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Electroma

  • 2006
  • Tous publics
  • 1h 14min
NOTE IMDb
6,7/10
4,6 k
MA NOTE
Electroma (2006)
Follows the history of two robots, the members of Daft Punk, on their quest to become human.
Lire trailer1:01
1 Video
18 photos
CyberpunkAdventureDramaSci-Fi

L'histoire de deux robots membres de Daft Punk dans leur quête pour devenir humains.L'histoire de deux robots membres de Daft Punk dans leur quête pour devenir humains.L'histoire de deux robots membres de Daft Punk dans leur quête pour devenir humains.

  • Réalisation
    • Thomas Bangalter
    • Guy-Manuel De Homem-Christo
  • Scénario
    • Thomas Bangalter
    • Guy-Manuel De Homem-Christo
    • Cédric Hervet
  • Casting principal
    • Peter Hurteau
    • Michael Reich
    • Helena Stoddard
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    4,6 k
    MA NOTE
    • Réalisation
      • Thomas Bangalter
      • Guy-Manuel De Homem-Christo
    • Scénario
      • Thomas Bangalter
      • Guy-Manuel De Homem-Christo
      • Cédric Hervet
    • Casting principal
      • Peter Hurteau
      • Michael Reich
      • Helena Stoddard
    • 23avis d'utilisateurs
    • 28avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:01
    Official Trailer

    Photos17

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 12
    Voir l'affiche

    Rôles principaux34

    Modifier
    Peter Hurteau
    • Hero Robot #1
    Michael Reich
    • Hero Robot #2
    Helena Stoddard
    • Woman
    Vance Hartwell
    Vance Hartwell
    • White Room Technician # 1
    Lilo Tauvao
    • White Room Technician #2
    Ken Banks
    • White Room Technician #3
    Howie Adams
    • White Room Technician #4
    Ritche Lago Bautista
    • Robot Groomsman (Town Cast)
    • (as Ritchie L. Bautista)
    Amir Bokhari
    • Town Cast
    Alina Bolshakova
    Alina Bolshakova
    • Town Cast
    • (as Alina Bolsakova)
    Jordan Bonson
    • Town Cast
    Bradley Schneider
    • Robot Lawyer (Town Cast)
    • (générique uniquement)
    Joshua Calhaun
    • Town Cast
    Bradley Davis
    • Town Cast
    Alan Deane
    • Town Cast
    Daniel Doble
    Daniel Doble
    • Robot Pastor (Town Cast)
    William Egesdal
    • Town Cast
    TaShanique Elzie
    • Town Cast
    • (as Tashanique Elzie)
    • Réalisation
      • Thomas Bangalter
      • Guy-Manuel De Homem-Christo
    • Scénario
      • Thomas Bangalter
      • Guy-Manuel De Homem-Christo
      • Cédric Hervet
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    6,74.5K
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    10

    Avis à la une

    9codylikestuff

    A nostalgic voyage of meditation

    It's hard to pin point precisely what makes this film so relevant in this time. It could be the fact that our society is so instantly nostalgic that we've forgotten what nostalgia truly means, or that we've lost hope for what an art film can and cannot be. Either way this film has captured the essence of life in somewhat of an overdrawn extended metaphor that rings in your ears like a time bomb that desperately needed to be set off. It remains as no surprise to me, having recently rediscovered Daft Punk's music, that such a collaboration of sound and image can truly transcend above all boundary, and re ignite an artist's passion for the cinema. Funny enough it should take a duo of french electronic musicians to do so. The film's beauty lies in it's simplicity of story and it's complexity of motivation. The film's brilliance lies in it's gorgeous cinematography complimented by a haunting and all too perfect score. If you are looking for a film that will stimulate you on a level that will challenge and inspire you to fully comprehend, then this is a film for you. But be warned...the story is one that could have been told in 20 minutes, told over a period of an hour and 20 minutes. If you cannot take art seriously and become easily angered or frustrated when a film doesn't spoon feed you the plot, then stay away! It has been said that this film compares to Gus Van Sant's Elephant, or possibly Vincent Gallo's Brown Bunny, mostly for the long continuous takes scattered throughout the film. The difference here is that these shot are motivated whereas in Elephant, Gus Van Sant forgot he was making a movie and fell asleep during his shoot. Some may disagree, but Gus Van Sant doesn't know his ass from his elbow and I defy him to make a film as meaningful and well executed as Electroma. The imagery is beautiful, the setting is spiritual, and the music is touching. Top notch film making from two guys who have a lot to say, but can do so without any words at all. Brilliant.
    7samluv616

    Destined for a mild cult following

    If anything, Electroma should be taken just like any other experimental, art-house cinema film. This is borderline impossible when it's not just Electroma, but "Daft Punk's" Electroma, the tag line is "It's a Daft Punk vision" and you've got the Daft Punk logo emblazoned on the back of the two protagonists' jackets. For this, I feel like the film falters from a bit of ego, but just think how much worse it would've been if they'd used their own music.

    That being said, as a so-called art-house picture, Electroma is okay. There isn't much plot to follow and the "HUMAN" license plate is about as trite as calling this an interpretation of the difficulties of fitting into society, but in terms of something to look at, it's really really gorgeous. Considering Bangalter had little to no experience in cinematography prior to this, he's done a fantastic job. Each shot is quite beautiful in its own way, aesthetically speaking, particularly the final one.

    What I'm trying to say is, don't go into Electroma expecting brilliance, because it isn't. Take it for what it is: a mildly pretentious if not borderline dull, yet visually stunning piece of celluloid. It's ripe for interpretation (or none at all) which will grant it some sort of cult following. Hopefully a midnight-film of sorts.

    P.S. The soundtrack they did choose complements the film perfectly. And if "the" notorious desert close-up scene doesn't get this passed around film circles for years to come, I don't know what will.
    10Canadarm

    Silent Shout!

    I saw Daft Punk's Electroma late last night at the Stockholm Filmfestival. This was right after seeing Gondry's "The Science of Sleep" which was brilliant! This evening turned out to be a great french evening.. Even though I have always been a big fan of Daft Punk's music, especially their live performances, I didn't really think that I would enjoy Electroma that much, but I was wrong! I was really touched by this story of two Robots (the members in daft punk) trying to become human. The theme is similar to that of their latest album "Human After All". It reminded me of Kubrick/Spielberg's "A.I", but Electroma is much more symbolical and humans play a less important role. The movie depicts the robots desire to be unique and human, and just like "Stalker" and other Tarkovsky movies the scenes are very long and for the most part there is no music just background noise, this made me really get into the movie. The whole movie is fantastic but the high rating is mostly due to the ending which is crazy good! I don't know if Daft Punk's robot-era is over after this movie, but I'm looking forward to seeing more stuff from them.

    This is probably a movie that many people might find boring because it is a very silent and slow movie (heard a guy in front of me snoring..) but give it a chance... The french are not as stupid as the look!

    oh and the music is not daft punk, but I heard some Brian Eno and Curtis Mayfield, overall the music choices were excellent! Merci;)
    soccergoon13

    Daft is deft

    If you're a fan of Daft Punk you aren't automatically going to like this movie. And if you're not a fan of Daft Punk you aren't automatically going to dislike it. No music by Daft Punk. No dialog or flashing helmet text. Ambient sound. And Curtis Mayfield.

    Electroma plays like a festival art film, yet it's more accessible to the audience than the "Cremaster" movies and more thoughtful and varied than "Zidane". In essence, the movie comprises five set pieces. It opens with a drive through the desert, then a town. The second set involves becoming human. They then re-enter the robot world in a Frankenstein-esquire reversal, playing off of Icarus. The fourth part brings the sad realization of returning to robotic roots. Fifth, they walk through a desert, which comprises the longest part of the film.

    I recommend it for the art-house/festival crowd. No dialog, an atypical plot-line, and lengthy sweeping pans will certainly turn away some fans. It is pretentious to a degree, I won't deny it, but compared to Cremaster (an unfair comparison, yes, but it's the most widely seen), Electroma doesn't require pre-emptive knowledge for the deciphering of the symbols, which tells you what you're watching. You can absorb it without extreme cerebral input.

    It's slow. Like Tarkovsky or Herzog. Don't expect hyperactive techno robots.

    You'll be hard-pressed to find this film, as Daft Punk does not intend to ever release this film on DVD. See it at a festival or snag a bootleg. It's worth the time.
    9Kobained

    Probably the most screwed-up movie I've ever seen

    Electroma was probably the most screwed-up movie I've ever seen.

    It was a brilliant movie though. The cinematography was just superb. I loved the slowness, it didn't bore me at all. I was able to enjoy the ambiance, the details, the minimalism, the originality. It really touched me and took me to another level.

    But at the same time, this movie got me quite some philosophical nightmare. It made me feel, more than ever before, like we're just robots, and everything we do has been programmed. The determinism theory. Anyone else felt this? I mean, I felt really, really horrible.

    But as I said, simply brilliant movie, for the pleasure and for the pain it caused me.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      While preparing for the role of cinematographer, Thomas Bangalter purchased over 200 back issues of American Cinematographer.
    • Connexions
      Edited into Daft Punk: Epilogue (2021)
    • Bandes originales
      International Feel
      Written by Todd Rundgren

      Performed by Todd Rundgren

      Courtesy of Bearsville Records Inc.

      By arrangement with Warner Music Group Film & TV Licensing

      Played in the first scene

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    FAQ14

    • How long is Electroma?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 mars 2007 (France)
    • Pays d’origine
      • France
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Aucun
    • Aussi connu sous le nom de
      • Daft Punk's Electroma
    • Lieux de tournage
      • Glamis, Californie, États-Unis(desert location)
    • Sociétés de production
      • Alterian
      • Daft Arts
      • Wild Bunch
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 9 540 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 14 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 1.85 : 1

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