Alors qu'elle organise des rencontres entre amis et voisins, une jeune Anglaise du XIXe siècle est sur le point de passer à côté de sa propre vie sentimentale.Alors qu'elle organise des rencontres entre amis et voisins, une jeune Anglaise du XIXe siècle est sur le point de passer à côté de sa propre vie sentimentale.Alors qu'elle organise des rencontres entre amis et voisins, une jeune Anglaise du XIXe siècle est sur le point de passer à côté de sa propre vie sentimentale.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 3 victoires et 7 nominations au total
Avis à la une
I am taken aback by those who criticized the film for its lush scenery. That is one of the things I enjoy and look forward to seeing in period pieces set in the English countryside. The film's beautiful backgrounds are a major contributor to its appeal and success. If your idea of escapist fare is something bleaker, then perhaps you should rent something like "Death Wish III!"
The English country settings are as attractive and charming as the cast, and combine with the story and soundtrack for entertainment that makes you not tire of repeat viewings. McGrath is a wonder at choreographing the interplay of subtle expressions that are so essential in conveying the complicated romantic intrigue that occurs in this story.
Jeremy Northam, as the hero. how shocked are you? I never looked upon him as overtly handsome but heck! What the right role can do for you! He looks so good as the sensible, regal Mr. K, that i am literally looking at him in a new light. He makes and excellent romantic lead. The charm and character that he brings to his role is wonderful!
Ewan McGregor, Greta Sacchi brings in the rest. a good cast. A good movie. If you are a fan of Jane Austen, see this movie, along with Pride and Prejudice - AND MOST IMPORTANTLY, buy the books. It enhances the movie to heights that are extraordinary
Accompanied by Oscar-winning Composer RACHEL PORTMAN's lush, emotional and dreamy music, this film remains a pure delight worthy of viewing more than once a year.
Incredible casting...
Gwyneth Paltrow was perfect for the role of Emma. Toni Collette was great as Harriett Smith.
The character who stole the film was MISS BATES!!! She was mesmerizing to watch, one finds oneself on the edge of ones' seat just hanging on her every word and laughing hysterically WITH her. One of the most endearing characters I have come across in ages. From one of the opening scenes when she is thanking Mr. Woodhouse for sending "that lovely quarter-hind of pork... PORK, MOTHER!!!" she shouts into her daffy and clearly hearing impaired Mother, Mrs. Bates (played by Emma Thompson's mother, Phyllida Law) who looks forlorn and lost.
The comical ways that Emma would avoid the grating Miss Bates builds itself up for one truly gut-wrenching scene at the picnic when Emma insults Miss Bates who takes her cruel dig to her heart. We then see poor Miss Bates stammering and on the verge of tears and just so crushed one can not help but feel one's heart ripped out to her on her behalf. It is a classic scene, one to be rewound and played over & over...
The ending is right up there with "Sense & Sensibility" and provides one of life's greatest lessons about how one should marry one's best friend...
I hope that this film delights you all as much as it has myself.
I ADORED it!
The cinematography is inventive, crossing at times the border to gimmickry, but it certainly avoids the trap of making this look like a boring TV soap in costumes, given that the entire story is dialogue-driven.
The acting is competent. Ms Paltrow is aloof, as her character requires, but the required distance from the other characters is accompanied by a much less appropriate detachment from her own actions. In other words, she does not seem to care enough of the results of her match-making endeavours. Some of the supporting cast is guilty of over-acting - very much in the style that is appreciated on stage but out of place in motion pictures. Personally, I had problems accepting Alan Cumming as Mr Elton - to no fault of his own, except for having left such an impression as a gay trolley-dolly in "The High Life" that it is now difficult to accept him playing any serious part. Acting honours go to Toni Collette who manages to radiate warmth, and Jeremy Northam who pitches his character at just the right level.
Le saviez-vous
- AnecdotesToni Collette had to gain weight to portray "the Rubenesque Harriet" and she explained, "I think it's important for people to look real in films. There's a tendency to go Barbie doll and I don't agree with that at all."
- GaffesFrank Churchill's hair changes length in the scenes when he says goodbye to Emma - shorter when he arrives and longer when he leaves.
- Citations
Mr. Knightley: Emma, how could you be so unfeeling to Miss Bates? How can you be so insolent to a woman of her age and situation? I had not thought it possible.
Emma: How could I help saying it? I daresay she did not understand me.
Mr. Knightley: I assure you, she felt your full meaning. She cannot stop mentioning it. I wish you could have heard her honour your forbearance in putting up with her when her society is so irksome.
Emma: I know there is no better creature in all the world, but you must allow that blended alongside the good, there is an equal amount of the ridiculous in her.
Mr. Knightley: Were she prosperous or a woman equal to you in situation, I would not quarrel with you about any liberties of manner. But she is poor, even more so than when she was born. And should she live to be an old lady, she will sink further still. Her situation being in every way below you should secure your compassion! Badly done, Emma. Badly done. She has watched you grow from a time when her notice of you was an honour to this, humbling her, laughing at her in front of people who would be guided by your treatment of her. It is not pleasant for me to say these things, but I must tell you the truth while I can, proving myself your friend by the most faithful counsel, trusting that sometime you will do my faith in you greater justice that you do it now.
- Crédits fousThanks to ... the people of Evershot.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Chain Reaction/Matilda/Emma/Stonewall (1996)
- Bandes originalesDeck the Halls with Boughs of Holly
Traditional tune, lyrics by Thomas Oliphant (uncredited)
Arranged by Rachel Portman
Meilleurs choix
- How long is Emma?Alimenté par Alexa
Détails
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 22 231 658 $US
- Week-end de sortie aux États-Unis et au Canada
- 240 649 $US
- 4 août 1996
- Montant brut mondial
- 22 231 658 $US
- Durée2 heures
- Mixage
- Rapport de forme
- 1.85 : 1