Un gangster a des capacités psychiques. Un homme d'affaires mise sur un cheval et risque sa vie. Un médecin doit sauver la vie de son amant. Un seigneur du crime menace une pop star.Un gangster a des capacités psychiques. Un homme d'affaires mise sur un cheval et risque sa vie. Un médecin doit sauver la vie de son amant. Un seigneur du crime menace une pop star.Un gangster a des capacités psychiques. Un homme d'affaires mise sur un cheval et risque sa vie. Un médecin doit sauver la vie de son amant. Un seigneur du crime menace une pop star.
- Réalisation
- Scénario
- Casting principal
- Mr. Parks
- (as Will Maier)
- Banker #2
- (as Salvador Garcia)
Avis à la une
It's rather intended for the oblivious Generation X who is lost in chaos and holds on to the little bit of hope that is left in a bleak future yet to come.(you know who you are)
The Air I Breath tells a story of amazing yet globally recognizable incidences and displays numerous examples of clairvoyance, Deja-Vu, synchronicity and coincidence from a somewhat Zen/Jungian point of view, although far more pessimistic.
The plot is told from various perspectives that all intervene in one way or the other a la Magnolia/Pulp Fiction/etc. Those who enjoyed flicks like The Butterfly Effect and Donnie Darko will possibly possess the right view and the right questions to enjoy this film.
The film has a comic book/graphic novel taste to it, and those familiar with Neil Gaiman's work should be in for a treat. The photography vaguely reminded me of Sin City although it's not half as good. The major problem lies with the Asian Soap Opera dialog that gets cheesy after a while and easily evokes the narrow mindedness and irritation of the cynical viewers.
This film is more intended for the young, open minded New Serenity movement who seek answers and comfort in life.
The film is based on a Chinese proverb which says that life consists of four emotions: Happiness, Pleasure, Sorrow, and Love. To be whole one must experience each emotion, and by doing so we are interconnected with all other human beings. The film itself is structured in the same fashion, with each of four segments focusing on those ideas. The lead actors portray those emotions one by one. Forest Whitaker is Happiness, Brendan Fraser is Pleasure, Sarah Michelle Gellar is Sorrow, and Kevin Bacon is Love. They anchor the four segments of the film, while the rest of the magnificent ensemble cast weaves in and out of the narrative.
The idea is somewhat fuzzy at first. This is an unconventional story with a similarly unique style. Unlike most films, the major characters don't really have major arcs in story line or performance. While some may find a couple of the actors a bit deadpan, they pretty much are solid throughout while consistent in their characterizations. Whitaker and Fraser especially fit that description. Both are quite stoic in their roles, but that's what the story demands. Sarah Michelle Gellar may be the exception. She is the one who has to display a wide range of emotions, more than the others. Her character is quite tortured and goes through a lot emotionally and physically. Gellar is a very brave actress who took risks and put her heart and soul into it. She is sure to surprise many people. Bacon is a delight and is perfectly cast as a would-be hero. Andy Garcia is a chilling and devilish nemesis throughout, while Emile Hirsch provides some comic relief in his brief appearance.
The script is filled with poetic statements, hearkening back to the Chinese proverb on which the story is based. Each segment's main character provides voice-over. And while the language is somewhat oblique, the dialogue is quite blunt and to the point.
Visually it is breathtaking, with broad sweeping images interspersed with numerous gritty close-ups of tragedy. The Air I Breathe has the look of a big budget film, although it is not. Watch for some fascinating visual effects. Hand-held with close-ups is used for some of the more chilling parts and creates tension. Hitchcock would be proud.
Surprises occur at every step of the way. One of the most startling aspects of this film is that there are moments when one may think, "No, that won't happen." And then it does. It's hard to watch at times and quite violent. There's sadness and tension. But there is also an amazingly clever use of humor in the film, and that is perhaps what is most surprising. But that's what life is. The soundtrack plays a major role in this movie, as if another character. It has an Asian feel, not just because of the filmmaker's background but because the film is based on that Chinese proverb. It was quite haunting.
The Air I Breathe is, at its heart, a character piece which follows a general theme. Seems simple. On the face of it, it plays out like a crime drama. But there's more to it, and it takes patience and thought to get to the point of it. Not everyone will be able to do that. But it is definitely worth the effort.
The story of this movie could be easily summarized by one exact quote of just a random-looking worker from the movie: "I need a way out". I couldn't agree more - in todays universe, even more in my country, there are people who live to work. They live to eat, they live to buy some goods and sometimes, they just live to give their problems away to other people... This is actually all covered in this movie by a director that I have never heard of, but it might be a time for me to start learning his name. I began loving this movie from very first fifth minute- to the very end.
The cast is amazing - both main and supporting actors gave me their best. Bacon, Whitaker, Gellar, Fraser, Garsia, Hirch - what a nice choice for this movie! However, if you are not really open minded, you may not like their characters, you may not like the plot, but still, you will love the acting. Persuasive, smart and well done. That's how I would rate the crew members of this movie.
This leads to n awfully understandable conclusion - "The Air I Breathe" is actually one of the best movies I have seen this year, only "25 Hour" moved me more.. Even after seeing Ed's "25 Hour" i was quick to state that crime/drama is from now on my most favorite genre of the movie. Didn't take long to prove that it actually is - thanks to the amazing "The Air I Breathe"
The emotions expressed in the film are all emotions that help us understand how we are interconnected. With the exception of Brandon Fraser and Andy Garcia, all the roles in the film were confined to a particular segment. There were some very good actors in small parts in the film.
Fraser was fantastic in a very unemotional role. His first attempts at showing any emotion cost him his life, just as Forest Whitaker's attempt at happiness cost him his.
I really like Whitaker's musing that happiness comes from playing by the rules and doing well in school. The reward for doing well in school is more school and more school, and then you can get a job and start wanting things. Do any of us every attain happiness? Or, as Whitaker, are we stuck in some dead-end job wanting? Kevin Bacon showed how one risks it all for love and gave a superb performance. I just kept wishing that Sorrow (Sarah Michelle Gellar) was that little girl from his past. I bet she was and they just didn't tell us.
A very pleasurable hour and a half.
Le saviez-vous
- AnecdotesWhen Brendan Fraser is looking at pictures of the famous pop star Trysta, played by Sarah Michelle Gellar, real magazine photos of Sarah Michelle Gellar were used.
- GaffesWhen Gina is in the hospital, we see the patient monitor in demonstration mode ("demo" is flashing). It also indicates the patient is an adult male.
- Citations
Pleasure: When you can see the future, you think you're capable of changing it. But you're just a witness to coming moments, unable to help, even if you wanted to and maybe you don't. Sometimes you think you're supposed to learn something, about patience or distance, but in the end it's all about discipline. Seeing things you don't always want to and just moving on. After a while things become easier. Routine keeps your mind from wandering. You begin to accept things as they are. Every man has his destiny. You can't escape it, even if you can see it coming.
- ConnexionsFeatures The Voyager (1991)
- Bandes originalesTurnstile Blues
Written by Carla Azar, Greg Edwards and Eugene Goreshter
Performed by Autolux
Courtesy of Red Ink
By Arrangement with SONY BMG MUSIC ENTERTAINMENT
Meilleurs choix
Détails
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 775 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 487 $US
- 27 janv. 2008
- Montant brut mondial
- 2 602 098 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1