La Chute du faucon noir

I've been watching this movie and its accompanying extras on DVD this week for the first time and I thought is ironic that this very American war story should be directed and produced by an Englishman (Ridley Scott) and have a large number of British actors cast as the American servicemen (Ewan McGregor, Jasson Issacs, Hugh Dancy, Euan Bremner, Orlando Bloom.) I suppose it's the equivalent of Steven Spielberg directing a film about the Battle of Goose Green during the Falklands War and casting Americans as members of the Parachute Regiment.

Scott's movie is quite brave in that it has no major stars and no central character (unlike, say Tom Hanks in SAVING PRIVATE RYAN or Mel Gibson in WHEN WE WERE SOLDIERS). It's also largely free of the clichés of the genre: no soaring John Williams score accompanying shots of the flag fluttering in the sunlight; no scenes of the families back home. Instead its all about the logistics and the absolute horror of battle. This is the best combat footage since ZULU way back in 1964, a film which it resembles. In Scott's commentary description words, it is 'Anti-War but pro-military'.

It tells the true story of a raid in Mogadishu that lead to the first battle between the Somalian Militia and American Rangers. As the title suggests, a Black Hawk does indeed go down. This is a mighty difficult flick to rate. As a representation of modern warfare, it succeeds substantially and sits in the elite group of visceral war films. But as a complete movie? Questionable. Firstly Ridley Scott is such a consistent director in terms of tackling a genre and producing a film that defines that genre. Black Hawk Down is no different, his eye for technical technique and production is second to none. A war torn Mogadishu, practical explosions and effects, utilisation of real Black Hawks and army equipment. It's authentic, and that is a real important factor for a war film. The narrative subtly explores the cost of war on both sides. The US army losing valuable soldiers and equipment (which financially would set them back quite largely) and the Somalian families who are living in ruins. There will always be one view point that towers over the other, but there is the gritty imagery of war and the aftermath that it leaves behind which proves to be effective. This has a massive ensemble cast, with Josh Hartnett being the lead I guess (he is on the cover, sooooo technically...he is the lead). He doesn't deliver, in fact many of the actors don't. That's not their fault though. Scott purposefully chose to focus on the aspects of war rather than glorified American heroes. Even so, there is such limited characterisation that any loss of life delivers no emotional impact for the audience. It's no spoiler that many succumb to their wounds, and yet we're supposed to feel saddened. I physically cannot feel emotive towards someone who I can't relate to, or even care for. That is what prevents this from being an outstanding war film like many classics before. Jason Isaacs was probably the stand out performance for me. Still a decent war flick, it's powerful imagery just about saves it from being lifeless.

I'm not a fan of war movies usually,but when i sat down to watch Black Hawk Down,i couldn't turn it off.Heres a war movie which doesn't sugar coat.There is no crappy dialogue,no soppy love story tie ins,just the real deal,brutal battle scenes,the gruesome reality of war.Black Hawk Down is based on a true story,the bloody battle at Somalia and it leaves one drained.Its confronting,and exposes war in its true light-there's nothing glamorous to see.In two hours and a bit the viewer is able to imagine being there at the horrible battleground,and suffering like the soldiers did.It really makes you appreciate how lucky we are to be in a free country,relatively peaceful,and not having our lives threatened every second of the day.Everything about BHD is right; the setting of the film,the Somalians,the American soldiers going through hell,the brutality,the battle,the

fatalities.Not for the faint hearted,or weak stomached,but a truly powerful,compelling motion picture.Ridley Scott takes the viewer on an imaginative journey through Black Hawk Down and appeals to our emotions.A brutal,yet bearable war film.

Unlike most of the war movies of our time, Black Hawk Down sticks to the facts about what happened in Mogadishu and doesn't romanticize the story. To support this observation, the viewer will notice that there is not really one main character. This shows that the film focuses more on what happened in Somalia instead of on the characters personality and/or struggles. Another important aspect of the film that makes it so great is the cinematography. Not only was the setting of the film accurate to the real thing, but the way that the movie was filmed is great because it seems like someone is running along the battle scene getting everything on tape. In addition, the film contains small aspects that one may not notice that are important to the situation in Mogadishu. For instance, the bullet shells that fell from the firing helicopter fell into one of the soldiers' vests, and he scrambled to get it out because of how hot it was. This small detail makes the movie that much more realistic. To conclude, Black Hawk Down is a great movie that is both an eye opener that sticks to the facts as well as a quality film. I recommend this movie to any war-film fan, as well as anyone that likes watching movies in general.

Black Hawk Down is first and foremost an immensely effective war film, but beyond that, its one of the most subtly differently made war films ever. Most war films usually either have a single hero through whom we see everything (i.e. Platoon), or present us with a squad of soldiers, all of whom are identifiable "types" (i.e. Saving Private Ryan). Black Hawk Down takes a different approach, instead giving us a very wide array of characters, none clearly singled out as a hero or type to command the audience's attention. The general effect is to create that feeling of a team army that George C. Scott so ardently expounded to us at the start of Patton. Furthering this feel of military professionalism, the film never cheapens itself by putting too much emotional weight into one moment. The plot moves ahead at a constant pace, cutting from location to location, without slowing down to focus too much on individual soldiers. The effect is of watching documentary footage of a real military operation gone wrong. While the effect of this scripting approach may produce some detachment among viewers on the first viewing, it makes the film all the better on subsequent viewings.

And you'd better believe there will be subsequent viewings, because Ridley Scott has created one of cinema's all-time great pieces of eye candy here. The editing, cinematography, grading, scoring and visual effects all combine to leave a viewer just as drained upon leaving the theatre as these soldiers were on leaving Mogadishu. The intensity of this film's combat is easily equal to Saving Private Ryan, and leaves such pretenders as We Were Soldiers behind in the dust. Black Hawk Down lacks the former's emotional resonance, but unlike the latter, it thrives on the fact, creating a final product as mind-challenging in its construction as it is mind-blowing its visualization.