Deux ratés d'âge mûr et sans but vivant encore chez leurs parents sont contraints de devenir colocataires lorsque ces derniers décident de se marier.Deux ratés d'âge mûr et sans but vivant encore chez leurs parents sont contraints de devenir colocataires lorsque ces derniers décident de se marier.Deux ratés d'âge mûr et sans but vivant encore chez leurs parents sont contraints de devenir colocataires lorsque ces derniers décident de se marier.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 2 nominations au total
- 7-Year-Old Girl
- (as Lili McKay)
Avis à la une
There is no bloated plot involved or even a love interest to distract from the comedy like the previous two "Everyman" entries in the Ferrell/McKay tag team's canon. I do believe that is the most refreshing aspect here; they finally see that you don't need a contrived romantic bent to be successful, we as an audience don't need to see the schlubby guy get the attractive girl, that is a cliché used way too often. We go to see a film like this to be entertained and to cause us to wet our pants with unstoppable laughter. As a result there are no lulls as even when the two stars begin to see how they must shape up and become adults for once, the awkwardness brings the laughs as well.
Step Brothers isn't winning any Oscars any time soon. With a premise involving the union of two older professionals, both of whom have 40-year old sons still living at home, devoid of responsibility, and lacking serious occupations, what do you really expect? Nancy Huff, (Mary Steenburgen showing that she is still around Hollywood), and Robert Doback, (Richard Jenkins letting his funny side out to complement the wonderful dramatic turn he gave in this year's The Visitor), are in love and perfect for one another. Their sons, unbeknownst to them at first, are also soulmates in the best friend platonic way. Completely the same person, right down to the hiding things in the kitchen while sleepwalking at night, Brennan and Dale are children trapped in adult bodies who waited forty years to be brought together. The chemistry between Ferrell and Reilly is unstoppable on screen, they are having fun, they must be improvising, and truthfully not a second falls flat.
With so many gags, one would think it'd all seem a bit disparate and thrown together, but the filmmakers and stars have sewn everything up nicely. You want a rap video that is the most offensive thing you'll hear all year? Get Brennan and Dale to create a music talent agency. You want an a cappella rendition of Guns N' Roses? Give Brennan a cocky, pompous brother who can afford singing/voice listens for his entire familyabsolutely priceless, and Adam Scott kills in this role, "Pow!". You need some gratuitous fake nudity? Give Ferrell a chance to rub his genitalia on Reilly's drumset. Check, check, and check. These guys cover all their bases, not to mention the swearing quota. I am surprised that they approved an R-rating here because it is so vulgar. The fact that a couple lines from the trailer didn't make the final cut shows that the actors must have improvised and done multiple takes of each scene. As a result, I'm sure they all tried to be as creatively crass as they could and to fantastic result. Some of the gems that spew forth ever so naturally are one-liners that will be repeated over and over again.
Really, it is these vulgarities that make the film that much more enjoyable to me. I think that McKay and Ferrell took a page out of the Apatow machine's book realizing a hard-R can and will sell. No one holds back at all, some of the sarcasm even makes the characters cry because it is so harsh. I love this aspect as it plays into the fact that these are 8-year old adults. Their excess of childlike exuberance and simplicity of mind and lifeand let's not forget the way their parents react by either screaming and going to the Cheesecake Factory bar or coddling them as only a mother can doadds to the absurdity of the situation and the laughs. Dale and Brennan fight, bicker, and eventually do everything together because they aren't just stepbrothers, no they are brothers for life in terms of their internal makeup. Think you and your sibling growing up in grade school, multiply that to the nth degree in terms of sex, violence, and language, and maybe you will be able to imagine what's in store for you once you sit down at the theatre. Just don't forget to stay after the first short run of end credits as the best jungle gym park brawl ever is awaiting you. Those kids didn't even have a chance.
First up this film is STUPID it is ridiculous but it's a comedy with Will Ferrell in it what did you honestly expect?! But my god it's funny it really is hilarious Ferrell and Reilly make an awesome on screen team and the comedy moments just bounce off one an other , each man just helps make the others role as funny as it could have been.
It gives you hilarious jokes , stupidly funny scenes , it's one of those comedy's that so so often tries to catch you off guard and every time it absolutely nails it!
And underneath all the stupidity bonds are formed , compassion is found and what really matters in life is discovered. You almost feel as if you've learnt a little something
It's one of my personal favourite comedy movies and goes up there with some of the greats (Blazing Saddles , Burn After Reading , Superbad , Knocked Up , Anchorman etc.)
In this comedy full of Shakespearean integrity, we find two men who fail to live up to their dreams, being forced to share the same house and the same parents. With their personalities being so alike, they start clashing like two extremely powerful magnets facing each other. However, as time moves on, they become close like brothers (as the clever title states) and attempt to succeed with each other's help. This script, helmed by Reilly, Ferrell and Adam McKay (Our director), combines crude humor with more heart than a dead flea for approximately 98 minutes. So, it's never too long and never too preachy.
Full of whimsical material, Step Brothers never quite loses focus in the art it's portraying. Whether it's engaging in a nasty battle against much younger kids, having to come in contact with feces, rapping about anatomy below the waist, fighting multiple times, making detailed threats about extraneous activities, speaking like a careless sailor, or even playing around with an extremely dangerous weapon in multiple instances, our heroes of the story encounter many, many obstacles. Just when you think the plot runs out of ideas, we get another surprise.
That being said, before engaging in a viewing session with this work of classy art, one must develop a taste for it. If you didn't quite comprehend the quality of Anchorman or Talladega Nights, then odds are you will not appreciate Step Brothers. You must be immune to absolute stupidity, absurdity, and crudeness that you just usually do not see. Ferrell has perfected his art of being a lovable oaf with the smarts of a sack of refined beans. If you do enjoy this sort of art though, then there's no reason why you will not engage in a spirited chuckle once in a while. You will be referencing the movie long after the credits roll; it's just a part of nature.
Bottom Line: On the offchance that you missed every hint towards sarcasm in the previous several paragraphs, Step Brothers is quite possibly the most immature movie in the history of modern film-making. With that being said, as long as you have the acquired taste and are willing to accept stupidity for a long period of time, you'll have a blast. The chemistry between the actors is phenomenal, as Ferrell and Reilly seemed destined to work together. The plot throws our main characters into many different scenarios, disallowing you a chance to see what's going to happen next. Step Brothers, a hall of fame candidate in any Masterpiece Immature Theater.
*** (out of 4)
Will Ferrell and John C. Reilly play spoiled brats who are still living at home with their parents. Ferrell lives with his mother (Mary Steenburgen) and Reilly his father (Richard Jenkins) but when the four move in together after the parent's marriage all hell breaks loose as the new step brothers can't seem to get along. Sometimes I can't understand mainstream critics who seem to walk into R-rated comedies and get upset that they're not watching some screwball comedy from the 1930s. Is this film stupid? Yes. Is the film raunchy? Yes. Is the film at times mean spirited? Yes. None of those yes marks matter because in the end the film is funny and that's the main thing. If you want a thinking man's movie then you might want to go elsewhere but if you want to laugh then this film offers up plenty to enjoy. I've never been a big fan of Ferrell but I thought he was terrific here as the lazy bum who can't stand to be out on his own. Reilly is equally great and putting the two together makes for some great chemistry as the two really know how to play off one another. I think a big key for the film are the supporting performances by Steenburgen and Jenkins as their straight forward approach to their "kids" makes for plenty of laughs and their constant struggle to stay sane is something I'm sure many parents could relate to. The film is full of dirty dick jokes, masturbation jokes and various other sexual jokes but I found myself laughing extremely hard. The first thirty minutes had tears running down my face but after that the thin plot shines through with most of the jokes being hit and miss but at the end I certainly laughed more times than I didn't so that makes this a winner in my book.
Le saviez-vous
- AnecdotesJoaquin Phoenix claims to have seen this film more times than he has seen any other movie. He later starred with John C. Reilly in The Sisters Brothers.
- GaffesIn the beginning, Brennan is 39. Later, during a bedroom scene with Dale and Nancy, it's revealed that Brennan was 17 when his brother, Derek, won a talent show by lip-synching "Ice Ice Baby." If the movie takes place in 2008, then the talent show was in 1986. "Ice Ice Baby" was released in 1990.
- Citations
Dale Doback: Suppose Nancy sees me coming out of the shower and decides to come on to me. I'm looking good, got a luscious V of hair going through my chest pubes down to my ball fro. She takes one look at me and goes, " Oh, my God, I've had the old bull, now I want the young calf," and she grabs me by the weiner.
Dr. Robert Doback: Shut the fuck up!
- Crédits fousThere are two additional short scenes, one during the credits and one afterward. They are: Brennan and Dale arrive in a helicopter to have a rematch fight with the junior high bullies. Brennan and Dale suffering another joint bout of sleepwalking, colliding into one another before heading out of a door.
- Versions alternativesThe unrated version has 8 minutes of additional footage not in the theatrical release.
- Bandes originalesA-Punk
Written by Ezra Koenig, Rostam Batmanglij, Chris Baio (as Christopher Baio) and Chris Tomson (as Christopher Tomson)
Performed by Vampire Weekend
Courtesy of XL Recordings Ltd.
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Hermanastros
- Lieux de tournage
- Meridian Avenue & Mission Street, South Pasadena, Californie, États-Unis(Scene where Dale and Brennan are walking home after interviews.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 100 468 793 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 940 732 $US
- 27 juil. 2008
- Montant brut mondial
- 128 110 667 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
- 2.39 : 1