Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 15 nominations au total
Avis à la une
I'm disappointed to see that this film still hasn't garnered the attnention it deserves. Even back when it came out it did so pretty quietly and was thus buried under other big budget flicks. Rarely though does a comedy keep you entertained and laughing throughout pretty much the entire film. Most comedies try and fail, or take breaks from the humor with someone else to preserve material. But Ferrell and Wahlberg play off of eachother perfectly in this film and have real chemistry to keep the film quality high. This is also one of the mostquotable films ever. 9 years later and my dad and I still shoot off a "I'm a peacock captain, you gotta let me fly", or a "if I were a lion and you were a tuna I'd swim out to the middle of the ocean and freakin eat you" every once in a short while. I definitely recommend this movie for fans of comedy
I don't normally write reviews but after reading some of the awful reviews some people wrote about this film I had to come to its defence.
This film had me laughing from start to finish. If you like the silliness of Will Ferrell films or the humour in Ted then you will love this film. The comedy can be played very deadpan despite the surrealness (is that a word) of the situation. The comic timing is great and the chemistry between all the main characters is excellent. When I saw this film only had a 6.7 IMDb rating I was a little reluctant to watch it but I saw the trailer and that drew me in. I didn't regret it.
If you want some great laughs, watch this film.
This film had me laughing from start to finish. If you like the silliness of Will Ferrell films or the humour in Ted then you will love this film. The comedy can be played very deadpan despite the surrealness (is that a word) of the situation. The comic timing is great and the chemistry between all the main characters is excellent. When I saw this film only had a 6.7 IMDb rating I was a little reluctant to watch it but I saw the trailer and that drew me in. I didn't regret it.
If you want some great laughs, watch this film.
Really good watch, will watch again, and can recommend.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
The movie is funny to start and rolls along nicely but quickly loses all steam and finishes quite weak. Having every single character be an off center borderline nutjob loses something without any straight men to set them up or play off of. Mark Wahlberg played the straight man part well for the first half of the movie but turns as loony as everyone else before it's over. A few laugh out loud moments save the entire experience but it really could've and should've been a better film in general and certainly funnier across the board.
Not nearly as bad as Step Brothers but not half as good as Anchorman. Probably Semi-Pro and Jackie Moon levels here.
Not nearly as bad as Step Brothers but not half as good as Anchorman. Probably Semi-Pro and Jackie Moon levels here.
I have to say, I did not expect this film to be as good as it was. Another great addition to the buddy cop genre, as well as a satire of it, this film has huge laughs, and good action sequences. I really can not for the life of me understand why this movie catches so much hate as I've seen in other reviews here. Yes, there are some weak points, as with any movie, but the good HEAVILY overshadows the bad.
Will Ferrel and Mark Wahlberg star as Allen Gamble and Terry Hoitz, two under-achieving New York cops who, along with everyone else on the force, live in the shadow of the two super-cops, Christopher Danson (Dwayne Johnson) and P.K. Highsmith (Samuel L. Jackson). When an unexpected turn of events puts Danson and Highsmith out of commission, Allen and Terry decide to step up and take on an investigation of their own, leading to a tangle with foreign operatives, and an arrogant billionaire.
The Other Guys knows what it wants to be, and it achieves its goal in spades. People should know what they're getting into with this, as it delivers exactly what it advertises; a spoof of the 'buddy cop' genre, and a fast-paced action comedy for anyone to enjoy.
I don't understand how a lot of people cannot find anything in this movie funny. From start to finish, I found it hilarious, and laughed out loud several times. There's just as much smart humor and witty interplay between characters as there is random, often weird humor that is present in many of Ferrel's films, and the writing manages to balance the smart humor and the random, sometimes dumb humor very well. There are definitely some loud, sometimes obnoxious moments, such as Ferrel's occasional outbursts, and his 'Gator' emotional episodes, especially the "Pimps Don't Cry" music number, but aside from those small instances, I really had a ball watching this.
The movie starts, and ends, with action, and in between are a bunch of great moments. There's an intense opening car chase, a parking lot fight scene, an office building shootout, and an intense-action-packed final car chase and standoff that I really enjoyed, especially considering the tone of the film. I think it's important to note that even though this film is, at heart, a comedy, the action remains serious, and it's never really slapstick or funny. The first and last car chases were especially entertaining, and they felt very "Bad Boys"-ish.
Ferrel and Wahlberg have great chemistry, and their constant bickering and clashing of personalities really is consistently funny. They both throw themselves into their roles, and their dedication made this movie that much more fun. Ferrell is hilarious, time and again proving himself as one of the best comedy actors out there (you can't help but laugh just by looking at him), and Wahlberg is one of my favorite actors, so it was a joy to watch them together. Michael Keaton also delivered a hilarious, underrated performance, so props to him.
Overall, I highly, highly recommend it, to both fans of the genre, and fans of the actors. 10/10.
Will Ferrel and Mark Wahlberg star as Allen Gamble and Terry Hoitz, two under-achieving New York cops who, along with everyone else on the force, live in the shadow of the two super-cops, Christopher Danson (Dwayne Johnson) and P.K. Highsmith (Samuel L. Jackson). When an unexpected turn of events puts Danson and Highsmith out of commission, Allen and Terry decide to step up and take on an investigation of their own, leading to a tangle with foreign operatives, and an arrogant billionaire.
The Other Guys knows what it wants to be, and it achieves its goal in spades. People should know what they're getting into with this, as it delivers exactly what it advertises; a spoof of the 'buddy cop' genre, and a fast-paced action comedy for anyone to enjoy.
I don't understand how a lot of people cannot find anything in this movie funny. From start to finish, I found it hilarious, and laughed out loud several times. There's just as much smart humor and witty interplay between characters as there is random, often weird humor that is present in many of Ferrel's films, and the writing manages to balance the smart humor and the random, sometimes dumb humor very well. There are definitely some loud, sometimes obnoxious moments, such as Ferrel's occasional outbursts, and his 'Gator' emotional episodes, especially the "Pimps Don't Cry" music number, but aside from those small instances, I really had a ball watching this.
The movie starts, and ends, with action, and in between are a bunch of great moments. There's an intense opening car chase, a parking lot fight scene, an office building shootout, and an intense-action-packed final car chase and standoff that I really enjoyed, especially considering the tone of the film. I think it's important to note that even though this film is, at heart, a comedy, the action remains serious, and it's never really slapstick or funny. The first and last car chases were especially entertaining, and they felt very "Bad Boys"-ish.
Ferrel and Wahlberg have great chemistry, and their constant bickering and clashing of personalities really is consistently funny. They both throw themselves into their roles, and their dedication made this movie that much more fun. Ferrell is hilarious, time and again proving himself as one of the best comedy actors out there (you can't help but laugh just by looking at him), and Wahlberg is one of my favorite actors, so it was a joy to watch them together. Michael Keaton also delivered a hilarious, underrated performance, so props to him.
Overall, I highly, highly recommend it, to both fans of the genre, and fans of the actors. 10/10.
Le saviez-vous
- AnecdotesThe idea of teaming up of Will Ferrell and Mark Wahlberg had been gestating since The 79th Annual Academy Awards (2007), where Will had been viciously insulting other actors as part of a bit, but became extremely polite to Mark.
- GaffesAs Terry is sliding down the board room table on his back, one of his guns falls out of his hand near the end. When he is on the ground, he has a gun in both hands.
- Citations
Terry Hoitz: I am a peacock, you gotta let me fly!
- Crédits fousAn outtake between Will Ferrell and Mark Wahlberg at the restaurant plays after the end credits.
- Versions alternativesThere are two versions available., the PG-13 theatrical release, running 1h 47m (107 min) and an unrated home video cut of 1h 56m (116 min).
- ConnexionsFeatured in The Nostalgia Critic: Top 11 Coolest Cliches (2010)
- Bandes originalesWe Trying to Stay Alive
Written by Barry Gibb, Maurice Gibb, Robin Gibb, John Forte, Wyclef Jean and Pras Michel (as Samuel Michel)
Performed by Wyclef Jean featuring John Forte and Pras Michel (as Pras)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Contains a sample of "Stayin' Alive"
Performed by The Bee Gees
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Policías de repuesto
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 119 219 978 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 543 162 $US
- 8 août 2010
- Montant brut mondial
- 170 458 922 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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