Un tireur d'élite vivant en exil est de nouveau mobilisé après avoir appris l'existence d'un complot visant à tuer le président. Finalement victime d'un coup monté et accusé d'avoir commis l... Tout lireUn tireur d'élite vivant en exil est de nouveau mobilisé après avoir appris l'existence d'un complot visant à tuer le président. Finalement victime d'un coup monté et accusé d'avoir commis l'attentat, il part à la recherche du véritable tueur et de la raison pour laquelle il a ét... Tout lireUn tireur d'élite vivant en exil est de nouveau mobilisé après avoir appris l'existence d'un complot visant à tuer le président. Finalement victime d'un coup monté et accusé d'avoir commis l'attentat, il part à la recherche du véritable tueur et de la raison pour laquelle il a été piégé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Howard Purnell
- (as Justin Louis)
- Michael Sandor
- (as Rade Sherbedgia)
- Officer Stanley Timmons
- (as Alan C. Peterson)
Avis à la une
The film itself is ordinary, a noir revenge story. Its modern noir because the hero is captured in the story and the twists of reality he goes through are organized for our benefit.
Government conspiracy of extreme competence? Check. Individual with superhuman powers who unfailingly undoes it, leaving no man standing? Check. Pretty girl who gets swept up? Check. There really isn't much else left to the extremely strict formula, expect for the obligatory but minor plot twist associated with our hero's past.
What this has that is interesting are two things.
One is the idea about watching from a distance. These noir things depend on the notion of a watcher, us. Modern noir has a watcher folded into the story. Here, its our hero who can watch and touch from over a mile away. Its a big deal, a big idea that isn't quite exploited here. The director is too ordinary. Tony Scott could have done it.
The second is a short scene in the middle. Its there for purely expository reasons, to explain a key plot point. But its pretty darn good, one wonderful scene in the midst of a tepid movie. It a visit to an old fellow in the country. He's an expert gunsmith, supposedly the best. He's also clued into the "government" who is here portrayed as existing only to create attractive fictions.
The actor is immensely talented. The setup and writing here is a cut above the rest of the script, incisive, deep and many-layered. In the midst of a rant about conspiracies, he mentions that the shooters from the grassy knoll were dead three hours after the JFK shooting and buried in the desert . When slightly questioned our man simply says "I still have the shovel."
Its very impressive writing. It must have been someone else.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
To me this had Eastwood written all over it. At times I thought I was watching Line of Fire at others Unforgiven, but in the end it was just really good entertainment, much like The Bourne movies.
I think it's worth the watch and the story although not new was presented in a fresh manner. This one will go in my collection when available. I'm sure it will have a host of deleted scenes and alternate endings.
Solid film!
Le saviez-vous
- AnecdotesAccording to the movie's script doctor William Goldman, Clint Eastwood, Robert Redford, and Harrison Ford passed on the movie. These men would have fit the literary Bob Lee Swagger's age a bit more closely than Mark Wahlberg (born in 1971). Author Stephen Hunter introduced Swagger as a Vietnam veteran in a 1993 novel, taking place in 1992; however, to accommodate Wahlberg's age, this film has Swagger active in Africa in the 1990s, instead of Vietnam in the 1970s.
- GaffesWhen the "Ethiopian" archbishop appears with the President and is subsequently shot, the flag on the stage is actually the flag of Senegal rather than Ethiopia.
The above is not true. There are several flags surrounding the stage, e.g. the ones of Burundi, the Democratic Republic of the Congo, Cameroon, Angola, Somalia... The ones closest to the lectern are the American flag, the Ethiopian flag, the flag of Pennsylvania, and indeed the one of Senegal. When Bob Lee Swagger (Mark Wahlberg) looks at archbishop Mutumbo through binoculars, and he says, "And it is our responsibility," three flags can be spotted in the (16:9) frame: Stars and Stripes, Pennsylvania and Ethiopia, recognizable by its blue circle. There's no blue in the Senegalese flag.
- Citations
Bob Lee Swagger: I don't think you understand. These boys killed my dog.
- Versions alternativesSome television airings use alternate takes with less blood and gore. For example, when Swagger shoots Payne in the hand, it is shown in a wide shot, instead of the bloody closeup in the theatrical release. And when Swagger shoots Payne again, instead of Payne's arm being blown off, as in the theatrical release, he is hit in the shoulder and simply falls down in a wide shot.
- Bandes originalesNasty Letter
Written and Performed by Otis Taylor
Courtesy of Telarc International Corporation
By Arrangement with Music for the Masses
Meilleurs choix
- How long is Shooter?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tirador
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 61 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 003 582 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 523 571 $US
- 25 mars 2007
- Montant brut mondial
- 95 696 996 $US
- Durée
- 2h 4min(124 min)
- Mixage
- Rapport de forme
- 2.35 : 1