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IMDbPro

La Malédiction

Titre original : The Omen
  • 2006
  • 12
  • 1h 50min
NOTE IMDb
5,5/10
65 k
MA NOTE
Seamus Davey-Fitzpatrick in La Malédiction (2006)
Theatrical Trailer from 20th Century Fox
Lire trailer1:28
7 Videos
99+ photos
DrameFantaisieHorreurMystèreThrillerDrame psychologiqueHorreur surnaturelle

Un diplomate américain se rend compte que son jeune fils est peut-être littéralement le diable incarné.Un diplomate américain se rend compte que son jeune fils est peut-être littéralement le diable incarné.Un diplomate américain se rend compte que son jeune fils est peut-être littéralement le diable incarné.

  • Réalisation
    • John Moore
  • Scénario
    • David Seltzer
  • Casting principal
    • Liev Schreiber
    • Julia Stiles
    • Seamus Davey-Fitzpatrick
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    65 k
    MA NOTE
    • Réalisation
      • John Moore
    • Scénario
      • David Seltzer
    • Casting principal
      • Liev Schreiber
      • Julia Stiles
      • Seamus Davey-Fitzpatrick
    • 615avis d'utilisateurs
    • 132avis des critiques
    • 43Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 7 nominations au total

    Vidéos7

    The Omen (2006)
    Trailer 1:28
    The Omen (2006)
    The Omen Scene: They're Afraid
    Clip 1:01
    The Omen Scene: They're Afraid
    The Omen Scene: They're Afraid
    Clip 1:01
    The Omen Scene: They're Afraid
    The Omen Scene: Bye Bye
    Clip 0:52
    The Omen Scene: Bye Bye
    The Omen Scene: Then He'll Kill You
    Clip 1:03
    The Omen Scene: Then He'll Kill You
    The Omen Scene: Don't Let Him Kill Me
    Clip 0:48
    The Omen Scene: Don't Let Him Kill Me
    The Omen Scene: Dog Chase In House
    Clip 0:52
    The Omen Scene: Dog Chase In House

    Photos103

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 96
    Voir l'affiche

    Rôles principaux41

    Modifier
    Liev Schreiber
    Liev Schreiber
    • Robert Thorn
    Julia Stiles
    Julia Stiles
    • Katherine Thorn
    Seamus Davey-Fitzpatrick
    Seamus Davey-Fitzpatrick
    • Damien
    David Thewlis
    David Thewlis
    • Keith Jennings
    Predrag Bjelac
    Predrag Bjelac
    • Vatican Observatory Priest
    • (as Pedja Bjelac)
    Carlo Sabatini
    • Cardinal Fabretti
    Bohumil Svarc
    Bohumil Svarc
    • Pope
    Giovanni Lombardo Radice
    Giovanni Lombardo Radice
    • Father Spiletto
    Baby Zikova
    • Damien - Newborn
    Baby Morvas
    • Damien - Newborn
    Baby Muller
    • Damien - Newborn
    Baby Litera
    • Damien - Newborn
    Tomas Wooler
    Tomas Wooler
    • Damien - 2 Years Old
    • (as Tomas Wooller)
    Rafael Sallas
    • Rome Embassy Marine
    Marshall Cupp
    Marshall Cupp
    • Ambassador Steven Haines
    Martin 'Mako' Hindy
    • Haines' Limo Driver
    Amy Huck
    • Nanny
    Vince Valitutti
    • Birthday Party Photographer
    • Réalisation
      • John Moore
    • Scénario
      • David Seltzer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs615

    5,565.3K
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    Avis à la une

    6randomStuff101

    Not as good or evil as the original.

    I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.

    The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.

    The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.
    5richardahughes

    Tired remake

    A pretty tired remake of the original; admittedly they had a very hard act to follow but didn't really even start to live up to it.

    Quite apart from the film merely following the original scene for scene but with less impressive actors was the state of the locations. The original was actually filmed in London but in the remake they substituted Prague for London. One European city may look like another if you've never been East of the Mississippi but if you actually live here it just made the whole thing look like a joke.

    The American Embassy was suddenly transported from Grosvenor Square (a leafy tree-lined square built up on all sides) to the south bank of the Thames with big open views across the river.

    And somehow we were supposed to believe that Prague's cathedral, the tramlines and overhead cables and traffic lights were supposed to be central London? In your dreams!
    5Skint111

    Slick but inevitably inferior remake

    This remake is like listening to a cover version of a Beatles song. You like it but really want to hear the original again. The original Omen is such a terrific film, convincing, beautifully cast and with a great, raw Brit Gothic feel to it. The remake is a slightly glossier affair which is enjoyable enough but doesn't really take the story in any new directions, although it hints that it will. Opening images of 9/11 and the Asian tsunami promise a new take on the tale, but with the exception of the very final scene, this doesn't really happen. The set pieces of the original were beautifully done - here they're well done but don't seem to last long enough; they don't feel 'special' enough. The cast is good but, again, it lacks the gravitas of the original. This ambassador is no Gregory Peck. Overall, this isn't a bad way to spend two hours in the cinema - it's a hundred times better and more cinematic than The Da Vinci Code for instance - but could have been a lot more than it is.
    7Superunknovvn

    Just made me love the original more

    "The Omen" is one of those movies that still hold up so well, there's really no need to remake them. The date of June 6th 2006 was probably the most tempting thing for producers to release a new version of this film now.

    Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.

    Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".

    The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.

    If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.
    4utgard14

    See the Original Instead

    Virtual scene-for-scene remake of the 1976 Omen film with the 21st century music video gloss that passes for cinematography now. That this was made by the same director who would later do the awful Max Payne and A Good Day to Die Hard should come as no surprise. John Moore is a director more focused on making a film look good than actually be good.

    Did The Omen need to be remade? Of course not but such is the nature of the business. Before I start going on a diatribe about that, I'd better get back to this film and what's good or bad about it. What's good: some nicely staged scenes, but nothing particularly creative or original. For a director so obsessed with visuals, Moore offers little to improve upon the original's film's creative death set pieces. He just copies them. How creatively bankrupt is this man? As for the bad: the movie is plodding, unoriginal, often boring with no suspense or scares worth mentioning. Will viewers unfamiliar with the original film feel the same way? I think so unless these viewers are just generally unfamiliar with movies altogether. The cast is nothing to write home about. Julia Stiles tries and Liev Schrieber is dull as mud. Mia Farrow does fine with a performance that, judging by some of the praise I've seen, is a tad overrated.

    Overall, it's yet another misfire remake of a superior film. Do yourself a favor and see the original instead. If you already have seen the original, watch something else. Something new or something old you haven't seen before. Just not another crappy horror remake.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      (at around 19 mins) Harvey Stephens, who portrayed Damien in La Malédiction (1976), appeared in this remake as the tabloid reporter who asks Robert Thorn (Liev Schreiber) if the deceased nanny "was on drugs".
    • Gaffes
      (at around 18 mins) When the nanny jumps off the balcony at Damien's birthday party, the distance to the ground and the rope are way too long - her head would rip off.
    • Citations

      Father Brennan: When the Jews return to Zion, and a comet fills the sky, and the holy Roman Empire rises, then you and I must die. From the eternal sea he rises, creating armies on either shore, turning man against his brother, until man exists no more.

    • Crédits fous
      Names of crew in main title are animated, so some of their letters become crosses or "6".
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Prestige/Flicka/Marie Antoinette/Flags of Our Fathers/A Guide to Recognizing Your Saints (2006)
    • Bandes originales
      Old Comrades
      Written by Andrew C. Pilmer (as Andrew Pilmer)

      Original melody by Carl Teike (uncredited)

      Courtesy of Associated Production Music, LLC.

    Meilleurs choix

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    FAQ

    • How long is The Omen?Alimenté par Alexa
    • What is 'The Omen' about?
    • Is "The Omen" based on a book?
    • Why did Damien's first nanny hang herself at his birthday party?

    Détails

    Modifier
    • Date de sortie
      • 6 juin 2006 (France)
    • Pays d’origine
      • États-Unis
      • Royaume-Uni
      • Hongrie
    • Site officiel
      • Stream The Omen officially on Disney+ Hotstar Indonesia
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • The Omen
    • Lieux de tournage
      • Croatie
    • Sociétés de production
      • Twentieth Century Fox
      • Abbey Road Studios
      • 11:11 Mediaworks
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 54 607 383 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 16 026 496 $US
      • 11 juin 2006
    • Montant brut mondial
      • 119 975 084 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 50 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • DTS
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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