factors are puzzling in that they're unnecessary. Hae-Ju would have been more believable and a stronger character if she had been not mentally handicapped but simply unpopular, "nerdy," neurotic, or a combination of these, then had become progressively messed-up mentally as the tragic events and malicious treatment by her peers began to weigh on her. (There's some additional confusion that comes into play in the fact that Hae-Ju's character sheds, then regains weight fairly rapidly a couple of times as well as changes her hair color - again as intentional parts of the story - which when combined with scenes in dim lighting make it a little confusing at times to distinguish her from other students.)

Anyway, implausibilities aside, Hae-Ju makes the innocent wish for the dead girl she admired, So-Hee, to be returned to her, and the way the writers make that role play out is masterful: You're not really sure - and the film leaves it intentionally ambiguous - whether Hae-Ju has just completely flipped out and *thinks* she's So-Hee, or whether the spirit of So-Hee has actually merged with Hae-Ju, using her as her malevolent tool. In the hands of a lesser director that ambiguity would have introduced a mess of confusion to the plot, but in this case it not only avoids that trap but adds a nice depth of complexity both to the two characters and to the story as a whole.

It's perhaps unfair or apples-and-oranges illogical to compare "Wishing Stairs" to an American-style supernatural thriller like "Sixth Sense," "Stir of Echoes" or "The Shining," but you can't escape the feeling while watching it that it would have vastly benefited from a marked intensification of pacing and supernatural content as the film progressed. There are some very well-done scenes, like where Jin-Sung finally is confronted by So-Hee's ghost in her dorm room, then in her dorm room closet, that nevertheless fall a little flat - they play out so slowly that the audience has ample time not only to guess what's likely to happen next, but to run through memories of similar scenes from other films and guess at a number of possible outcomes. If the idea is to scare the wits out of people, the scares should be paced rapidly (and artfully) enough to where the audience has no time to anticipate them, much less to mull over other possibilities. Because nearly all of the horror aspect of the film is so muted by the pacing, "Wishing Stairs" could be more accurately classified as "a suspense drama with supernatural overtones," rather than an out-and-out horror film.

Bottom Line: On balance "Wishing Stairs" is a well-made movie that's definitely worth the trip, but disappointing for fans of solid, squirm-in-your-seat fright fests.

i think this movie had a lot of potential to be really scary, but unfortunately it's not. for some reason it just doesn't work till the final 30 minutes. for example in the beginning i got really distracted by the bad "fat" - make up of the red haired girl, and her weird shy/crazy acting. it's supposed to explain her character, but that's about the only explanation you ever get about her. and it was obvious from the start what's gonna happen to her. if you had more emotional access to her, i think that character could have gone down as a new icon in horror movies, cause - man - this Asian girl with weird red hair could scare the sh*t out of you. later in the movie, her "shy/evil" changes are actually very well acted.

the other two girls are not bad either. but most of the time i felt like watching some Asian version of an olson twins movie...

OK, the "ring - style" girl through the window will definitely not scare you. it has been abused in too many movies now, and is not done very well here. but still the final 30 minutes will give you a nice sense of unease and slight terror.

oh, and i dare you not to get haunted by the sight and sound when the blood starts tripping through the ballet shoes at the rehearsal - god, and that girl keeps smiling. hats of to that!

so, see it if there is nothing else on, but this is no "grude" or "ring"

Yeogo goedam 3 (Wishing Stairs) is a sequel in name only. Other than the setting of the film (an all-girl's school in Korea), it has very little to do with the other films in the series. In this one, there is a staircase on the school grounds that the students believe is magical. The staircase has 28 steps. When you reach the top, if a 29th step appears, it will grant your wish. When one of the girls is killed in a fall, another of the girls uses the magical staircase to wish her friend back to life. But she gets more than she bargained for.

As with the other films in the series, Wishing Stairs is very well made. The directors of this film are able to get some very nice performances out of the mostly unknown and unexperienced cast. Technically the film is very sound with some nice cinematography as the highlight. The special effects are well done and help create some very creepy moments. Overall, it's a nice installment to the series.

But, I haven't rated Wishing Stairs as high as I did the previous two films. Why? It's a little too formalistic and unoriginal. One of the elements that made Wishing Corridors and Memento Mori memorable is the subtle use of horror. In contrast, the horror is more obvious in Wishing Stairs. At times it seems like one set piece after the next with nothing of substance pushing the plot along. As for unoriginal, if you've seen Ringu, you've seen one of the big moments in this movie. Wishing Stairs has a very pale girl with long black hair crawling in jerky motions through a window. Sound familiar?

Wishing Stairs is the least scary of the Yeogo Goedam films so far (I've still to see the fourth however). It's just the same old clichés of 'be careful what you wish for' done in a South Korean girls school. It's like Wishmaster gone Asian with a bit of Grange Hill thrown in for abstract measure.

The windy atmosphere is don again, the lesbian love thing is done AGAIN and the old, dusty secret room is done again too. In fact, when I think about it, this movie is nothing more than some rehashed scenes from the first two. It's not boring in any way, but is certainly not scary and not a film I could sit through again.