Feng kuang de shi tou

The film is full of Chongqing dialects throughout the film. The dialects are spoken very authentically, which makes them very funny.

The stories inside are linked one by one, and when you read it, you can't help but praise. It's too coincidental.

The Baotou played by Guo Tao is very interesting, with joy and worries of small people, and insists on justice in his heart. Protecting the jadeite was because he felt that he had served as a policeman. It was also to keep the factory from closing down and wanted to make money to pay back the debt.

Among them, he has a lot of competition with a series of thieves. He handled the complacent, entangled and irritable emotions as a security guard against thieves particularly well.

Another interesting point of the film is the comparison of a group's attachment to jadeite and the misjudgment of true and false jadeite. It really confirms a sentence: the value of a thing depends on its location. So false is true, true and false, depending on your attitude towards it.

Due to many reasons such as censorship, financial problems etc. Chinese movie industry has been at the bottom of food chain for decades. Only few people can make money from movie industry without the help of government. Later, many directors such as Zhang Yimou, Chen kaige turn to make all those blockbuster movies with high volume of investment. However, it does not seems to be a good way to keep Chinese movies alive. Empty plots, awkward performance of good-looking actors and actresses could not save movies. They are rip off money from people once, twice but never thrice.

Crazy Stone was born under the circumstance that Chinese people are so disappointed by those movies made by zhang Yimou and Chen kaige that they only spend few us dollars buying illegal DVD copies on streets rather than going to movie cinemas. The enriched plot, excellent performances of unknown actors and hilarious story save the last hope of this country's movies. The movie is produced by famous Hongkong actor Andy Lau's company with very little investment, however, it does not bother the quality at all. In fact, the quality is I believe as one of the best in Chinese movie history.

All those black humors in the movies deserve to be mentioned. However, people who have not lived in China for years could not understand why it's funny, or even worse, it kills interests of people who get used to the vision effects of Hollywood productions or the romance and depressions of European movies.

In a conclusion, this movie is highly recommended for people who are living in China and would like to learn about this country. Hopefully, you will enjoy and understand it.

Just when i gave up on Chinese movies, there came the Crazy Stone. It brought me so much fun and made me to regain the hope for the Chinese movies. Never would I consider any liberal and entertaining stuff, such as the Crazy Stone, coming out nowadays from a social context that was tightly controlled, like the Chinese political environment.With a brand new vision the young and open minded director Hao Ning, again, showed us his talents of convincing over people's pockets and their hearts. The director, simply like anyone else, sees the craziness in today's China and has the urge to express his and also everybody else's bewilderness, coz everybody is so lost in front of the money. people do not know where they are and where to go , more crazily, they do not have the rights and power to know about it, so why do not people just make fun of the whole madness, isn't it what China all about now, chaos and craziness... ...

The popularity of this movie in China is quite logical: black comedies to the extent that this movie has gone are still a novelty and it is quite well done. If the movie makers have been inspired by only one "foreign" movie, it would probably be "Lock, stock and two smoking barrels", as someone has already mentioned. But of course they have seen a lot more, many of which have been reflected in this movie, as intentional parodies or otherwise.

"Crazy stone" has a somewhat convoluted plot, which is not necessarily hopelessly complicated. All it requires is a little attention. Filming technique and editing is not as avant-garde as some of the classic which have become familiar by now – Pulp Fiction, Memento, Amores perros, 21 Grams, just to name a few. There are just enough sleight-of-hand montages to keep it interesting. So does the proliferation of characters – a least a dozen, in four or five "interest groups". Dickens' type caricature or more flesh-and-blood, they are all well acted.

Together with my recommendation, I would like to mention one interesting thing that captured my attention – filmmakers shooting a movie in Chongqing seem to be fond of showcasing the cable car across Chang Jiang (Long River). Saw one recently in another quality Chinese movie, "Sheng huo xiu".

If you really like to watch Chinese movie, if you really want to know what exactly the best Chinese movie should be, please don't watch 'Shi mian mai fu' (House of Flying Daggers), 'Ying Xiong' (Hero), or 'Wu Ji' (The Promise), but do not miss this movie: 'Crazy Stone' which would tell you that Chinese movie industry still have hope, and the new generation start direct their own movie, which is totally different as previous generation ( zhang yimou, chen kaiguo) in china.

Givingyourself ten minutes watching this movie, after that, you will find that you are watching a movie which is very similar to the British movie 'Snatch', the director Lin Hao using the same way, Guy Ritchie used in 'Snatch' and 'Lock, Stock and Two Smoking Barrels', but the movie reflects the true living situation about plebeian in china. This movie fills with black humor, admirable scenario, and dialect (CHONG QING, CHENG DU, GUANG DONG, and QING DAO). Now it is the hottest movie in china this summer.