Après avoir découvert ses origines, Damien Thorn doit faire face à sa vie d'Antéchrist.Après avoir découvert ses origines, Damien Thorn doit faire face à sa vie d'Antéchrist.Après avoir découvert ses origines, Damien Thorn doit faire face à sa vie d'Antéchrist.
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I have confidence in Glen Mazzara's creation of this series, even if the critics out there trashing it, do not. One critic went so far as to say he would never give this show another chance after viewing the pilot. What tripe and how close minded. I gave Hannibal a chance, a re-working of another well-known character, and was richly rewarded. I intend to give this series a shot, let it unfold and see how it hits me, as a big fan of the 1976 Richard Donner film from which it draws thematically and musically. What I like about the pilot episode: the modern updating, the acting, the music, and not making Damien good or bad but basically innocent until his 30th birthday (why, I will leave for you to discover), upon which he must start grappling with horrific memories of his long-past childhood.
It makes no sense for Damien to start out evil in this show, as that leaves his character nowhere to go. What I hope will be explored is if the nature of evil, whether you believe in Revelation/the Bible or not, is a growth, a given, a concept that can be overcome, or something you ultimately must submit to and revel in as your true nature. And that conflict, the gray area, is much more interesting to me. This series will sink or swim, based on its ability to draw out that narrative. And in just viewing the pilot, I think it has a lot of possibility.
It makes no sense for Damien to start out evil in this show, as that leaves his character nowhere to go. What I hope will be explored is if the nature of evil, whether you believe in Revelation/the Bible or not, is a growth, a given, a concept that can be overcome, or something you ultimately must submit to and revel in as your true nature. And that conflict, the gray area, is much more interesting to me. This series will sink or swim, based on its ability to draw out that narrative. And in just viewing the pilot, I think it has a lot of possibility.
As a particularly opinionated connoisseur of the horror genre, I fully recommend this version of dark prophesy and the emergence of the Anti-Christ. While far from perfect, many things are done extremely well at this early point (seven episodes) of the series.
I'm a fan of serious horror movies like Rosemary's Baby, Exorcist III, Jacob's Ladder, (the wildly underestimated 2005) Stay, and the Omen films from which this show draws inspiration. There are seeds of all of these films present in Damien - with minimal jump scares, frequent disorientation, and a wonderful atmosphere of growing terror.
Damien continues the legacy of the Omen movies, and does so utilizing footage directly from the first classic for story development. Anyone who has seen the Omen knows there are truly memorable moments that have earned a place in the lexicon of the horror genre. Damien lives up to the best parts of these films and is a fine example of the current era of great television. The brief synopsis is all one needs to know: Damien Thorn, a man who has been drawn to the darkness of humanity his whole life, but somehow is always protected from physical harm, must come to terms with the growing reality of his true identity, the Anti-Christ.
Production is solid, with top marks given to lighting. Darkness, strong shadows, and contrast are always present, at times unrealistically - but there is consistency to the look and feel that adds to the unsettling nature.
Casting is also excellent. Everyone is convincing, including the two leads, who were clearly cast for both ability and photogenic qualities. Damien's best friend may be the weakest link, but this speaks to the strength of the major players as a whole, because he's pretty good! Barbara Hershey and Scott Wilson have to be the real treat. Both are right at home, delivering top notch performances. Hershey emotes the love of a mother with truly sinister flair, and Wilson channels his best Donald Pleasence. Without this cast and their hard work, this show could easily be half as good. To this point, this show is certainly not for everyone. Some who can not suspend disbelief may find Damien tedious, even laughable. I too laugh aloud at moments, perhaps when I shouldn't - but I've always been like this with serious horror films, having a certain glee absorbing unspeakable content.
And what wonderful content! This show is not politically correct - throwing religious practice, emergency rooms, psychiatric wards, and military veterans hospitals all under the bus. Damien is not made to do any public service, but to entertain, and I applaud the unflinching approach. Meta scores be damned! Clearly this show is made for audience approval and not reviewers, who have become difficult to trust without first forming one's own opinion.
This is just the beginning too! With time to grow into multiple seasons Damien could really be special, and find a singular place. There is plenty of horror schlock, and murder saturated TV, but a serious supernatural thriller should have a place. Thank you A&E (didn't think I'd be saying that!).
Impressed and eagerly anticipating more, 8 out of 10
I'm a fan of serious horror movies like Rosemary's Baby, Exorcist III, Jacob's Ladder, (the wildly underestimated 2005) Stay, and the Omen films from which this show draws inspiration. There are seeds of all of these films present in Damien - with minimal jump scares, frequent disorientation, and a wonderful atmosphere of growing terror.
Damien continues the legacy of the Omen movies, and does so utilizing footage directly from the first classic for story development. Anyone who has seen the Omen knows there are truly memorable moments that have earned a place in the lexicon of the horror genre. Damien lives up to the best parts of these films and is a fine example of the current era of great television. The brief synopsis is all one needs to know: Damien Thorn, a man who has been drawn to the darkness of humanity his whole life, but somehow is always protected from physical harm, must come to terms with the growing reality of his true identity, the Anti-Christ.
Production is solid, with top marks given to lighting. Darkness, strong shadows, and contrast are always present, at times unrealistically - but there is consistency to the look and feel that adds to the unsettling nature.
Casting is also excellent. Everyone is convincing, including the two leads, who were clearly cast for both ability and photogenic qualities. Damien's best friend may be the weakest link, but this speaks to the strength of the major players as a whole, because he's pretty good! Barbara Hershey and Scott Wilson have to be the real treat. Both are right at home, delivering top notch performances. Hershey emotes the love of a mother with truly sinister flair, and Wilson channels his best Donald Pleasence. Without this cast and their hard work, this show could easily be half as good. To this point, this show is certainly not for everyone. Some who can not suspend disbelief may find Damien tedious, even laughable. I too laugh aloud at moments, perhaps when I shouldn't - but I've always been like this with serious horror films, having a certain glee absorbing unspeakable content.
And what wonderful content! This show is not politically correct - throwing religious practice, emergency rooms, psychiatric wards, and military veterans hospitals all under the bus. Damien is not made to do any public service, but to entertain, and I applaud the unflinching approach. Meta scores be damned! Clearly this show is made for audience approval and not reviewers, who have become difficult to trust without first forming one's own opinion.
This is just the beginning too! With time to grow into multiple seasons Damien could really be special, and find a singular place. There is plenty of horror schlock, and murder saturated TV, but a serious supernatural thriller should have a place. Thank you A&E (didn't think I'd be saying that!).
Impressed and eagerly anticipating more, 8 out of 10
Damien relies on the concept of Good VS Evil. The Protagonist we all know is the son of the Antichrist. However in human form he is shielded and protected and given good values. He has turned human but the Antichrist is trying to force him to kill. Death Surrounds him. People die wherever he goes. A Brilliantly executed show. Brilliant acting performances by Barbara Hershey , Bradley James, Omid Abtahi and David Meunier . I still cannot figure out why this show went off air,
Don't write too many reviews, but on this one had to - guess it's my way of putting out into the universe - please don't cancel! Don't know too many people who watch it, so I am concerned, but I really think it has something after 9 episodes in. Yep, it gets off to a slightly slow start (which wasn't a problem for me personally), and there are some serialized "TV show moments" in the beginning that don't quite work - the death of one main character in the first few episodes, as one reviewer wrote, did seem a little forced - it's forgivable, keep watching. If you were a fan of the original movie(s), you will appreciate the love the creators of this show have for them and how they tie everything in to a modern day story that still stays faithful to the original things to smile, laugh, and be creeped out about - the freakish deaths, the conspiracies, the cabals, the dramatic Gothic Damien 666 music, the killer Rottweilers, that feeling of dread cuz you know it's all going to hell from here. Actor playing Damien is good - does a good job of balancing his confusion and resistance about it all with the rising evil in him (lemme guess without looking, British, right?) And bonuses - Barbara Hershey blessing the show with her immense Jessica Lange-esque presence, and Scott Wilson. All in all, guys from Walking Dead produced this, and I trust their vision and direction so far. And please don't cancel lol
I liked it. I always expect first episodes to be pretty bland but I found myself invested enough to watch it straight through (no stopping for reedit breaks or from losing interest for a bit). The main actor is solid, the tension felt good and not forced or fake, and pacing was nice for a pilot. Also, A&E doesn't seem afraid of letting things get a bit graphic. It's not Hannibal levels, though it would be pretty cool if it got close to that point, but someone got messed up pretty good. It's nothing spectacular but it seems like its got a lot of promise. I'll definitely give it more than my usual 4-5 episode limit to see how it progresses because it's definitely caught my interest.
Le saviez-vous
- AnecdotesIgnores the events of Damien : La Malédiction II (1978), La Malédiction finale (1981) and La Malédiction IV : L'Éveil (1991), and continues after the first film.
- ConnexionsFeatured in WatchMojo: Top 10 Worst TV Dramas EVER (2018)
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