Miss Potter

Beatrix Potter (Renée Zellweger) was a literary phenomenon of the early 20th Century.

At a time when most young women of her class aimed only to make a good marriage, Beatrix became an iconic figure, swimming quietly, but with great fortitude against the tide.

She created a series of books and characters that are as beloved today as they were a hundred years ago; since their publication they have never been out of print. She was also a distinguished painter and--had she been a man--her botanical drawings would have been snapped up by the Royal Horticultural Society at Kew Gardens.

In addition, by the time she died in 1943, Beatrix Potter had purchased vast swathes of the Lake District that she left to the then fledgling British Conservation Trust. That so much of this glorious countryside that inspired her, remains as it was in Beatrix Potter's day for others to enjoy, is her bequest to the nation.

This is her story.... Miss Potter 7/10

Only the most curmudgeonly won't delight in this tender, inventive movie -- Miss Potter.

There aren't many movies that one can recommend to all of his or her friends, but Miss Potter may be the rare exception.

It has flair, style, and humanity.

Rene Zellwegger -- not everyone's favorite -- only occasionally simpers in her sensitive, forceful performance as writer Beatrix Potter.

Ewan McGregor and Emily Watson fit perfectly into their very likable characters.

The direction, screenplay, and art direction are all first-rate. And the sparing use of animation is wonderful. Peter Rabbit never looked so charming.

"Miss Potter," based on the life of Beatrix Potter, the best selling author of children's books of all time, is an enchanting film.

Directed by Chris Noonan ("Babe") and written by Richard Maltby, Jr., whose theatrical background is no doubt the reason the 94-minute film has such a jaunty pace, "Miss Potter" is not a standard biopic in that it has the ability to appeal to pretty much everyone, with the exception of the very young, which I'll get to in a moment.

Opening images of a pair of hands carefully choosing the pencils and brushes that are the tools of the writer/illustrator's craft, paired with a voice-over that tells us that "there is something delicious about writing the first words of a story," reveal Potter's passion for her craft. Her affection for what she calls her "friends" -- the bunnies, frogs and ducks who are the subjects of her tales -- is equally strong. So strong, in fact, that we wonder, as do the two gentlemen who agree to produce her work, if Miss Potter (Rene Zellweger) isn't just a little daft.

This notion is quickly laid to rest, however, when we see the author, escorted by fledgling publisher Norman Warne (a sedately sweet Ewan McGregor), confidently direct the printing of her works, an endeavor not generally expected of single women in 1902 London, and not deemed acceptable by its society.

Among those who find this effort distasteful are Potter's parents (Barbara Flynn and Bill Patterson), a pair of "social climbers" who seek to marry their only daughter to a man of means. That she refuses these overtures is the crux of their often contentious relationship.

In lieu of marriage, Potter immerses herself in her work. As her success blossoms, so does her relationship with her champion, Mr. Warne, who introduces the author to his sister, Millie (Emily Watson), another spinster. The two women develop a palpable bond, based primarily on their like-minded philosophies about life.

Precisely how Potter developed her ideology is never told, but flashbacks to her childhood reveal an independent girl (charmingly played by newcomer Lucy Boynton) with natural storytelling abilities and a love for drawing the small animals she encounters while summering in England's bucolic Lake Country with her family. It is from these experiences that Potter fashioned her famous "Tales of..." series.

In an effort to bring Potter's experiences with the books to life on the screen, Noonan incorporates a series of technically adept animation sequences. These are completely effective in delivering the sweetness of Potter's tales, and they will appeal to even the youngest viewers. But the film offers too few of them to be satisfying. As a result they become a tease, a sort of trailer to get us to buy the books. While there are many reasons to buy and read Potter's books, using a film to get us to do so feels like too much manipulation.

In all other ways this is sound and pleasurable film-making. Performances are what one would expect from so seasoned a cast, with Zellweger bringing her natural cherubic quality to the role of the author. Production design (by Martin Childs), which incorporates a color palette that matches Potter's work, and cinematography by Andrew Dunn ("History Boys," "Mrs. Henderson") are elegant but not ostentatious, and are reminiscent of the look of "Finding Neverland," another film set in turn-of-the-century England.

In the hundred or so years since Beatrix Potter created her venerated children's series, a lot has changed in the world. One thing that hasn't, however, is that we still love a good story, particularly one that warms our hearts and makes us feel good about the world. "Miss Potter" does precisely that.

This film is about the life of Beatrix Potter, who was a famous author of children's books.

The portrayal of Beatrix's love for drawing and for animals was remarkable and heartwarming. The pure and untainted love was refreshing. Her struggle for recognition and independence was inspirational. Renee Zellweger did a good British accent in the film, and she successfully made Miss Potter alive and vivid. Her depressive phase after the tragic loss was well depicted by both her acting and the imagery on the cartoons. The lavish sets and the breathtaking scenery add to the entertainment value of the film.

I watched this movie sort of by accident. Of course I was very familiar with Beatrix Potter the writer and painter and had read many of her stories to my children in their childhood years.

I spent some time working on a project in Barrow-in-Furness and the company put me up in the quaintly named Drunken Duck Hotel in the Lake District. I had a couple of weekends to look around the district and the hotel people suggested that I have a look at Hilltop Farm, at Near Sawrey. Her farm is captivating. But while her writing etc is one thing she was a passionate environmentalist and lover of the countryside, and a great philanthropist.

I bought the DVD there and watched it in the hotel. It is beautifully crafted and Renee Zellweger does indeed do a very good job. She was an immensely talented and modern woman for her time and I think this comes through in the movie. She was far more than Peter Rabbit.

I have to say, I chuckled over Ewan McGregors casting. While he does a good job as Miss Potter's ill-fated fiancée, I can't but think it was a nod to 'Mr McGregor'.

If you are ever in the Lake District, I would recommend the Drunken Duck and Hill Top Farm, and the nearby Hardknott Pass Rd which leads to the Roman fort.