A Death in the Gunj

Femme fatale and a sensitive young man. The story of my life.

In a resort town in 1970s India a sensitive young man, Shutu, is recovering from a series of traumas. He runs into the wrong family and the wrong woman. Even more unfortunate for him, spirits from the past inhabit people and take care of unfinished business.

India isn't all Bollywood. There is much more to the country and to its film industry. This film dares to think outside the box. I love how it weaves nature, color, song, spirits, eclectic people, and foreign myths into a compelling story. It is based on a true short story by Mukul Sharma.

Today I saw "Death in the Gunj"

It is a slow movie. But once you have patience and if you can soak into its characters - The Bangla bourgeois culture, their liberalism, their talks, the way they look and behave (making the casting perfect); and if you can sustain yourself absorbed till the end the impact of the movie is not good but Overwhelming... Especially for those who have a sensitive soul, who can feel deep down the anguish and pain of a single individual.

Here the single individual is Shutu (Vikram Massey) whose character and psyche is known to us through peeling of each layer through small exchanges of dialogues and incidences. Shutu lost his father when he was 7 years, he does not have a good relation with his mother, who always scolds him, he is bad in studies, and has failed, he is bullied by his friends and talked down and even beaten by this elder brother. He is simple, shy, incoherent, child-like and finds solace and innocent friendship with his niece Tani (Arya Sharma) during a small gathering over a week with family and friends at a hill station house.

Events unfold in such a way that Shutu is initiated to sex by Mimi (Kalki Koechlin) who just wants to have fun and get over her love for Vikram (Ranvir Shorey) who is marrying someone else. By the end of the movie things do not work out for Shutu who is ignored, forgotten by everyone and shunned even by the little girl Tani. Yet with love in his eyes he pins his hopes on Mimi who ignores his feelings and advices him to concentrate on studies and life (sounds so familiar). It is a psychological take on a simple boy Shutu who is driven to death, but unfolding of events – where everyone is unconsciously selfish (as a way of life) and happy with what one has in life – except Shutu, who feels lonely, ignored and useless (even being used by that little girl).

While coming out of the theatre one feels, if once, someone – the little girl Tani, or Mimi would have held Shutu's hand and consoled him, would have given him strength and hope to live life.

It is a great debut of Konkana Sen Sharma as a director. All the actors and actresses have acted superbly. Special mention of Vikram Massey as Shutu who lives his character's flaws like real. The slow and lingering shots are exquisite and a treat on the eye. The detailing is perfect. Music is appropriate with mix of a couple folk tunes and lingering sadness of violin.

This movie is recommended for the typical arty type sensitive movie goers – who want to see good different cinema - This is the one!

(Rating 7.5 out of 10)

A Death in Gunj marks the directorial debut of Actress KonKona Sen Sharma. A film from what we call a parallel cinema. As a director Sharma has done her job brilliantly as the storytelling is the strongest aspect of the movie and reason you should watch this drama. Background score and cinematography also contributes positively towards building up the story. Actor Vikrant Massey has played the role of Shuttu with great conviction. The only disappointing moment in this movie was its climax as you anticipate much more after a strong built-up but movie settles for less.

This is a little gem of a movie, with pitch perfect casting, excellent pacing and very competent direction.

The movie takes you to a world of languid indolence as an extended family vacations at a once grand but now somewhat derelict Anglo-Indian hamlet. There are little stories within, mostly pivoting around Kalki as the coquette - glimpses of illicit lust; and unrequited longing.

But in the middle of this happy dysfunction, there are jarring moments that tighten the little knot of dread-filled anticipation at the bottom of your heart. The title promised you a death and the opening scene reinforced that promise. You don't know who and you don't know why, you only know it's coming.

It's one of the most beautiful movies I've watched in a while. While other movies in this genre (practically non-existent in Bollywood) generally take up to 20 minutes to build up to the main story this one is intriguing right from the start. We know that someone's going to die, and we know who it is, 5 minutes into the movie. But this ain't a murder mystery. It's about the events leading up to the death. It's about the characters developing, intermingling. Beautifully shot, with a calm, fantastic soundtrack (which, sadly isn't available to listen anywhere right now), I wish there were more movies like this.

I regret not being able to watch this when I could in the theatres (thanks Amazon).