Feng kuang de shi tou

The new narration of Chongqing dialect, the classic lines with black humor style, the unique narrative skills of ring and ring, the absurd and logical plot, as well as the montage technique, timely Peking Opera and other music, constitute the crazy stone directed by Ning Hao

Due to many reasons such as censorship, financial problems etc. Chinese movie industry has been at the bottom of food chain for decades. Only few people can make money from movie industry without the help of government. Later, many directors such as Zhang Yimou, Chen kaige turn to make all those blockbuster movies with high volume of investment. However, it does not seems to be a good way to keep Chinese movies alive. Empty plots, awkward performance of good-looking actors and actresses could not save movies. They are rip off money from people once, twice but never thrice.

Crazy Stone was born under the circumstance that Chinese people are so disappointed by those movies made by zhang Yimou and Chen kaige that they only spend few us dollars buying illegal DVD copies on streets rather than going to movie cinemas. The enriched plot, excellent performances of unknown actors and hilarious story save the last hope of this country's movies. The movie is produced by famous Hongkong actor Andy Lau's company with very little investment, however, it does not bother the quality at all. In fact, the quality is I believe as one of the best in Chinese movie history.

All those black humors in the movies deserve to be mentioned. However, people who have not lived in China for years could not understand why it's funny, or even worse, it kills interests of people who get used to the vision effects of Hollywood productions or the romance and depressions of European movies.

In a conclusion, this movie is highly recommended for people who are living in China and would like to learn about this country. Hopefully, you will enjoy and understand it.

From plot to transition, from angle of lens to rhythmic montage, from editing to tone, from contrast to freeze frame..., you can get the impression involving Guy Ritchie, who may be referred as the Godfather of Film Noir. This story starts with a priceless emerald, a squad of slack guards and two gangs of thieves, one of which is amateur, while the other is professional judging from the looking. It is not difficult to speculate what would happen from this kind of stereotyped beginning. We can't tell which part is the imitation and which is the original. It's a concise and smart comedy, somehow, whose genre is quite different from traditional dramas we can watch at the Chinese cinema. Anyway, for the director, we can say, it's almost an perfect homework. It would make somebody laugh, but it is difficult to have the audience impressed as a milestone movie.

The whole film opens with a close-up of the face of the hero, bao shihong. The lens slowly changes from black and white to color. At the same time, bao shihong appears in the eyes of the audience with an indescribably facial expression.

The film is full of Chongqing dialects throughout the film. The dialects are spoken very authentically, which makes them very funny.

The stories inside are linked one by one, and when you read it, you can't help but praise. It's too coincidental.

The Baotou played by Guo Tao is very interesting, with joy and worries of small people, and insists on justice in his heart. Protecting the jadeite was because he felt that he had served as a policeman. It was also to keep the factory from closing down and wanted to make money to pay back the debt.

Among them, he has a lot of competition with a series of thieves. He handled the complacent, entangled and irritable emotions as a security guard against thieves particularly well.

Another interesting point of the film is the comparison of a group's attachment to jadeite and the misjudgment of true and false jadeite. It really confirms a sentence: the value of a thing depends on its location. So false is true, true and false, depending on your attitude towards it.