Nishabd

The story is very simple about a love between a 60-year old man and an 18-year old girl but was told in a very stylish format. The aqua blue cinematography was excellent that really did suited the mood for the film and it's similar to Zinda. Jiah Khan's acting was quite good for her first film. I really liked her voice and it was a good idea that she had to speak a lot of English throughout the whole film because she was from Australia and it made her look foreign. Amitabh Bachchan is simply the best actor in Bollywood and he took care of the whole film. Nishabd was so much based on reality and it's true that most woman like older men & older men like younger women although there was a 42-year age difference between them. The best thing about the movie is that they didn't fall in love on first sight. Vijay (Amitabh) took Jiah out because his daughter was injured and couldn't make it. They both had a good time and slowly they fell in love which was much more sensible. The best scene is when Jiah was soaking herself with the water hose & Vijay was taking pictures of her. Music is also good although there are only two songs and they are not in the film but there are CDs & tapes. Rozana is a terrific song & Take light is also good but Rozana is one of the best songs of 2007.

This movie is art in its pure form. Right from the very beginning when the protagonist is shown you will sit and watch throughout if you are an actual film-lover because it contains all aspects of film-making in its true sense: whether you take its background-score or its photography or its dialogues, everything is set to perfection. The movie does progresses a bit slow but it couldn't have been faster as well. Ram Gopal Verma has proved how he can bring the best out of his actors by never making us feel an inch about Jiah Khan's debut in the same movie. This movie did create controversies as being the wrong trend-setter for the coming generations when the people should have noticed the strong flavor of reality of life shown in the movie with very supported justifying dialogues for every portrayal of so called 'against culture'. This is film-making at its best.

This movie did not give Mr. Bachchan justice. He is a great actor and I was very disappointed in the movie and there was not much plot to it. Matter a fact this is the first movie I have ever been disappointed in with him in it. It starts out with her coming to his home with his daughter and he is a photographer. He takes pictures of her in the garden has she's hosing herself down. He is a sixty year old man that has nothing to do but to take pictures of this girl. The movie makes no sense. The whole movie is about her chasing him around and her telling him how much she cares about him. Then his daughter falls and he has to take this girl around places so she is not bored and is daughter finds out. I just didn't think this movie was up to Bachchan's standards. He is better than this movie. I always pictured him as an upstanding person and then I seen him in this movie and I couldn't picture him in this movie. The movie didn't hold my interest at all. I couldn't wait until the movie was over. And you won't either.

In director Ram Gopal Varma's Nishabd,newcomer Jiah Khan plays an 18-year-old temptress who initiates and entices her classmate's 60-year-old father into a complex, inexplicable relationship while she's staying with the family at their hill-station home one summer. Amitabh Bachchan plays the man in question, who finds himself falling for this brash, spoilt teenager who's showering him with the kind of attention he hasn't experienced before. Despite working off a script that borrows generously from the Drew Barrymore thriller Poison Ivy, Ram Gopal Varma makes it very clear he's back in form as he sinks his teeth into what is perhaps his first all-out emotional, character drama. Varma casts a mood of gloominess, a sense of impending doom all over this film, which is reminiscent of the manner in which he'd treated Bhoot. What I like about Nishabd is Varma's conscious attempt to avoid clichés and stereotypes. The affair takes place not sneakily and surreptitiously, but right under the nose of Bachchan's wife and daughter who are just too naïve to read all the signs. When the affair is finally discovered, there's none of that typical filmi-style screaming and shouting, instead Varma treats the moment realistically using shock and silence to convey the sense of feeling betrayed.Admirably, the director's decided not to spoon-feed his audience by explaining every character's every motivation. While it's more or less clear why Jiah falls for Bachchan, you are yourself expected to interpret his reason for responding to her affections. It could be the thrill of physical intimacy to a nubile, young girl. It could stem from a sense of responsibility he feels towards her. It could be a momentary lapse of judgement on his part, or then the result of suppressed apathy he feels towards his frumpy wife. I suspect it's everything put together. Because much of Nishabd is shot in real time - the entire second half to be specific - it does seem too long and too stretched out, especially since there isn't very much happening. But don't be fooled, that's exactly the mood Varma's going for. Remember, Nishabd is essentially about loneliness, and this leisurely pace that Varma creates for the film only contributes to that feeling of loneliness.I suspect most people, women particularly are going to have a problem with the film's ending. As much as I'd like to elaborate, I won't because saying any more here will give away too much. I must confess I had a problem with the film's ending myself, but for another reason completely - I feel it's a cop-out. A compromise ending to a bold, brave story. I could have predicted the ending, and it's no fun when that happens. How I wish Varma had pushed the envelope all the way and gone with a truly bold ending that us regular Hindi-film junkies would never have predicted and would have been totally surprised by! For the most part, Nishabd is watchable because it's held together by a truly awe-inspiring performance by Amitabh Bachchan. Unlike other clearly defined roles that are like a road map for actors while constructing their performance, his role in Nishabd is one that has no reference point. It's a performance that Bachchan creates out of thin air, based on his own understanding of the character. Remember the toughest roles to play are the ones that are too simple, too normal. It's not easy playing an average joe, but Bachchan does it marvelously. Watch him in the scene where he breaks into a laugh in the middle of the night, or watch him in that pre-intermission scene where Jiah confronts him with her feelings, or even that scene where he's singing to himself much to his wife's surprise -- everything from his expressions, his dialogue delivery, even the movement of his eyes! It's difficult to imagine any other actor doing justice to a part so simple and therefore so difficult to play. His co-star Jiah Khan is perfectly cast as the troubled girl who's very aware of her effect on this man. Wearing her sexuality on her sleeve, Jiah sashays in and out of scenes, showing so much thigh, you feel like you're in a mutton shop. Also is it just me or did you also notice that Jiah seems to be suffering from a Sharon Stone complex, she's constantly uncrossing her legs -- when she's standing, when she's sitting, when she's lying around on the floor -- everywhere. I don't think there's a single scene in the film where she's got her legs together. All said and considered, Nishabd is bold even though it doesn't overstep the invisible moral line. It is, nonetheless, an experiment on Varma's part because it's unconventional in every sense - the narrative is not linear, the pace is leisurely and the plot itself is brave. For these reasons I suspect there will be many who will not embrace it. Which is fine. It makes you uncomfortable and shifty and even restless at times. It's everything that makes for a good character study. Give it a try.

"Nishabd" strictly speaking could have translated into the missing link between "Lolita" and "Cheeni Kum". RGV toyed with the media in an attempt to garner free publicity. The provoked media in turn added fuel to the fire. And finally the audience oscillated between speculation and fantasising. "Nishabd" as it finally turned out to be wasn't anything RGV/ media/ audience wanted.

"Nishabd" is a visual treat, you will fall in love with nature. Kudos to Amit Roy showcasing his talent of holding the camera. The background score is engaging. The single song Big B sings is good to listen thought doesn't blend in with the storyline. Technically the movie is brilliant. Every actor gives a calibrated performance. The audience gets an opportunity to see the subtlety which Big B manages to portray on the screen. There are many scenes as per the the conventional Bollywood rules could have dictated to be made as over-the-top. But RGV breaks away from the norm and makes it surreal.

Sadly all the goodness fails to make it a wholesome product. "Nishabd" is good in parts and at a few places it does not integrate with the spinal cord. Better writing and screenplay was warranted to convincingly flesh out the attraction between the pair in question. The audience had a serious disconnect on this front. Jiah Khan's character wasn't fleshed out adequately especially attempting to portray a product from a broken family goes astray on moral front. On the same note the character of the rest of the cast namely Revati, Shraddha, Nasser & Aftab are well written.

When a man falls in love with a girl of twenty, it isn't her youth he is seeking but his own. ~Lenore Coffee