NOTE IMDb
5,4/10
19 k
MA NOTE
Un fainéant est obligé de travailler avec son beau-père après que sa femme enceinte démissionne de son boulot qui les faisait vivre.Un fainéant est obligé de travailler avec son beau-père après que sa femme enceinte démissionne de son boulot qui les faisait vivre.Un fainéant est obligé de travailler avec son beau-père après que sa femme enceinte démissionne de son boulot qui les faisait vivre.
- Réalisation
- Scénario
- Casting principal
Yaffit Hallely
- Woman
- (as Yafit Hallely)
Robert John Burke
- Colonel
- (as Robert Burke)
Avis à la une
A fairly amusing show where Braff's character deals with a co-worker in a new job that had had a thing with his wife in high school. This comedy doesn't bring anything new to the genre, but is a fair watch overall with some interesting elements.
The Good: Appropriate length, Fair acting, Great gag reel (after some credits start rolling), amusing overall, villain is mean, but doesn't cross the line- after all comedies are not about sadistic, truly evil villains. They are usually funny, selfishly misguided people, and Bateman fits the bill perfectly.
The Bad: Too much slapstick humor, had more potential, some scenes were unfocused and with no real purpose.
The Good: Appropriate length, Fair acting, Great gag reel (after some credits start rolling), amusing overall, villain is mean, but doesn't cross the line- after all comedies are not about sadistic, truly evil villains. They are usually funny, selfishly misguided people, and Bateman fits the bill perfectly.
The Bad: Too much slapstick humor, had more potential, some scenes were unfocused and with no real purpose.
Writers David Guion and Michael Handelman and director Jesse Peretz must have called in a lot of favors when they made "The Ex," for how else to account for the presence of Zach Braff, Amanda Peet, Jason Bateman, Charles Grodin, Mia Farrow, Amy Poehler, Fred Armisen, Paul Rudd and Amy Adams in as slight an indie comedy as the one they have manufactured here? And "manufactured" is definitely the operative term in this case, for "The Ex" feels contrived and phony from the get-go.
After he gets fired from his job as a chef in an upscale Manhattan restaurant, Tom Reilly (Braff) moves with his wife and infant son back to her hometown in Ohio where he gets a job at the same ad agency where his father-in-law (Grodin) works. One of the employees, Chip (Bateman), an old flame of Tom's wife, Sofia (Peet), tries to sabotage Tom at every turn, undercutting him at work and trying to rekindle the romance between Sofia and himself.
"The Ex" fails on a variety of levels, but the primary one is that, while it is supposed to be a satire of small town, middle American values, most of the characters - with their New-Age quirkiness and bohemian eccentricities - seem as if they'd be more at home living in some converted loft in Soho than on a tree-lined street in suburban Ohio. The setting of "The Ex" doesn't feel like Anyplace, USA; in fact, it doesn't feel like anyplace, period, except maybe the fantasy world of two overpaid Hollywood screenwriters. Add to this an assortment of unappealing and unappetizing characters, a tendency towards sitcom-level humor and plotting, and an over-reliance on heavy-handed slapstick and sight gags, and you have one of the major comedy disappointments of 2007. Braff is definitely a talented actor, but "The Ex" is a career path misfire that should be mercifully forgotten
After he gets fired from his job as a chef in an upscale Manhattan restaurant, Tom Reilly (Braff) moves with his wife and infant son back to her hometown in Ohio where he gets a job at the same ad agency where his father-in-law (Grodin) works. One of the employees, Chip (Bateman), an old flame of Tom's wife, Sofia (Peet), tries to sabotage Tom at every turn, undercutting him at work and trying to rekindle the romance between Sofia and himself.
"The Ex" fails on a variety of levels, but the primary one is that, while it is supposed to be a satire of small town, middle American values, most of the characters - with their New-Age quirkiness and bohemian eccentricities - seem as if they'd be more at home living in some converted loft in Soho than on a tree-lined street in suburban Ohio. The setting of "The Ex" doesn't feel like Anyplace, USA; in fact, it doesn't feel like anyplace, period, except maybe the fantasy world of two overpaid Hollywood screenwriters. Add to this an assortment of unappealing and unappetizing characters, a tendency towards sitcom-level humor and plotting, and an over-reliance on heavy-handed slapstick and sight gags, and you have one of the major comedy disappointments of 2007. Braff is definitely a talented actor, but "The Ex" is a career path misfire that should be mercifully forgotten
Just like most people who've written reviews for this film, I too was excited to hear about a film staring two great comedians like Braff and Bateman. How could you go wrong with these two? However, with two inexperienced writers and one inexperienced director; it's not hard to see where this film goes wrong.
The script is at times, very poor and extremely lacking in intelligent or deep humor, the characters are one dimensional and there are a lot of pointless and derivative scenes. There is no real chemistry between Braff and Peet and the soundtrack is somewhat lacking.
It's really awful to see such amazing talents go to waste in such a simple and shallow comedy such as this.
There are however, some great ideas in this film; the only shame is that they are not explored in their comedic entirety. Braff and Bateman are as usual, wonderful and do the best they can with the characters and the script they were given.
The script is at times, very poor and extremely lacking in intelligent or deep humor, the characters are one dimensional and there are a lot of pointless and derivative scenes. There is no real chemistry between Braff and Peet and the soundtrack is somewhat lacking.
It's really awful to see such amazing talents go to waste in such a simple and shallow comedy such as this.
There are however, some great ideas in this film; the only shame is that they are not explored in their comedic entirety. Braff and Bateman are as usual, wonderful and do the best they can with the characters and the script they were given.
what to say, well the film was average, nothing brilliant but it did manage to hold your attention until the end.
Both leads were fine, again not brilliant but if anyone steals the show i would say that had to be Jason Bateman. He was your typical Villain type character but played his part well attempting to win the sympathy vote being wheelchair bound, not quite as Crude as "The Ringer" was in this area. Charles Grodin looked exceptionally old, the last time i saw him was with De Niro in Midnight Run but he has aged.
The film didn't have a real chance to loose your attention though at only 78 minutes. It has some silly funny moments but on the whole i would have to say go and watch it and make your own mind up after all you are reading my comment now but in your heart will what i say sway your decision on whether to watch this film.
Both leads were fine, again not brilliant but if anyone steals the show i would say that had to be Jason Bateman. He was your typical Villain type character but played his part well attempting to win the sympathy vote being wheelchair bound, not quite as Crude as "The Ringer" was in this area. Charles Grodin looked exceptionally old, the last time i saw him was with De Niro in Midnight Run but he has aged.
The film didn't have a real chance to loose your attention though at only 78 minutes. It has some silly funny moments but on the whole i would have to say go and watch it and make your own mind up after all you are reading my comment now but in your heart will what i say sway your decision on whether to watch this film.
Zach Braff ("Scrubs"), Amanda Peet ("Studio 60..") and Jason Bateman ("Arrested Development") help this little film just over the "average" bar. Even though their characters are pretty shallow, they put in a good performance and partly succeed in making you forget about the shabby script. There are a couple of funny moments, but without this cast the movie would have fallen apart, its strictly formulaic approach and lack of any inspiration just being too obvious. It's not as bad as "The Last Kiss", but Braff should choose his options more wisely, unless he wants his well-deserved Garden State acclaim to go down the drain.
Recommended only for fans of the above-mentioned stars, the rest of you is not missing out on anything.
Recommended only for fans of the above-mentioned stars, the rest of you is not missing out on anything.
Le saviez-vous
- AnecdotesCharles Grodin's first film role in 13 years.
- GaffesTom and Manny walk down a street supposedly in Ohio. In the background, however, we can clearly see the High Line, an abandoned elevated railway in Manhattan.
- Citations
Sofia Kowalski: [Abby March makes comment about how Sofia isn't a happy person and Abby thinks it's bad for baby Oliver] You know what I think? You're an idiot. And your son Petey... is a dipshit.
- Crédits fous"Harold and the Purple Crayon" by Crockett Johnson is published by HarperCollins, but the credits write it as "Harpers Collins."
- Versions alternativesSPOILER WARNING The version of the film on the Unrated DVD is drastically different than, and is in fact shorter than, the theatrical release. The plot point in which it is revealed that Chip was faking his handicap is never revealed. The following scenes are removed from the film:
- The hospital scene where Oliver is born and named.
- The scene where Tom plays basketball with Chip in a wheelchair.
- The scene between Tom and Chip in the locker room.
- The scene in which Chip reveals he can walk to Tom.
- The scene in which Chip reveals he can walk to Sofia, Wesley and Wesley's father. (This appears as an alternate ending on the DVD)
- The scene in Barcelona where Chip is at the Idea building. However, the Unrated version has several short new scenes including:
- A bizarre dream that Tom has.
- More of Amelia's Spanish speaking.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Spider-Man 3/Lucky You (2007)
- Bandes originalesDrinks for Two
Written and Performed by Paul Williams
Published by Cypress Creek Music (ASCAP)/Ocean Ridge Music 1 (SOCAN)
Courtesy of 5 Alarm Music
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 3 093 394 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 394 229 $US
- 13 mai 2007
- Montant brut mondial
- 5 178 640 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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