In the Soup

This enjoyable indie feature, a one of a kind crossover of Jarmusch meets Coen brothers with a touch of David Lynch proved to be a true revelation. An outsider loser played with true perfection by Steve Buscemi with his wide-eyed naiveté, lives in a dingy apartment with Tarkovsky, Goddard and Renoir on his wannabe filmmaker's mind and is suckered into a passionate relationship with a smiling gangster beautifully portrayed by the late Seymour Cassel, a role that won him a prize at Sundance for his scene-stealing turn as Joe, the small-time hood who helps aspiring filmmaker Adolpho Rollo (Steve Buscemi) make his screen bow in return for the odd favour. Cassel once claimed that the fun part of acting was "filling out a part and making it a little crazy", and this is the key to his byplay with Buscemi. Buscemi on the other hand is filming his dream with 16mm camera exactly like the Kieslowski's "Film buff" and the centerpiece of this dream is beautiful Angelica Peña, played by Jennifer Beals in a truly memorable role. Their relationship is a roller coaster ride between contempt and affection a perfect antithesis to the role Cassel plays in both their lives. Stanley Tucci has a great cameo as French oddball wannabe husband to Beals and in a scene taken directly from David Lynch his favorite little man Michael J. Anderson appears and does the trick. Not to forget couple of idiotic landlords that spark up the story and LP record step-by-step guide to dancing the Cha-Cha.

I watched this movie with widest smile and it was such a refreshing experience to see the best parts of distinctive directors I love in each scene beautifully put together by Alexandre Rockwell. It's funny, it's refreshing and relaxing. You may even simpathize wit the characters. More than recommended.

A neurotic nebbish (Steve Buscemi) lives in two worlds: the fantasy of winning his dream-girl (Jennifer Beals) via a hit movie, and the meager existence he scrapes out from very odd jobs, such as thesping in an arty no-budget flick.

How fitting that Jim Jarmusch has a cameo, because this film is very much a Jarmusch type of movie. Had his name been under the "directed by" heading, I would never have doubted it. Which, I suppose, is a compliment to the real director. You also have to hand it to them for getting such a stellar cast. Buscemi is an indie darling, but Beals had already gone big by this point -- it was brave for her to take this role.

This is not so much a movie about making a movie as it is an underworld film. Not a mob movie, exactly, but definitely people of loose character who walk on the edges of society. And yet, there is something rather charming about them.

First and foremost, this movie is absolutely hilarious. If you haven't seen it, rent it and enjoy. I envy you for the experience you will have.

This movie has a very young Steve Buscemi, and he's at his best. Seymore Casselle's performance is both as funny and as powerful as his role was in Minnie and Moskowitz, and that's as big of a compliment as I could give to anyone.

The direction here is impeccable. Music is both romantic, sad and moving without it ever being heavy-handed. The pacing is neither rushed nor is it ever slow. The story feels as unpredictable as life only much more interesting. Rockwell clearly takes tips from Fellini and makes it into an American original.

If you like Bottle Rockets, Strangers in Paradise, Clerks, Bill Hicks, Daniel Johnston, James Brown…basically if you have any soul in your body, you will adore this movie.

"In the Soup" is a nice little gem of a movie. If you liked Steve Buscemi in "Ghost World" you should like him here because he is basically playing the same perpetually dour and befuddled character. And if you liked "Ghost World" in general you should like "In the Soup" because they have a similar theme and storyline. They both focus on a character being taught how to live by the example of another character. "In the Soup" does not have "Ghost Story's" ironic twist (where the teacher is the one who actually learns how to live). It is more straightforward and not as clever but is still light years more intelligent than most mainstream films.

Buscemi's character needs a producer for his 500-page screenplay with quirky features like beginning with a 20 minute black leader (just a blank screen) to introduce his lead character's blindness. He intends to cast his neighbor (and unrequited love interest) Jennifer Beals who barely acknowledges his existence although he sleeps with her shoe under his pillow. Buscemi gets "in the soup" when he hooks up with a gangster who wants to produce the film. Seymour Cassell plays the gangster with an infectious gusto that deservedly won Sundance Festival's Best Actor Award. All three performances are excellent, as is a brief appearance by Carol Kane as the co-producer of an access TV show featuring nude interviews (The Naked Truth).

If all this sounds to you like it could be fun you are this film's target audience.

Shooting in black-and-white on a tight budget Director Alexandre Rockwell has put together a funny feature with a lot of charm. The production values are first-class. More importantly he has told a worthwhile story and communicated useful lessons to apply to the process of living.

Sometimes you're kind of reluctant to watch a movie because you don't really expect anything of it, but then you end up being so pleasantly surprised! I had that experience with "In the Soup". This film truly is a little gem as mentioned before. This strange, offbeat movie grew on me with every scene I watched. Steve Buscemi is brilliantly funny as script-writer and 'wannabe' director Adolpho. Seymour Cassel is great as well but I definitely shouldn't forget to mention Jennifer Beals.. my god, how this woman made me laugh! She was pitch perfect for her role as Buscemi's cranky Latin-American neighbor Angelica, his secret love interest who he wants to star in his movie. I can highly recommend this movie, if you're a Buscemi fan, it's a "must-see" !