Moonlight Serenade

With all the violence, sex and murder films plus the giant screen spectacles, it is refreshing to find this small miracle of a film. I guess I must be the only one to like this, reading the other critics. I found this by accident and am glad I did. I became involved with the characters and their lives. Okay, they seemed small according to turmoils in today's films, but how nice to see a happy ending. And to hear pleasant music without the rock sounds. A very sophisticated movie with fine acting by all. Superb directing from Giancarlo Tallarico who also wrote the book of which Jonathan Abrahams brilliantly turned into a screenplay.

Amy Adams was perfectly cast as the pretty young girl in search of a singing career. Scott G. Anderson was the perfect match for her as a young financial adviser with his own torments. Togehter they brought genuine emotions to the screen. Adams said more with her eyes than any words could express and Anderson's breakdown scene at his mother's piano was honest and heartbreaking. Bravo to each of them. JB Blanc brought the tension as the boss of the finance company and Harriet Sansom Harris was thoroughly delightful in the role of Anderson's assistant who brought some fine acting moments as well as a fine singing voice to the fold.

This was an excellent film and I commend the producers, director and writers as well as all the cast for treating us to this delightful little valentine of a movie. Thank you.

Amy Adams' exceptional singing voice is just about the only thing that Moonlight Serenade has to sell. I would never expect greatness from a 90 minute, indie flick that did not get commercial release, but this one left me disappointed. Amy Adams is not exactly a cheap b-movie star. If I had managed to cast her, I would make sure I gave her a script that was worth her time. I would not be so lazy as to resort to a recycled formula, which this is. The story is also sappy, superficial and it feels over rushed. Even the music numbers are too short. If Enchanted was too sappy for you, I hate to say it, but you won't get any luckier here.

This is a small scale romance between two musicians who lead different lives. The two are not so much victims of circumstance but rather of coincidence (and not the good kind). The story doesn't even attempt to go into depth with them, preferring to offer a couple of lame time-lapse montage from which we are meant to assume that they are making progress in their relationship. But as a lawyer will tell ya, nothing is true without the facts, and we cannot believe it till we see it. There are also a few show stopping numbers, which take place outside the context of the story. Seeing as this is not a musical nor a fairy tale, it feels equally lame (As if people break out into song in real life).

All that Moonlight Serenade has to offer are a few segments of Jazz tunes (and maybe one complete tune), scattered throughout a feeble love story, which has been done before (and I have a feeling it will be done again for years to come)

I love Amy Adams, I love to hear her sing. Scott Anderson also has a good voice...but...OMG, he can't act. I just didn't believe anything about his character. He was as stiff as a board, even when he was singing. He needs to take a clue from great actors, and show some emotion on his face.

I did enjoy the supporting actress; she's been in a lot of other movies, but I never knew she could sing. A really nice song and the director put in some very nice cut-aways during her song.

I just don't think Amy Adams can do a bad movie. I just love watching her in everything she does.

I think this film deserves a positive response. It's a small romantic jazz musical, fairly low-produced, I guess shot in HD and in short time, with slow rhythm, editing not always smooth and seamless, but with solid performances and altogether a rewarding story.

Amy Adams is of course the big name here and she is lovely and interesting as usual, but the main actor is Scott G. Anderson. Sort of a momentous Matt Damon with a face not at all unlike Willem Dafoe, especially when laughing. You know, that kind of a devilish laugh with lips high into the cheeks.

I enjoyed the music and the story morale. Nothing grand, an okay treat nevertheless.

I confess I found this film irresistible. It's primarily a vehicle for a terrific score, consisting almost entirely of the superb performances and arrangements of Joey DeFrancesco (Frank D). What a pleasant showcase for classics from sorely missed show tunes and jazz of the 40's and 50's, all capably rendered by Amy Adams and Scott G. Anderson. DeFrancesco, incidentally, not only plays the Hammond B, but also piano and trumpet in the movie score (though his Frank D is seen performing only on the Hammond B in the film itself). The film seems to have been somewhat inspired by Steve Koves' Fabulous Baker Boys (1989), though it's not up to the outstanding production values of that film, or the first-rate performances of Jeff and Beau Bridges and (especially) Michelle Pfeiffer, who received an Academy Award nomination. Nevertheless, I thoroughly enjoyed Moonlight Serenade for ALL the reasons that others who posted here have already pointed out. It was great to hear these wonderful, time-tested classical popular and jazz compositions again. I own the film and would love to find the sound track, but no luck so far.