NOTE IMDb
4,7/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueJoanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.
- Réalisation
- Scénario
- Casting principal
Johnny Bartee
- Cattle Auction Cowboy
- (non crédité)
Joe Basquez
- Mr. Marlin's Crony
- (non crédité)
Michelle Brew
- Club Dancer
- (non crédité)
Peter Cornwell
- Tavern Cowboy
- (non crédité)
Avis à la une
I just got back from The Return and loved it. It certainly wasn't amazing, but it was a huge cut above other movies like it. I went into this expecting a movie like Dark Water. More of a drama than anything scary. I was wrong. Return had a whole lot more scares than Dark Water, but had a story to back it up, not to say Dark Water didn't have any. Sarah's acting was a whole lot better than her other movies, which added to the scares. It was a bit confusing at times but the ending brought it all together. the scares were mostly jump moments, but the atmosphere and cinematography added on to them.Go and see this movie, but don't expect stupid scares like the Grudge 2, and enjoy the ride. The return was a well acted, slow moving yet wonderfully intense thriller that will keep you on the edge of your seat the whole time.
This film is NOT a horror film The reason it probably flopped and why a lot of teens hate it is because it was marketed as a horror film. IT IS NOT It is very slow-paced, but some scenes are so beautiful. The atmosphere is dark. THIS IS THE WAY THRILLERS SHOULD BE. The film is either love it or hate it. If you were expecting a top- notch action horror film, you'll hate it. But as for me, the main storyline was well-delivered. Sarah Michelle Gellar's acting is also very good. IT ALSO TEACHES A LESSON. There are some also very beautiful outdoors scenes that make the film even better.This is better than the average thrillers. Unlike other supernatural films(The Grudge and The Ring) i found this to be better. Who said thrillers had to be scary? This is more realistic than others, and for that, it is.
The restless sales representative of a transport company Joanna Mills (Sarah Michelle Gellar) travels from Saint Louis to Texas in a business trip. She is haunted by violent visions and after meeting her client, she visits her lonely father. On the next morning, she decides to visit La Salle, a small town where she has never been before, but she had recollections of many locations. She lodges in a hotel and later she meets and is befriended by the local widower Terry Stahl (Peter O'Brien), who helps her from an aggression. Her daydreams and nightmares increase and she becomes obsessed for disclosing the truth about her visions of a brutal murder of a woman in a barn. Along her investigation, Joanna gets close to the killer and feels that her life is in danger.
I bought this DVD first because I am a huge fan of Sarah Michelle Gellar, the eternal Buffy, and also because I like supernatural stories. Fortunately I have disregarded the low IMDb User Rating since this film is an underrated supernatural thriller. The plot explores the concept of reincarnation in an adequate pace, unraveling the mystery in the last scenes. The direction is sharp and Sarah gives credibility to her character. My vote is seven.
Title (Brazil): "O Retorno" ("The Return")
I bought this DVD first because I am a huge fan of Sarah Michelle Gellar, the eternal Buffy, and also because I like supernatural stories. Fortunately I have disregarded the low IMDb User Rating since this film is an underrated supernatural thriller. The plot explores the concept of reincarnation in an adequate pace, unraveling the mystery in the last scenes. The direction is sharp and Sarah gives credibility to her character. My vote is seven.
Title (Brazil): "O Retorno" ("The Return")
There are attractions to this film. One, it proceeds at its own pace specific to the revelations the main character achieves. Some would say it moves too slowly but, I think, this is only in contrast to recent genre films that rush to exploit thrills, sometimes fun, sometimes silly. The pace is more like that of classic mystery movies with a little film noir mixed in.
The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)
The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")
Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.
The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)
The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")
Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.
I watched "The return" yesterday and I have mixed feelings about it. People who come to this movie expecting a horror flick, or an action-packed thriller, will be bitterly disappointed. I would define it as a drama based on supernatural elements. And, as a drama, it's a very slow-paced one, so be prepared for it.
What I appreciated most about this movie is the director's style. It's a brand new way of making a horror movie. It relies on the settings and the personality of the characters to create an atmosphere of anguish and claustrophobia. And in this, it succeeds. The movie actually transmitted me feelings of loneliness, menace, and doom, and if it does the same for you, you should just let yourself go with those feelings, because that's the power of the movie.
Other than that, the central mystery is pretty meager and easy to see after a while. The ending might be a shocker for some, but I don't think it will be for the majority of people. If you're looking for a powerful story based on surprise and shock, I certainly don't recommend this movie.
However, it can be a delightful experience for those who are interested in new styles of making movies in the overexploited genre of horror and mystery. Also, the acting is very good; I especially liked Sarah Michelle Gellar, and her fans should see it too.
What I appreciated most about this movie is the director's style. It's a brand new way of making a horror movie. It relies on the settings and the personality of the characters to create an atmosphere of anguish and claustrophobia. And in this, it succeeds. The movie actually transmitted me feelings of loneliness, menace, and doom, and if it does the same for you, you should just let yourself go with those feelings, because that's the power of the movie.
Other than that, the central mystery is pretty meager and easy to see after a while. The ending might be a shocker for some, but I don't think it will be for the majority of people. If you're looking for a powerful story based on surprise and shock, I certainly don't recommend this movie.
However, it can be a delightful experience for those who are interested in new styles of making movies in the overexploited genre of horror and mystery. Also, the acting is very good; I especially liked Sarah Michelle Gellar, and her fans should see it too.
Le saviez-vous
- AnecdotesWhen asked at the beginning of the project who she wanted to play her father, Sarah Michelle Gellar jokingly responded that she wanted Sam Shepard. Months later it was confirmed, to Gellar's disbelief, that Shepard agreed to take the role.
- GaffesWhen Joanna's truck goes off the road near the end of the film, the engine revs as if the drive wheels have left the road, but her pickup is a rear-wheel drive vehicle and the rear wheels were still on the bank.
- Citations
Joanna Mills: [talking to Terry] This farmhouse, you, the town, they're all connected to me somehow.
- Crédits fousWhen the credits first start to roll, everyones name's turn and blur away to the next name which does the same. This represents the characters Joanna and Annie and how they co-existed in the same body.
- ConnexionsFeatures Winchester 73 (1950)
- Bandes originalesJolly Coppersmith
Traditional
Arranged and Performed by Patrick J. Donaghy & Louis Bilton
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 749 851 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 776 000 $US
- 12 nov. 2006
- Montant brut mondial
- 11 994 195 $US
- Durée
- 1h 25min(85 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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