Les Oubliées de Juarez

The story talks about Lauren(Jennifer López), an obstinate reporter working in Chicago Sentinel. She's assigned by her chief(Marin Sheen) going to a Mexican Bordertown, where in location of Juarez occur a series of killings when the workers are forced displacement. Eva(Zapata)is cruelly raped and with the help of Lauren and a Mexican journalist(Antonio Banderas) investigate the events. Eva is being protected by Mexican owner (Sonia Braga) but she flees and is caught by the border policemen when has to testify against the rapist. Meanwhile in order to discover the deeds Lauren is working in a Juarez factory where the workers are tired of being nothing more than manual laborers . Lauren gains trust of local factory proprietary(Juan Diego Botto).

Although this movie is fictional, at times it feels like a documentary. The story blends suspense, intrigue, violence and political denounce. Also deals the hardships work told in graphic detail, recounting a relentless criticism to NAFTA(North American free trade) organization . This is a dramatic and serious movie where the starring- well performed by Jennifer Lopez and Antonio Banderas- encounter in the midst of deep struggle oppressive forces outside their control, as they confront against nasty killers and corrupt people. Evocative musical score by Graeme Revell and colorful cinematography by Reynaldo Villalobos. The film was nominated for Golden Berlin Award. The motion picture is expertly directed by Gregory Nava. He's a specialist on Mexican thematic, such as 'Selena, A time of destiny, My Family', and his best movie: 'The North. This film will make you think twice about the product buy or make you food for the reason of long hours in jobs and low wages.

This is not the kind of movie I usually see, and I must admit that while watching it on TV, I gradually realized that it was not the documentary film I expected. The story is based on a horrifying and tragic reality of raping and killing of women on the Mexican border, of which I did not know anything, as underreported throughout the world. The movie has so the laudable merit of bringing to light and denouncing the terrifying drama of thousands of women being raped and disappeared in those waste lands, working in those appalling "maquilladoras", where even the most basic human rights are completely disregarded, and where deep economic interests prevail over respect for human dignity. However, as the story progressed, I realized it was more an action-thriller than a documentary picture, standing out for gripping though improbable, twists, a tense and quick pace, intertwined with some more relaxed and relaxing moments, which appear as really improbable and above all of bad taste and out of place if we consider the grave topic of the movie. It is as if that worthy aim gives way to more entertaining and market needs. So my doubt was: how can such a highly committed movie be bent to the logic of the box-office? How can you shift your attention from scenes of rape of terrifying violence to the underlining of J. Lo's perfect silhouette? It is evident that the production aimed at attracting audience through an attractive cast and some shrewd devices, such as pacing action, a thriller-plot, sentimental flash-backs, some entertaining music, thus losing its seriousness and credibility. I watched it till the end, because it was gripping and, like all thriller movies, you want to know how it ends up, but I realize this is not the reason why I should have wanted to see it till the end, and in this sense I think it is, in the end, a failed movie.

Lauren Adrian (Jennifer Lopez) is a reporter for the Chicago Sentinel. She is forced by her boss (Martin Sheen) to go to Juarez to do a story about a series of mysterious murders of young factory women who are attracted to the new jobs at the maquiladoras. She doesn't speak much Spanish and reconnects with independent reporter Alfonso Diaz (Antonio Banderas). The police is corrupt and trying to cover up the murders. Eva Jimenez (Maya Zapata) is a young woman who was taken by a bus driver to the dump where him and another man raped her and left her for dead. The only person she trust is Diaz. She goes to his newspaper but the police is close behind. Diaz is taken in by the police leaving Eva and Lauren alone together.

Writer/director Gregory Nava got a couple of A-list stars to do small roles in this but it's Lopez that's asked to carry this thing on her shoulders. She needs help as an actress to keep this movie moving. Banderas is good but he's not in this enough. The movie keeps separating them which is a mistake in my opinion. The story is ripped from the headlines with some action added in. Nava isn't good at the action scenes. This is generally a weak construction. There isn't much of a mystery since everything is laid out right in front of us. It struggles to be a thriller or a mystery. Nava doesn't have the skills and the tension is very low. Then Lopez goes undercover and all the logic goes out the window. I don't know why she has to work in the factory since they know it's the bus driver. Also I don't know why she doesn't have somebody follow the bus. It's a bus and isn't that hard to follow. But the movie isn't done and it keeps going down the rabbit hole.

Straight up review: 6/10 (just finished watching... initial impressions)

A deep fascinating film that I assumes is based on real life. Unfortunately it cannot hold a candle to similar films like "City of God", "Hotel Rwanada" or "Blood Diamond". Honestly makes me question whether i want to visit Mexico or not (is it safe?).

Why 6/10?

• believable and seems to follow possible real life.

• poor acting

-strange flow

• I had difficulty relating to the story and the characters, but i was curious and did continue to watch. Most successful stories draw you in to the drama and life of the main characters. Unfortunately the all-star cast Antonia Bandaras and JLO just couldn't do it.

• most people outside of that area probably won't relate

• The theme of Corporate Industrialist pseudo 1800s robber barons seemed contrive and poorly tacked on or just didn't fly as well. (albeit it might be true)

=> Cool idea but not compellingly done nor could I relate or be drawn into the story. Good try. Better luck tomorrow! => Movie or Video: if your from the community in question I guess theater but for everyone else save your money and rent.

"It isn't free trade; it's slave trade; it's a ... scam", yells investigative reporter Lauren Adrian (Jennifer Lopez), to her newspaper boss George Morgan (Martin Sheen). They're arguing about the North American Free Trade Agreement (NAFTA), the villain in this film about the injustices of NAFTA border factories toward their women workers, and in particular about the border town of Juarez, on the Rio Grande, across from El Paso, Texas.

The script's characters and plot are fictional. But they are set against a backdrop of a real-life situation that has been going on for years. Poorly paid young Mexican women are raped and killed in these NAFTA border towns. Nobody really cares, least of all the cold corporations that employ the women.

In "Bordertown", George Morgan sends Lauren to Juarez to get a story. She does. But what she finds is that the real killers are more powerful and shadowy than she imagined. It's a situation not unlike what Karen Silkwood faced when she tried to investigate a nuclear plant.

The film is thus highly political. Its message overpowers the story. Most viewers will sympathize with the message. But what about the story? The characters are not entirely believable. For example, the young Mexican woman whom Lauren befriends can't seem to speak English when they first meet. And Lauren says she can't speak Spanish. Yet later, the young woman and Lauren chat up a storm both in English and Spanish, a dialogue necessity, no doubt, to placate viewers. The plot's climax is Hollywood sensationalized, which detracts from the authenticity of the message.

Color cinematography is very high contrast, which works well, given the good vs. evil theme. Prod design and costumes are quite realistic. The filming in Mexico gives credibility to the story, though filming entirely in Juarez was not possible owing to the physical danger. Acting is acceptable. Lopez does a fine job.

My impression is that "Bordertown" was not given a proper theatrical release here in the U.S. because of its tough political message, which speaks volumes, if true. But despite some imperfections in its script, the film deserves to be seen by viewers, and specifically because of that potent underlying message.